Culture

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup everyday' on his New Year's...

Art Ava Doherty -

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Culture Miriam Hussain -

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much...

Culture Radhika Bhargava -

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Books Ngoc Diep -

Latest

The Kooks – “Konk”

Dan Rolle reviews The Kooks' new album.

Review: Fool’s Gold

Charlie Martin reviews Fool's Gold.

Back to basics: Super 8

Nick Westfield delves into the Super 8 archives.

Review: Persepolis

Greg tate reviews the adaptation of Marjane Satrapi's graphic novels.

A positive sample

Begging, stealing or borrowing? Not so, says Robin Whelan.

Review: In Bruges

Laura Williams reviews Colin Farrell's latest venture.

Chick-on-chick flicks

Rowan Parks visits the 22nd Gay and Lesbian Film Festival.

Neighbourhood Watch: Chris Chan

Thomas Barrett meets Chris Chan, organ scholar supreme.

Great Novels: Gravity’s Rainbow, by Thomas Pynchon

Gravity’s Rainbow, Pynchon’s manic schizophrenic novel, originally titled ‘Mindless Pleasures’, is a quasi-sequel to his previous work V, which had appeared in 1963 to...

Review: Mort

Thank heavens Mort is showing in 8th Week of Hilary: the term of sickness, stress and freak exams for an unlucky few. Well –...

Panel Discussion: The Role of the Art School in the 21st Century, Modern Art Oxford

Richard Wentworth, Master of the Ruskin School of Drawing and Fine Art, initially seemed slightly taken aback to discover that he was the sole...

Concert review: Tomas Gould & John Reid play Schubert, Szymanowski and Schumann

Holywell Music Room, 2nd March 2008Wandering past a posterboard for the Holywell Music Room coffee concerts it is easy to feel a twinge of...

Classical review: Oxford Chamber Orchestra play Copland, Barber and Haydn

Sheldonian Theatre, 8.30pm, February 29th 2008The Oxford Chamber Orchestra, under the direction of Jonathan Williams, gave a programme connecting the 20th century back to...

Roth by numbers – a review of Philip Roth’s latest novel, ‘Exit Ghost’

Nathan Zuckerman, a writer living out his winter years in rural isolation, believes he finally has a handle on unpredictability. Prostate cancer has left...

Ready For The Floor?

James Louis Gallagher reviews Hot Chip live at the Carling Academy Hot Chip’s reputation as one of the best live bands on the electro scene...

Quills

After the Moser’s lavish costume drama Dangerous Liaisons in third week, the powdered wigs and buckled shoes return for this gripping production of Quills at the OFS

Review: Dangerous Liaisons

by Frankie Parham *** Beneath all the powdered wigs and tightly strung corsets, 18th century France was bursting with selfish, sex-crazed,...

Wanted: one Alistair Campbell

The REAL election '08I picked up this election leaflet (pictured) outside Frankfurt University the other day. It's from the far-left Party for Social Equality...

Single review: ‘Beautiful Burnout’, Underworld

Underworld is the electronic mastermind duo of Rick Smith and Karl Hyde. 2007 saw them return to the arena of exciting and experimental electronica...

I want to break free

Collections are over, Oxford’s wetter than the North Sea and the transition from Hollyoaks addict to workaholic is not going smoothly. Time to get...

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Culture

Beyond the binary: Leigh Bowery’s radical individuality

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

Just like the movies: An American’s notes on her Oxford year

Reading Oxford books in Oxford

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