Culture

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Culture Eoin Ware -

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...
Books Abigail Riley -

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...
Art Lara Solie-Tuluie -

Good grief! Why do we feel for the death of fictional people?

Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Culture Jas Mauj -
Latest

The era of digital drama

When you imagine ‘going to the theatre’, an image of you in your dressing gown, sitting on the sofa and eating popcorn probably doesn’t come to mind....

‘The Yellow Wallpaper’: A study of depression during confinement

TW: discussion of mental illness, suicide “It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.” As the...

Uniquely comforting consolation: a look at Netflix’s Tiger King

A show perfectly designed to offer release has to do that without troubling itself with the burdens of social responsibility

An Afternoon in Late Autumn

And I was all the warmth and life on earth.

Comfort Films: What We Do in the Shadows

Niche is one way to describe a dark comedy about a group of vampires muddling through day-to-day life in Wellington suburbia. However, Taika Waititi...

Titian behind closed doors: the ethics of an erotic gaze.

“Anybody who loves painting loves Titian.” With these bold words and the familiar, if rather flat, echo of Einaudi’s piano, the BBC streamed, digital...

Friday Favourite: The Waves

The Waves by Virginia Woolf is a book that I unapologetically love. As an English student with a long reading list, I don’t tend...

Music History: Django Reinhardt

George Newton reflects on the life of the jazz guitarist who defined an era.

Oxford love can hurt like this

Okay, I thought, when I found myself two weeks into lockdown: NOW is the time to finally read that copy of Brideshead Revisited I...

Review: Corpus Christi

Once in a while you want to remain in your seat after the closing credits appear - you find yourself unable to simply get...

Richard II, coronavirus and creativity – in conversation with Dorothy McDowell

It seems like there’s enough drama happening in the real world to justify dark theatres and empty stages. The Edinburgh Fringe has been cancelled,...

Can museums be decolonised? The restitution question

The first step of reckoning with our colonial past is recognising its remaining presence. Every aspect of modern life is informed by the spoils...

Better to burn out or fade away? The crafting of musical legacy

Annabelle Grigg questions our valuing of self-destructive behaviour in the music industry.

Love, sex and psychedelics in 70s San Francisco

Pride. Sex. Psychedelics. The words spring to mind quickly when thinking of San Francisco in the seventies. Between the tail end of an active...

Review: Portrait of a Lady on Fire

It’s strange to talk about love in a film review. It seems to be the object of universal pursuit, or rather, more frequently, the...

Eventual Ghosts

As we sailed on enthralled in the pursuit of some ardent glory

Punctuate As The State Sees Fit

Before we were mad We could dance as we wanted

We are a backwards people

The sun revolves around the Earth which revolves around our moon and the twinkling little stars.

Shoulder

She leant back and let the blade of his shoulder frame the picture, for that’s how she would replay it in her head.

Oxford By Night

Immortality comes not in cobweb, but in gold tinged stone.
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