Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...
The recent shake-up in diverse roles in Hollywood has repercussions for the balance of power of the entire industry -- as long as this new wave of films don't sacrifice quality for publicity.
The film may be based on an outrageous true story, but little will prepare you for Spike Lee's polemical parallels between the 1970s and the current state of America
In film characterisation today, art mimicking reality is not the desired outcome. Instead, art is used as a catalyst for wider representation, to inspire us to reflect on ourselves, to be better.
Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'