Culture

Jacob Collier is on scintillating form at Love Supreme

Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first major festival headline show. Wearing his...

Music Susan Yu -

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

Latest

The Meg – mega-ridiculous, mega-fun

Jason Statham stars in the latest blockbuster of the summer which promises to be the ultimate man vs shark movie

Actor Profile: Scarlett Johansson

Scarlett Johansson is a household name and a star of the silver screen, and now she has become the highest paid actress in Hollywood...

Egon Schiele and Francesca Woodman Tate Review- ‘a triumph of comparison’

Artists separated by time and medium together depict torment and isolation

Iron Maiden: 35 Years On

An enduring quality and appeal as the ageing rockers bring 80's rock into the modern day.

Crave Review – ‘moments of tenderness crushed by memories of trauma’

Sarah Kane's emotive text is embodied with both beauty and horror at the Edinburgh Fringe.

Machinal Review – ‘poignant but not perfect’

A play with an imperfect but impactful vision, inspired by a poignant true story of murder and womanhood

Versailles End-of-Season Review: Intrigue, rebellion, and heartache

The popular BBC drama exited on a high this summer

The Squirrel Plays Review – ‘carried off with subtlety and aplomb’

Tenderness and humour emerge from a play that challenges a sobering subject

Eat Your Heart Out review – ‘A nuanced and authentic exploration of a stigmatised subject matter’

Tightrope Productions' devised piece proves particularly heartfelt at the Edinburgh Fringe.

Outgrowing the teen trope

In film characterisation today, art mimicking reality is not the desired outcome. Instead, art is used as a catalyst for wider representation, to inspire us to reflect on ourselves, to be better.

The Oxford Revue: ‘Wasted’, and ‘Group Work’ Reviews – “More time in the writing room necessary”

The audience is left wanting more from the writing at The Oxford Revue's two Fringe shows.

Flying saucers and the end of the world: Oxford Fringe sci-fi shows question life as we know it

Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'

Witch Hunt Review – ‘Dizzily funny writing and disastrous hair’

Horseplay Productions' politically-charged sketch comedy hits comedic targets despite an ambiguous through-line.

Five Women Wearing the Same Dress Review – ‘an unusual choice for the Fringe’

An unusually long play for the Edinburgh Fringe sacrifices some clarity in plot to explore the dynamics between complicated women

Ant-Man and the Wasp review – the best comedies come in the smallest packages

After the cosmic scale of Avengers: Infinity War, Paul Rudd brings Marvel's latest entry back down to size

Review: Hive Mind by The Internet

Hive Mind sees the alternative hip-hop band showcase a solid return their previous form.

The Lieutenant of Inishmore Review – ‘Brooding, self-deluding, and very mad indeed’

Michael Grandage's use of dark humour and relentless gore to explore Ireland's complex history of sectarian conflict.

‘I have only ever tried to show you beauty’: Florence Welch’s ‘Useless Magic’

Kate Haselden considers how the publication of Florence Welch's first book proves her affinity for beauty, and talent as an artist, extends beyond music into poetry

Box sets to watch over the summer

Summer is the perfect chance to watch the box sets that you had to set aside amidst the increasing deadlines and impending sense of...

Review: Voids by Martyn

Deijkers continues his exploration of the dynamic space created by the merging of techno and UK bass

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Culture

Jacob Collier is on scintillating form at Love Supreme

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

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