Saturday 19th July 2025
Blog Page 1018

Recipe: Vegan Brownies

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This recipe cooks up the tastiest batch of brownies – totally gooey and extremely rich. Even better, this recipe ditches eggs, butter and milk for some vegan alternatives so everyone can enjoy them!

Ingredients:

2 tbsp of cocoa powder

150g vegan chocolate

Pinch of salt

50ml of soy, almond or coconut milk 1⁄2 tbsp of vanilla essence

2 avocados

100g white sugar

85g brown sugar

120g plain flour

Method:

1. Preheat the oven to 180C.

2. Line a small (maybe 20cmx20cm) baking tray with greaseproof paper (using margarine if you’re strictly vegan).

3. In a saucepan, melt the vegan chocolate gently over a low heat while stirring to prevent burning. Once melted, pour in the milk and mix together.

4. Remove the saucepan from the heat and then add the vanilla essence, and both sugars. Stir with a wooden spoon until the mixture is smooth (no lumps please!)

5. Mash up the two avocados with a fork, or puree them in a blender. Just make sure there are no large chunks! Then add the avocados to the saucepan and stir together.

6. In a mixing bowl, sieve the plain flour, cocoa powder and pinch of salt and mix together.

7. Add these dry ingredients to the liquid brownie mixture, while stirring, until they are totally combined.

8. Now pour the mixture into the baking tray and bake for around 25 minutes (al- though they may need less time, so keep an eye on them!)

9. To test whether your vegan brownies are just right, stick a clean knife into the middle of the baking tray – it should come out damp but with none of the brownie mixture sticking to it.

10. Allow the brownies to cool before cut- ting them into squares – but enjoy while still slightly warm and gooey on the inside!

Tom Brake: longest serving Lib Dem MP

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Tom Brake, now the longest-serving Liberal Democrat MP, began his talk by describing himself as a “passionate European”. I was not surprised to hear this, having sat down to talk to him beforehand. He had spoken about his years at an international school in France, highlighting the benefits of a multicultural, multilingual learning environment. He had also mentioned his father’s time working in Portugal, pushing the positives of EU freedom of work for young people. He then went on to compare the free movement he had enjoyed cycling through Western Europe in 1983, with the visas he had had to apply for to visit the East, and the desire for freedom he had encountered there.

I asked him what he thought was the best way to motivate and engage with young voters ahead of the referendum. “It is a struggle, the first thing we Lib Dems tried to do to engage young people was to ensure that young people, 16 and 17 year olds, had the vote in the referendum. Unfortunately the government did not agree to that, which is a huge pity seeing as if we vote to come out it’s something that will be with them for the rest of their lives.” However, he described his campaigning as revolving around making sure those that were eligible were actually registered and pushing the benefits of the EU over social media.

Brake has always taken a strong stance on human rights; it’s one of the things he mentions as having got him into politics. Leaving the EU would enable the government to repeal the Human Rights Act. Brake was firmly against this worrying possibility, “human rights are not something that governments should be picking and choosing and that is the approach that they want to adopt. I think the Conservatives would like to see differentiation between the human rights that are granted to British citizens, as opposed to the human rights that are granted to others. I think human rights are intrinsic, they’re not negotiable.”

When Nick Clegg came to speak to Oxford Students for Europe he was quoted saying that the Conservatives loved power. I wondered whether this was something Brake agreed with. “I think if you’re a party that has historically had more than your fair share of power then you come to expect that as the norm, and are then deeply off ended when that power is taken away from you,” he said, referring to the 2010 coalition. He later mentioned the fact that many Conservatives were hostile during the coalition because they felt the Lib Dems had disrupted their sense of a natural right to rule.

But Brake contested the basis of this right to rule, “the fact is that at this parliament the government has a majority, but only secured 37 per cent of the vote. I think in certain circumstances it would be perfectly acceptable, and I think required, that the government reflected at least a majority view of how the population had voted.” Despite this, he says he doesn’t push for electoral reform, “because it’s not something the public are interested in.”

