Love Island’s formulations have begun to seem increasingly sinister. Last summer’s season (series twelve) saw a particularly high number of complaints.
‘Responding to AI’ an exhibition curated by Aniq Shamshi and Alice King, confronted the question of how artists perceive artificial intelligence directly.
Fresh from the success of their debut production, Lighthouse Productions are set to deliver their second show: Andrew Bovell’s Things I Know to Be True (2016).
This review contains spoilers and mentions of sexual violence.
What would society look like if three-quarters of the male population disappeared? Ōoku: The Inner Chambers...
The Oxford Greek Play is a bizarre tradition: an undergraduate foray into Greek tragedy which first occurred in 1880 and has continued triennially ever...
Read the latest from The Source!Content warning: addiction
That sticky sweet smell lingers in the air, flickering and dissipating again and again, a smoke cloud...
“Portrait photography without women would be a sorry business.” (Yevonde Middleton, 1921)
I walked into the Yevonde: Life and Colour exhibition at the National Portrait...
Read the latest from The Source on the theme of identities. Content warning: self-harm, homophobia.
She was 15 years old,With empty eyes of sorrow and...
A play about friendship, breakdowns, a chicken sandwich, existential questioning and a nosebleed, Sampi at the Burton Taylor Studio is a piece of new...
Kiaya Phillips in conversation with Andrew Raynes (director) and Will Shackleton (who plays Louis) of Happier Year Productions' version of Tony Kushner's award-winning play,...
Loyle Carner’s 2022 album Hugo openly grapples with his heritage and identity, his performances openly discuss climate change and racism, and he even samples...
“Yeah, I liked it, I just wasn’t expecting it to be so political” declared my (female) friend as we discussed Greta Gerwig’s record-breaking comedy....