Culture

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...

Good grief! Why do we feel for the death of fictional people?

Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?

Day to live, day to love

Today is a Sunday, and today is a beautiful day to be alive

Walking Together

Because I’ll miss you became The I love you for friends

Anxiety and Me

If I am having a bad day I am going to tell you and have no shame about it.

Wandering Walser

Walser died in the same style in which he wrote: he went on a lonely walk and never came back.

New Year

Redrafting a life with no object for feeling

Beyond the window

Fated to be caught perpetually behind the window, always waiting for that elusive tomorrow.

Bringing together Oxford’s zines

In light of the current coronavirus situation, we at Cherwell are interested in bringing together student zines to publicise Oxford's writing community. Many students in...

Album Review: Dua Lipa’s ‘Future Nostalgia’

Emily Cope defends Dua Lipa's position as 'Britain's leading popstar'.

A little clueless never hurt nobody: the value of revisiting old favourites

Re-watching allows us to change and to recognise growth within ourselves

The Virtual Museum: Can technology transform the gallery space?

Curators must employ the technology of the future to breathe life into the past.

An Introduction to K-dramas

On the 9th of February 2020, history was made at the Oscars when Bong Joon-ho’s Parasite became the first ever non-English film to win...

Friday Favourite: The Things They Carried

In the perverse manner of a bored and immature conscript in peacetime, I spent my weekends off in 2015 and 2016 consuming as much...

Album Review: Ruthie Collins’ ‘Cold Comfort’

Maxim Mower finds much to praise in a maturely sombre new country music star

Review: La Peste

‘Nous sommes en guerre’, Macron said in his address to the French nation on 16th March. At the time, my mother and I thought...

Review: I Lost My Body

I Lost My Body (in French, J’ai perdu mon corps) tackles issues of love, loss and maturity, all through a series of flashbacks in...

Live Review: Jon Hopkins at the Brighton Dome

Jon Hopkins is not so much a polarising figure as one whose music can appeal to people for precisely opposite reasons. As beloved to...

#IsolationCreations: How the Ashmolean is encouraging creativity in isolation

Prompted by an object from the collection, anyone may share a creative response

quarantine hands

Fingers like pharaoh’s doomed to crumble

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