News
Opinion
Culture
Books
Film
Music
The Source
Columns
Arrogant, Offensive, Truth Twisters
Auntythetical
Behind The Screens
Brain Freeze
Haute Kosher
Hysterical Histories
Off The Rails
Pens, Paper, and Panic
Features
Innovation
Business & Finance
Science & Technology
Lifestyle
Food
Rusty Kate
Profiles
Sport
Search
UrbanObserver
Wednesday 17th September 2025
Oxford's oldest independent student newspaper, est. 1920
Facebook
Instagram
Twitter
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
Theatre
‘Delusions and Grandeur’ at the Fringe
★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is anxious. The one-hour solo cello comedy show is filled with anxiety, existential dread, and uncertainty....
Culture
Peter Hardisty
-
The Oxford Revue at the Fringe
★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled...
Culture
Leon Moorhouse
-
‘Do Zombies Dream of Undead Sheep?’ at the Fringe
★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the...
Culture
Nicole Palka
-
‘Timestamp’ at the Fringe: Existing in the ‘now’
★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...
Culture
Nicole Palka
-
Latest
Search
Review: Oxford Contemporary Opera Festival
Clementine Scott is impressed by the Oxford Contemporary Opera Festival at Saint Hilda's.
Review: The Importance of Being Earnest
Yii-Jen Deng reviews 'The Importance of Being Earnest' at Teddy Hall.
Review: Chicago
Cecelia Wang reviews Jazz Hands Productions 'Chicago' at the Keble O'Reilly.
A theatrical Utopia?
Emily Capon explores explores the possibility of a Utopia of ‘no-where’ on the stage.
Remember, Remember Your Duty to Remember
Coral Kim explores the impact of 'Translations' and 'The Height of the Storm' on both her and society.
Review: The Mine Hatch
Tatiana Gilfillan is moved and impressed by new play 'The Mine Hatch'.
Preview: Martlets
New play commemorating forty years of women being admitted to Worcester College is full of joy, wit and sharp writing.
Review: Beard
McNelis' new musical is gripping and raises the important issue of homophobia in sport.
Review: The Crucible
Francesca German feels the power of Arthur Miller's classic 'The Crucible' at the Pilch.
Review: The Lovely Bones
This adaptation of Alice Sebold's classic novel strikes an emotional chord at Oxford Playhouse.
Review: F*@king Hell
Political satire makes make Brexit the most interesting it has been for years in Tasha Saunders’s biting new comedy.
Review: Radiant Vermin
Something Punchy Productions' take on Philip Ridley's darkly comic satire intrigues audiences at the BT Studio.
Review: Hamlet
Cosmic Arts' present a deeply human production of 'Hamlet' at the Keble O'Reilly.
Dystopia in and amongst trash: Beckett’s Endgame
Beckett symbolically employs trash to reflect physical and philosophical reality of a post-apocalyptic world.
Preview: The Crucible
Miller's classic sees a new lease of life in Rose on a Rail Theatre Company's new adaptation.
Review: Stranger, Baby
Berry's poetry collection on loss, mourning, and the sea is beautifully brought to life at the Burton Taylor studio.
Review: Spring Awakening
The Oxford Playhouse's Michaelmas Musical proves an ambitious, vibrant and exiting feat.
Review: Things I Know to be True
This powerful family drama packs an punch at the Pilch.
Review: Yerma
Lorca's "tragic poem" is brought to life with subtlety and skill by Angel In The House Productions
Do actions speak louder than words?
Daniya Jawwad explores how certain classic plays prioritise physicality.
1
...
15
16
17
...
37
Page 16 of 37
Follow us
Facebook
Instagram
Twitter