After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.
OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.
Love Island’s formulations have begun to seem increasingly sinister. Last summer’s season (series twelve) saw a particularly high number of complaints.
‘Nowadays all cats appreciate are coloratura,’ Salieri says gravely ‘like the rest of the Public’. This sums up Peter Shaffer’s Amadeus (which is currently...
Toad of Toad Hall A.A Milne’s adaptation of Kenneth Grahame’s 1908 beloved classic The Wind in the Willows, is a testament to throwing responsibilities...
This review contains spoilers and mentions of sexual violence.
What would society look like if three-quarters of the male population disappeared? Ōoku: The Inner Chambers...
The Oxford Greek Play is a bizarre tradition: an undergraduate foray into Greek tragedy which first occurred in 1880 and has continued triennially ever...
Read the latest from The Source!Content warning: addiction
That sticky sweet smell lingers in the air, flickering and dissipating again and again, a smoke cloud...
“Portrait photography without women would be a sorry business.” (Yevonde Middleton, 1921)
I walked into the Yevonde: Life and Colour exhibition at the National Portrait...
Read the latest from The Source on the theme of identities. Content warning: self-harm, homophobia.
She was 15 years old,With empty eyes of sorrow and...
A play about friendship, breakdowns, a chicken sandwich, existential questioning and a nosebleed, Sampi at the Burton Taylor Studio is a piece of new...
Kiaya Phillips in conversation with Andrew Raynes (director) and Will Shackleton (who plays Louis) of Happier Year Productions' version of Tony Kushner's award-winning play,...