Saturday 8th November 2025

Culture

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s 

Lovers mismatched, siblings detached, and plans of trickery hatched: it is the time of year for Shakespeare’s Twelfth Night (otherwise known as What you will), performed in St Hugh’s...
Culture Mary Stillman -

Sin and nectar: Behind the scenes of ‘Women Beware Women’

I arrived at a rehearsal of Women Beware Women and found Hippolito (Kit Parsons)...
Culture Tomas Overton -

Well-managed complexity: ‘In Praise of Love’ 

In Praise of Love by Terence Rattigan was a play well-chosen in today’s political...
Culture Charlie Bailey -

Fashion around Oxford – Iggy Clarke

Iggy Clarke, the president of the 2025 Oxford Fashion Gala, shares her style secrets and where she’s shopping right now.
Culture Antonia Rogers -
Latest

Review: Swing!

O'Reilly, 4th week

Student Play

BT Studio, 4th week, Tuesday - Saturday    

First night review: Rosencrantz and Guildenstern Are Dead

O'Reilly Theatre 3rd Week Tues - Sat

First Night Review: A Doll’s House

Oxford Playhouse 6-10 May 

The Futureheads – “This is not the world”

Monique Davis is underwhelmed by The Futureheads' latest offering

Interview: Mystery Jets

Harry Thompson meets the Mystery Jets.

Video: Wadstock 2008

Interview: Amara Karan

Ruth Banks talks to the self assured star of St Trinian’s and The Darjeeling Ltd. about her improbable rise to fame.

Review: Joy Division

Out 2 May

Review: Nim’s Island

Out 2 May

Interview: John Hurt

Ben Williams talks to a cinematic icon.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Jack McManus – ‘Either Side of Midnight’

Review by Chris Cooling.

The Loose Salute – ‘Tuned to Love’

Review by Jim Armshaw

Interview: Pendulum

Thomas Barrett speaks to drum and bass stars Pendulum.

Review: The Sabotage Café

Amber Coakes reviews Joshua Furst's new novel.

Gift Exchange

Gift Exchange Ovada Gallery Until 24th May

Review: Kill Your Friends

John Niven’s debut novel draws on the writer’s own experience as an A&R man in the late nineties, but its stab at postmodernism are clumsy.

Review: The Audacity of Ideas

OFS

Review: Rozencrantz and Guildenstern

O'Reilly Theatre
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