Panel discussion: the media and British politics

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“As editor, I worked on the assumption that print would die.” So, cheerfully, began Alan Rusbridger’s talk at the Oxford Fabian Society’s panel discussion on ‘The Media and British Politics’. The former Guardian editor was joined by freelance journalist Abi Wilkinson, and Novara Media founder Aaron Bastani, both of whom agreed with Rusbridger’s terminal diagnosis for print media: in Bastani’s words, “The market model of a newspaper looks a little bit ropey.”

The content of each talk was as sombre as the last. Wilkinson’s experience of the rise of online media was that “editors have people with fi gures breathing down their necks”, while “everyone is chasing the same clickbait funding.” For Rusbridger, this short-term commercialism was a death-knell for “patient journalism”, the meticulous investigations and careful fact- finding which he felt characterised the best of print media. The logical consequence for Rusbridger was “the possibility of a society without a verifiable source of information”; Bastani’s fear was that print would shrink to serve the demographics willing to pay for it.

Anyone aspiring to be a professional journalist? The gloom sets further still. Bastani estimated that news print revenues were typically falling around 7 per cent year on year; Rusbridger argued that “the ability for millions of people to do acts of journalism online is something no news organisation can match. I don’t think we have begun to understand what this new media can do.” The Huffington Post was singled out as a threat to professional comment-writing, able to attract a range of talented writers without paying them at all.

Amid the general lamentation, a couple of current affairs points were discussed. Rusbridger and Bastani both noted the success of the BBC’s news journalism: it was pointed out it accounted for well over half of the UK’s news traffic. At the same time, all the speakers felt that there was a justified level of scrutiny which came with that prominence, and none saw the accusations of anti-Corbyn bias Laura Kuennsberg has faced in her role at the BBC as unexpected.

On the other hand, there was little sympathy on the panel for Jeremy Corbyn and his poor rapport with much of the press. Wilkinson described the difficulties that lobby journalists had because Corbyn’s press office were inconsistent with deadlines and had “a bit of a fortress mentality”. Bastani agreed that the office was erratic, recalling interviews he had arranged with the Labour press office that were repeatedly cancelled; he did argue, however, that cuts in funding had been severe, and most likely hamstrung the press office.

Review: The Rickety Press

Justin Bieber once said, “Singers aren’t supposed to have dairy before a show, but we all know I’m a rule breaker… pizza is just so good.” Risking the chance of offending millions of young girls worldwide, I’m not too sure how much truth the first part of this famous, famous quote holds, as five minutes of research has uncovered that Kanye himself requested a large tub of yoghurt in all his dressing rooms. However the latter part is clear-cut truth, pizza is just SO good – and a visit to The Rickety Press will only increase your love for the incredible food.

The Oxford pizza scene is strong, with The White Rabbit dominating the field, and restaurants like Buongiorno e Buonasera popular too, yet The Rickety Press shines through. The menu is original, exciting and aesthetically attractive, as the wood fired pizzas are given innovative names like ‘Salami Get This Straight’, ‘Ham a Fun Guy’ and ‘Vegan Mary’.

Most importantly, they are completely delicious. I chose the ‘Mr. Melanzane’, a tomato based pizza with mozzarella, aubergine, basil, garlic oil and parmesan, and added an extra topping of Napoli salami. It was thin, crispy round the edges, satisfyingly slightly squishy in the centre, and it tasted like a real pizza should. The unevenness of the circle added character, proving the fast and fresh classically Italian way of serving. A last minute addition of rosemary salted chips to our order was really the cherry on the cake and have now replaced my obsession for sweet potato fries.

Alongside the pizza menu are a selection of burgers, with meat options like ‘Moo and Boo’ (beef patty, gorgonzola, pickled pears, bacon jam, tomato, lettuce and smoky mayo), but also vegetarian burgers, such as the ‘Mushroom Man’ (garlic and parsley fried field mushroom, basil pesto, coleslaw, pickled red onion and smoky mayo). A collection of baked goods are displayed on the bar too, from big piles of brownies to fresh, gooey cookies under glass cake stands.

