During the odd ‘in-between’ space that is Week 0, I searched for a show to give me something to do, amid the random dilly-dallying and the odd collection currently occupying my time.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Written and directed by Helena Aeberli and Riana Modi, Simulacrum is the first play on the Oxford drama scene specifically designed for online production,...
It is no secret that Covid-19 has put a strain on the UK's live theatre, especially given recent restrictions legally limiting public indoor gatherings...
Four years after the now familiar opening thumps of Hamilton were first heard, the White House has met the Mouse-House; Disney+ allows subscribers to...
The coronavirus pandemic has wreaked havoc on countries around the world. A huge number of services and businesses are struggling: the NHS, airlines, retail...
When someone mentions British actors, who do you think of? Your mind probably jumps to people like Benedict Cumberbatch, Tom Hiddleston or Eddie Redmayne....
Set in the mystical woodlands surrounding Athens, with its cocktail of magic, love triangles, and donkey-human hybrids, Shakespeare’s A Midsummer Night’s Dream has always...