Theatre

“There’s a play in that”: interview with ‘The Gang of Three’ playwright Robert Khan

It’s Budget Day as I sit in the foyer of the Oxford Playhouse. Down in Westminster, Chancellor Healey faces his first major test. But up here, another Chancellor Healey...
Culture Saul Grenfell -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

‘Burning Down the House’: A review 

During the odd ‘in-between’ space that is Week 0, I searched for a show to give me something to do, amid the random dilly-dallying and the odd collection currently occupying my time.
Culture Joe Hayes -

Must theatre be so dire? Thoughts on the “unworthy scaffold”

If 'art est celare artem' (true art is to conceal art), then theatre is pretty poor art. You ain't fooling me into thinking that's a storm.
Culture Saul Grenfell -
Latest

The Show Must Go On…but not in every region of the UK

Several regional theatres have struggled to cope in the pandemic, due to persistent negligence and underfunding for decades, both by regional funding bodies and the government themselves.

Review: The Dancing Men

"The whole crew behind this production are worthy of praise for their resourcefulness, having produced a piece which works with, rather than against, its unusual circumstances".

Lighting: the art of manipulating the audience

The effect of light is upon the unconscious, unacknowledged unless you are thinking about it, but it’s influencing you all the same.

Behind the BT

"What characterises Oxford drama? The energy and enthusiasm!"

Review: Simulacrum

Written and directed by Helena Aeberli and Riana Modi, Simulacrum is the first play on the Oxford drama scene specifically designed for online production,...

Review: V-Card

"an immersive play of laughter, vulnerability and truth"

Preview: V-Card

"V-Card looks to be one to remember"

Intimations of Closeness: what might a distanced theatre look like?

It would be a dramatic understatement to say that Covid-19 has been disruptive for the United Kingdom’s creative industry – but live drama is...

“And now let’s go hand in hand, not one before another”: Grosvenor Park’s ‘The Comedy of Errors’

"a fast paced and surprisingly polished socially distanced performance"

Hope in the Dark: The ‘New World’ Playlist

"We could all do with a bit of escape and a bit of hope"

‘The Most Important Thing to Do is to Keep Creating’: In Conversation With The Cast And Crew of ‘Songs From The Old World’

It is no secret that Covid-19 has put a strain on the UK's live theatre, especially given recent restrictions legally limiting public indoor gatherings...

On ‘Three Kings’

“We are the breakers of promises… forgive us”

‘Family’ Theatre: Patronising or Inspirational?

As someone with a fair few younger siblings I can safely say that I have a pretty wide experience of family-oriented performances. My personal...

‘Measure in Love’ – Preview

In the last few months, many aspects of our lives have had to change and adapt to fit into what we call ‘the new...

A Fresher’s Guide to Oxford Drama

Everyone feels on the outside, until they don’t anymore

When Will We Be “Satisfied”? – Hamilton And Its Discontents

Four years after the now familiar opening thumps of Hamilton were first heard, the White House has met the Mouse-House; Disney+ allows subscribers to...

Culture in crisis: the impact of the pandemic on theatres

The coronavirus pandemic has wreaked havoc on countries around the world. A huge number of services and businesses are struggling: the NHS, airlines, retail...

Reading the Room

"plays are meant to be performed"

“Helpless”: Whatever Happened to Maria Reynolds?

Fear not, those of us who were unable to afford tickets to Hamilton on Broadway – for the mere cost of selling your soul...

Theatre and the Working Class

When someone mentions British actors, who do you think of? Your mind probably jumps to people like Benedict Cumberbatch, Tom Hiddleston or Eddie Redmayne....
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