The pub itself is in a slightly odd setting, set back in Jericho, surrounded by modern residential houses and frequented by older groups of diners too, but somehow this peculiarity adds to its charm. The inside is inviting; a mix of high, low and booth tables are placed round the bar, and a further seating area round the side offers larger tables which can be reserved.

If you have yet to discover this gem in Jericho’s already glittering crown, I urge you to do so; the staff are friendly, the setting unusual, the pizza incredible – and I do believe Justin Bieber himself would rate it highly.

The top 5 afternoon teas in Oxford

  1. The Grand Café:

Apparently the first coffee house in England, The Grand Café on the High Street serves an afternoon tea full of history. Options range from simple scones and cream to ‘The Grand High Tea’, consisting of nothing less than free-range egg mayonnaise and smoked salmon and cream cheese finger sandwiches, scones, strawberry jam, clotted cream, petit fours, tea, coffee and champagne. It’s fairly expensive, with the priciest tea costing £23.45.

2. The Rose:

Also on the High Street, The Rose is a less well-known but just as impressive an institution. The menu is simpler but quality is high. The selection includes ‘The Rose High Tea’ (finger sandwiches, scones, freshly baked cake, champagne, tea and coffee), ‘The Rose Fruit Cream Tea’ (two fresh fruit scones with cream, jam, tea and coffee) and also the option to have any part of the tea on its own. Prices vary from £18.60 to £6.70.

3. Vaults and Garden Café:

Featured in our 3rd week edition for its splendid lunch, Vaults and Garden also serves a modest cream tea. This is definitely the best place to go if you’re on a budget; you build up
your own tea, with scones costing £2.80 each, leaf tea £2.25 and cakes either £2.80 or £3.25. There’s something for everyone, as gluten-free and vegan options abound.

4. Macdonald Randolph Hotel:

Back in business after the fire last year, the Randolph is a classic location for a cream tea in Oxford. The menu offers three choices; ‘Celebration Afternoon Tea’ (champagne, scones with jam and cream, sandwiches on farmhouse bread, afternoon pastries, fruit cake and leaf tea), ‘Full Afternoon Tea’ (dropping the champagne) and “Cream Tea” (scones with cream, jam and tea). Unsurprisingly the Randolph isn’t cheap, with prices from £17.50 to£36.50, but it certainly is a great place for a celebration.

5. Old Parsonage Hotel:

Slightly out of the centre of Oxford, the Old Parsonage on Banbury Road has created the most upmarket cream tea in town. The menu is more adventurous than others, offering for instance a ‘Very Savoury Tea’ for £25. The ‘Celebration Tea for Two’ is the tea to top all teas; for £90, a bottle of Three Choirs Classic Cuvee, cheese scones, gentleman’s relish, a selection of savouries, toasted sourdough soldiers, finger sandwiches, homemade cakes, sweet scones with jam and cream and tea and/or coffee could be yours.

Clunch Review: Brasenose

Brasenose Hall. Once home to David Cameron’s refined (or is it repugnant?) palette. Still home to the famed brazen nose doorknocker and lots of paintings of dead white men. Smirking down from behind the high table, these figures have nothing to smile about concerning the food served below.

At first, I was pleasantly surprised as I walked into the refurbished medieval kitchen. Hungover stomach in tow, the well-stocked salad bar with its meats and fish was a welcome sight after the shame of salvaging my half-eaten Hussein’s for breakfast a few hours prior. The food looked simple yet appealing. The Quorn loaf looked subtly moist to emulate meat. The sausage casserole was well endowed with bangers. The seabass looked crisp, yet moist.

Opting for the sea bass fillet, my friend leads me to sit at high table. This meek working-class northerner having recovered from his newly found leap up to the top of the Oxford feudal system (things have apparently changed at Brasenose since Cameron’s banterous Bully days), I hungrily delve into the steaming fish and vegetables. I’m not quite sure how any of it stayed on the plate, let alone my knife. Or in my gullet, for that matter. Soaked in oil, everything slid around my plate as I pushed my cutlery around. My mouth felt like it’d been hosting an oil wrestling match; and not the sexy type. The fish was well cooked. But with so much oil, my stomach continued to churn in dismay. Don’t get me wrong, I like a good greasy chip, but not to the point where chips resemble sponges of oil. The only truly impressive thing about the whole meal? How well-endowed their hall’s carved unicorn is. Seriously. That horse is hung.

