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Cherwell Introducing: Phoebe Blue

Joining me this week is the radiant Phoebe Blue, a 2nd year classicist at Balliol, singer-songwriter, and bassist. Meeting me on a blustery Saturday afternoon outside the Ashmolean, Phoebe...

Artificial insights: Decoding diversity and redefining art history with AI

In the age of AI-enhanced art, the possibilities for creativity and cultural exchange are limitless—and inclusive.

War, Peace and Writing

Throughout history, art has left an indelible cultural impact on humanity’s collective understanding of...

Review: ‘Long Day’s Journey Into Night’

I walked into the Wyndham Theatre’s production of Long Day’s Journey Into Night by...

Film around the world – Turkey’s Atıf Yılmaz

Atıf Yılmaz was a Turkish film director. Until his death in 2006, he was...

Review: The Lovely Bones

Sophie Adelman picks over the bones of a lacklustre adaptation

The Empire strikes back, or just a clone war?

The sub-par and the sublime in two London subcontinent shows

To infinity and beyond

Umberto Eco's lists leave us wanting more

Review: Life is sweet! Nice to meet you

Lightspeed Champion's latest offering is an exclamation of exuberance

To Kingdom Come

Our music editor chats to Animal Kingdom's Richard Sauberlich

The breaker of boundaries

Novelist Louis de Bernieres charms Cherwell with his gentle humour

Review: Crazy Heart

Star wattage illuminates an otherwise dull film

Cherwell’s Weekly Photo Blog: Take Five!

Take a look at some excellent Oxford photography - and send in your own!

Ruddigore: First Night Review

A riotous romp at the O'Reilly

Review: The Invention of Love

This evocative production left Alex du Sautoy misty-eyed

Review: Crave

Will Granger reviews this brave attempt at a daunting script

Review: Vinegar Tom

Go to be provoked rather than entertained, says Ellie Hindes

Review: The Philanthropist

A funny, mature and professional production, says John Warriner

Review: The Aphorist

This show's potential overpeers its problems, says Josh Baldwin

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