Culture

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

Testing my patients: ‘The Effect’ at the BT Studio reviewed

Necessarily navigating the difference between ‘side effects’ and reality, the play strikes a fine balance between what one thinks and what one feels.

Culture Billy Skiggs -

‘The Harrowing of Hell.26’ reviewed

Fundamentally, The Harrowing of Hell.26 is a finely acted, well-produced play which was enjoyable enough to watch, but its conclusion is unsatisfying.

Culture Arun Lewis -

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Andrew Grey evaluates Nick Hewer's first appearence on Countdown

Review: The 2 Bears – Be Strong

James Shirley runs through The 2 Bears' successful debut album

Review: Leonard Cohen – Old Ideas

Richard O'Brien attends an intimate gig and Q&A session with Leonard Cohen as a preview to his new album, Old Ideas

Tim Hecker: organs, long-form and the death of rave

Harry Scholes talks to Tim Hecker about his latest album, Ravedeath, and his upcoming London concert

Shedding light on film noir

Matthew Perkins continues our Decades in Film feature, with films of the 40s

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Nathan O'Neill enjoys the blood and gore of Michael Dowse's ice-hockey comedy

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Nicholas Mutch looks at the latest incarnation of Margaret Thatcher

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Memorialising Mephisto

Jessica Campbell on fascism and foreplay in the second Playhouse production this term

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Culture

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

Testing my patients: ‘The Effect’ at the BT Studio reviewed

‘The Harrowing of Hell.26’ reviewed

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