The Oxonian Dandy: Underwear

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Often, the primary concern for the dandy when assembling his portfolio of garments is choosing the article which will be on the exterior – what I like to call ‘the display accoutre’. Indeed, in past weeks I have often focused on these very items – the shirts to complete the white tie, the blazer to make the garden-party ensemble, or the hat to perfect the outfit. And, for starting out on the road to fashion eminence, it’s important to build a base of items which are individual and which teeter on the precipice of the ridiculous clothing escarpment. However, any outfit which has any ambitions for dazzling must be underpinned and built on a solid set of stock clothes. Think of your plain t-shirts, your socks, and, indeed, you underwear. With t-shirts there comes a time for something inconspicuous (if you were attempting some other feat with an outfit, say, perhaps, if trying to draw attention to a jacket which you’d accessorised with a sequin and faux-stoat lined hood) and for something a little more daring. However, a separate issue should probably be dedicated to the subject. With hosiery, on the other hand, a conscious effort should always be made to explore the unusual (though, at that, socks, like with t-shirts, ought to have their own discussion dedicated to them – they’re a tricky beast to tame.)

Underwear falls into an entirely unique category of clothing. No other article can claim that it always ought to be worn. There’s always an opportunity for pant: not a day goes by when a gent is not in need of a pair of boxers – unless, of course, you’ve just bought yourself a delightful pair of PJs and are in the mood for a lazy day. The knack of underwear selection is to have the day’s scenarios anticipated pre-emptively. Who’s going to see your pants? How will they react? How do you want them to react?

If you’re feeling confident about the outcomes of a late-night episode on the town, you’re going to need something special. Then, of course, you need to think about the observer: if you’ve got someone particular in mind who’s going to see you in your ‘penultimates’, you can cater to their supposed predilections. On the other hand, if you’re in the dark about who’s going to see your undies, you’re going to have to take a punt on the pants. It would be sensible to really set free any conservative underwear considerations you have: attack the problem head-on by donning a set of nice loose-cut black boxers with red roses and white vines, perhaps with a mother-of-pearl stud in place of a button on the fly. Florals, it’s worth noting, work really well – thistles, pansies, or (perhaps somewhat hubristically) forgetmenots. There are some who think retro or childish boxers have a boyish charm to them – not I however. I couldn’t imagine how miffed I’d be to come across someone with purple alien briefs. My final tip, however, is to stick to boxers. I’m aware many are set in their ways with briefs, but a boxer has many an advantage. Besides the freedom they offer, you can have a top conversation with any other boxer man about the sides of dressage, and you can keep all your sized secrets quite safe – a consideration to be well noted if returning from a cold, diminishing night!

Rewind: Orwell’s 1984

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We live in an age of indifference. 67 years on from the publication of George Orwell’s masterpiece 1984 on June 8, 1949, our digital conversations are monitored, humans are denied basic rights around the world and political systems are still anything but fully democratic – and yet, a blank indifference is the defining legacy which we threaten to leave. However, amidst dwindling voting figures and a dearth of political education, Orwell’s ultimate manifesto for rebellion against apathy is no longer precautionary, but all too relevant, perhaps inspiringly so. Orwell, through his protagonists Winston and Julia, reclaims in 1984 the very basis of the human spirit as an act of insubordination against the ravages of reification and anonymity, to assert that “nothing was your own except the few cubic centimetres inside your skull.”

Yes, Orwell’s work is ultimately bleak. No, it is not a direct parallel of modernity. Yes, it is only fiction. But rather than seeing 1984 as a fatalist prophesier of doom, this writer would attest that it is exactly the opposite. It poses the argument that no matter how dark and how futile rebellion may seem, there will always be a counterbalance. There will always be resistance. There will always be a Winston and a Julia.

