Theatre

Staging the radio play – the audio-visual world of ‘Under Milk Wood’

“Love the words!”That was the crisp command from Dylan Thomas, the 20th-century Welsh poet, to the cast of his radio play Under Milk Wood, just before a rehearsal in...

‘The Little Clay Cart’ brings Sanskrit back to life

As students left Oxford on the last weekend of Hilary, I visited St John’s...

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...

Persuading the public: The play as propaganda

The play as propaganda has a long history. From the regime-affirming productions of Hieron,...

Review: Spring Awakening

The Oxford Playhouse's Michaelmas Musical proves an ambitious, vibrant and exiting feat.

Review: Things I Know to be True

This powerful family drama packs an punch at the Pilch.

Review: Yerma

Lorca's "tragic poem" is brought to life with subtlety and skill by Angel In The House Productions

Do actions speak louder than words?

Daniya Jawwad explores how certain classic plays prioritise physicality.

Review: Section Two

Phoebe Hennell reviews Tom Gould's new play 'Section Two'

Review: Life of Galileo

Didactic elements of Brecht's biographical play are highlighted by Velvet Vest Productions.

Preview: Life Of Galileo

Ben Beese preview's Life of Galileo

Review: Hannah Gadsby’s ‘Douglas’

An utter stand up masterpiece, and showcase of a truly gifted mind.

Review: The Three Sisters

Small Fry Theatre's take on Chekhov's classic impresses at the Burton Taylor Studio.

Review: Sübverse

Disgraced CBBC presenters, slam poetry and 'Take Me Home, Country Roads' all come together in Beef's debut sketch show with surprising results.

Preview: Spring Awakening

Jaya Rana previews Oxford Playhouse's Michaelmas student musical, Spring Awakening.

Review: Crave

GOYA's Crave stays true to the chaotic and disturbing nature of Kane's work.

Reaction in Metatheatre

An exploration of reaction in metatheatre and its complex psychological effects.

Review: Unplanned-ersnatch – ‘the kind of plot twists only improv could beget’

An evening of improvisation and audience participation set to the tone of laughter

Review: Me, as a Penguin – ‘bound to put a smile on your face’

A review of the heartwarming comedy by Pangolin Theatre Productions

Call to Science: Brecht’s Life of Gaileo

Brecht's Life Of Galileo brings scientific revolution to the Keble O'Reilly.

Art Heist- bold fourth wall breaking drama sees Oxford grads take on the ‘Art World’

Katie Knight reviews upcoming Oxford grad company Poltergeist Theatre's new show 'Art Heist', where three art thieves try to steal the same painting on the same night!

Freshers’ guide to the Oxford drama scene

Find out how to get involved with Oxford student drama from Ellie Cooper (Actor and Director) and Pierce Jones (Production/Management).

Review – Awkward Conversations With Animals I’ve F*cked

Fringe hit one-man-show exploring loneliness, love, sexuality and bestiality starts national tour in Oxford.

Prometheus Unbound – An ancient tragedy in open air performance

"This performance breathed a fresh, modern dynamic to an otherwise static play". Phoebe Athena Hennell explores the implications of language in a Modern Greek performance of Aeschylus' ancient tragedy 'Prometheus Bound'. With contributions from Andreas Janssen.