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UrbanObserver
Wednesday 28th January 2026
Oxford's oldest independent student newspaper, est. 1920
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News
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Culture
Dressed the part: Dark academia at Oxford
The style of dark academia, while it helps us to ward off the worst of the seasonal chills, hints at the class politics underpinning the University.
Culture
Cerys Bennison
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Lighthouse Productions on ‘Lemons’
The team outlined the vision for their debut production: a political, surrealist piece of contemporary theatre.
Culture
Abigail Lakeland
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Breaking free from the Pinterest board
Over the Christmas vac I was lucky enough to attend an exhibition on one of my favourite designers, Vivienne Westwood, at the National Gallery of Victoria.
Culture
Victoria Corfield
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In defence of the theatrical release
If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.
Culture
Nora Miles
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Review: Thamesis
"Jones’ performance was a joy to watch, and under Aspden’s expert direction they have a highly successful show on their hands."
Review: Play House and Definitely the Bahamas
"The problem of changing from one play to the other, without an interval or blackout, was one Lawrence dealt with very competently"
Jockstrap Live at The Bullingdon
"I’m convinced they have one true goal... to ensure that you have an obscene amount of fun"
Éric Rohmer: A French Director’s Refreshing Simplicity
"His films are not as stunning, nor impressive, as might be those of his Nouvelle Vague contemporaries, but peacefully pleasant."
Netflix’s Disappointing Monsters
"As the latest season of Stranger Things demonstrates... not all practical effects are made equal."
‘Thamesis’ Interview: “The most refreshing thing you’ll see in Oxford drama.”
"I've never seen or heard anything like it."
Ghosts and Writers
"Spare occupies a contentious space between autobiography and biography – between fiction and nonfiction."
A list of brilliant things about ‘Every Brilliant Thing’
"This performance... is likely to have made a lasting impression on every single person who has watched it."
Review: Entertaining Mr Sloane
"Brook’s production moved between playing the world for laughs and playing it real enough that the audience was left with lingering unease."
Review: Black Blood
"The most interesting elements of the play are the characters themselves, and their relationships outside the murder plot."
Review: I Will Delete This Story
"I found that I Will Delete This Story left me wishing that the titular promise had already been fulfilled."
In Conversation With Velvet
"If you haven’t heard of them, you should have."
“A fantastic story of love and liberation”: An interview with the cast and director of ‘An American In Paris’
"It’s been a process of figuring out how we can tease out those themes of love and liberation."
Luxury in Crisis
"The future looks bleak – but that’s no reason not to make the present a little less unbearable."
Sound And Vision: Better Call Saul’s Perfect Montage
"The perfect song choice is instrumental in creating the perfect montage".
Homeward: The Source, HT23 Week 1
Four pieces of creative writing – from Thisuri Perera, Ruth Port, Charlie Bowden, and Flynn Hallman – for the theme 'Homeward'.
Dead Man’s Suitcase: A Review
"At once funny and profound, Dead Man’s Suitcase is a treat for the senses."
Othello: A New Era of Shakespeare
"This production has chosen to take a step away from this preoccupation with setting and allow the play to speak for itself."
Have A Hot Girl Hilary!
Deborah Ogunnoiki reviews Oloni's sex guide The Big O on how to have a healthy sex life, just in time for 'Hot Girl Hilary'.
Babel, or the Beauty of Multilingualism
Emerald Ace-Acquah reflects on the complexities of language, colonisation, and power, as explored in R. F. Kuang's new novel.
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