Rather than simply damning rebellion in his work, Orwell keys into a more complex moral statement: in denying his readership of a happy ending, Orwell in fact acknowledges the invulnerability of hope in humanity, through lines such as, “We shall meet in the place where there is no darkness.” It is certainly possible that no such spatial arena exists; but internally, it is our responsibility – and nature – to retain hope, and to fill up the blankness of indifference with words. Describing Winston’s opening act of defiance, Orwell writes that “he discovered that while he sat helplessly musing he had also been writing, as though by automatic action. And it was no longer the same cramped, awkward handwriting as before. His pen had slid voluptuously over the smooth paper, printing in large neat capitals ‘DOWN WITH BIG BROTHER’.”

It is this which is the defining legacy of his work. While we can, we must absolutely express ourselves – creatively, sexually, emotionally. As Winston puts it, “They can’t get inside you. If you can feel that staying human is worthwhile, even when it can’t have any result whatever, you’ve beaten them.”

A Beginner’s Guide to… White Denim

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Much of White Denim’s ambitious musical project is summed up in their name, a fashion style determined to put a new twist on the comfortable and familiar denim we all know and love by colouring it in white, giving it an element of class and sophistication. The band’s music works the same way, taking traditional Southern guitar blues rock, but then adding a unique overlay of prog and funk that turns the familiar into something else entirely.

This electric combination is the perfect soundtrack for the approach of summer, with the band’s back catalogue containing albums such as Corsicana Lemonade and Workout Holiday that continue that theme.

Not only this, but the band embodies summer simply because they sound like they’re having so much fun. Queue up one of their albums and you feel an irresistible tug upwards at the corners of your mouth, as they channel their Texas style cheer through their records. Live too, it is rare to see a band who are clearly enjoying themselves so much; when I saw the band in Newcastle their constant good cheer almost defied belief.

Spanning such a wide variety of musical genres, kept fresh by having a constantly changing line up, while also having a seemingly bottomless source of enthusiasm, White Denim fulfil all the criteria for a band that will continue to delight for years to come

Thrift shopping: still cool in 2016?

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The year was 2013. Justin Timberlake, after a long absence from pop music, released his long-awaited comeback single, the high-class ‘Suit and Tie’. It was a smash hit. Or rather, it would have been, had it not been kept off the number one spot by… well, technically by ‘The Harlem Shake’. But also by Macklemore and Ryan Lewis’ breakthrough hit ‘Thrift Shop’. The two songs formed a mirror image of each other. Both focused on the power of fashion, and were infused with an extremely cocky swagger. But the boys from Seattle won through for two reasons: firstly, they simply had the better song. Where Timberlake’s off ering was twinkly and just a bit slow, ‘Thrift Shop’ was catchy and energetic, its main sax riff instantly recognisable. Secondly, they had a sense of humour – where Timberlake banged on about his own attractiveness, Macklemore rapped about the joys of wearing second-hand clothes, so it’s not hard to see which of the two was the more likeable. Thus began a career full of promise.

Their last flash of relevance came in 2015, with the magnificent ‘Downtown’. Once again, this song had an obvious counterpart – namely Mark Ronson and Bruno Mars’ smash-hit ‘Uptown Funk’. But where ‘Uptown Funk’ was polished, ‘Downtown’ was an odder beast. The verses are slipshod but funny – opening with Macklemore getting ripped off by a moped salesman, the song presents a bizarre odyssey about the coolness of mopeds, with undertones of sixties pop and eighties rap. It’s a self-indulgent joy with a more accessible vision of cool than the exclusive ‘Uptown Funk’, precisely because it is so uncool.

‘Downtown’ shows Macklemore and Ryan Lewis at their best. Melodious, strange, and self-aware enough for the humour to work, it’s unlike anything else. The two deliberately stuck out at an odd angle from the rest of the pop scene, a fresh voice adding a touch of levity to an all-too-ponderous music industry. Following the release of their second album This Unruly Mess I’ve Made, I hope they do stick around. But I really can’t think of a better way to go out.