Labyrinth Production’s staging of Patrick Marber’s 1997 play, Closer, was an ambitious move for a student-run production company. Ambitious as it was, the cast themselves put on a strong...
"Even if there were a sense of restriction, it would feel a little tone-deaf to mourn the old, ‘normal’ gallery visit." Josie Moir ponders our experience of galleries and museums in a COVID-19 Age
Musical movies, juxtaposed with and exposed by realism, make me feel more. They make everything hurt more when you watch them fall apart, but they make the highs even higher.
Set in the mystical woodlands surrounding Athens, with its cocktail of magic, love triangles, and donkey-human hybrids, Shakespeare’s A Midsummer Night’s Dream has always...
In Repeat Attenders (2020), a legion of
loyalists to musical theatre take their turn in the spotlight. The documentary introduces
us to repeat attenders of theatre...
Florence Given sells feminism as what it is: freeing and utterly delicious. She affirms and articulates precisely the points it feels so hard to put your finger on sometimes.