Monday 21st July 2025
Blog Page 297

Time to take responsibility: All Souls’ dirty legacies

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Oxford is a city of closed doors. From each College entrance fiercely guarded to the back doors, fire exits, and imposing, spike-topped gates, Oxford from a visitor’s perspective is one of strictly monitored and controlled access. During the pandemic this became even clearer. Large medieval doors that had once stood propped open, allowing students and visitors alike a glimpse into the grassy quads beyond, were firmly and decisively closed. The already guarded atmosphere of Oxford’s elite spaces took on a whole new character of exclusion, and as restrictions have waned and a degree of normalcy returned, vestiges of this unpleasant pandemic legacy have hung around longer than they are welcome. 

Nowhere is this clearer than Oxford’s most-guarded, most-elite space: All Souls College. Before the pandemic, All Souls was one of Oxford’s most inaccessible colleges, with incredibly limited visiting hours and a library that requires a supervisor’s sign off to enter. All this despite the fact the College’s enormous grounds and staggering resources cater for only some 80 fellows. Walk around All Souls for any period and the message is clear: you are not welcome. 

One can therefore only imagine the opportunity that pandemic restrictions presented All Souls – close to visitors indefinitely and shield the College’s community from prying eyes of students or visitors alike, all under the guise of pandemic protections. This has had the effect of erasing All Souls’ bare-minimum attempts to grapple with the legacy of the untold number who suffered and died to build the College, especially its library, which until very recently was called the ‘Codrington Library’. It still contains a giant marble statue of Codrington himself, a slaver who owned plantations that at any one time used the labour of 300 enslaved people. 

In 2017, the College unveiled a plaque to stand at the entrance of the library, reading: “In memory of those who worked in slavery on the Codrington plantations in the West Indies.” Despite the obvious and glaring errors in this statement (“worked”, implying consent, and with no direct acknowledgement of the College’s involvement in this legacy), this plaque was one small step towards contextual recognition of this unpleasant history. It was, and remains, All Souls’ only physical recognition of Codrington’s past. Yet the plaque sits behind the library’s door to Radcliffe Square on Catte Street. In Michaelmas 2019, when I used the library, the door was open during the library’s opening hours. It took some nosiness to discover the plaque, but it was nevertheless somewhat visible.

Since Hilary 2020, however, the door has remained firmly shut, with the plaque nowhere to be seen. The door locked, with strictly guarded access at all times, even during term. Despite the Bodleian and all College libraries operating as normal, All Souls still requires 48-hour advance booking for their library, so the door is never opened apart from to let elusive All Souls fellows briefly in and out of their gilded space. This erasure is an unacceptable shirking of the College’s obligation to make publicly viewable the acknowledgement of dirty legacies. 

I am lucky enough to guide for Uncomfortable Oxford, where we stand outside this firmly shut door several times a week and discuss this legacy. Usually, we could show people the plaque to open discussion, at least during the library’s term-time opening hours; now we have no such option and must instead rely on a photograph. Occasionally a fellow will leave the College, with some kind enough to hold the door to allow a glimpse, but others slam the door firmly behind them. The security excuse does not wash – there are two more card-access-only doors behind the one to Radcliffe Square. This is no way to acknowledge or commemorate the suffering of those who died so that the College can enjoy their collections and library in private peace.

Oxford has an accessibility issue; this is not a controversial statement. Out-of-date relics of elitism like All Souls hold a responsibility to do more than the bare minimum. But since pandemic rules paved the way for justifiable closing down, one cannot help but feel it is convenient for the College to keep these legacies hidden behind locked doors. 

Public health measures do not deserve to be weaponised for the preservation of elite spaces nor the absolution of responsibility to provide public access to Oxford’s research and history. It is about time All Souls stood up and cared about its impact on the city. It cannot keep hiding behind excuses.

Image Credit: Cameron Scheijde

Two suspected Omicron cases identified at Pembroke

The UK Health Security Agency (UKHSA) has identified two suspected cases of the Omicron variant in people associated with Pembroke College, according to an email from Pembroke to their students.

The UKHSA is now carrying out additional testing amongst College staff and students to find out if the variant has spread more widely. PCR tests will be issued on site on the 3rd and 4th of December for all Pembroke students and staff. The tests are issued on a voluntary basis, but Pembroke has told students “we would strongly encourage you to participate.”

The College stressed that “at this point the risk of further cases is low” and that the additional testing is a precautionary measure.

The UKHSA “recommends that students living on site stay in College until you have your result.” 

Pembroke went ahead with its planned JCR Christmas Dinner on Wednesday, but students were required to provide proof of a negative LFD covid test on entry. Students have also been told to test before using the JCR bar.

There is currently no evidence that the Omicron variant causes more severe illness than previous variants. However, the variant has a large number of mutations which affect the structure of its spike protein, which is used by the immune system to identify and target the virus. Scientists are concerned that these mutations will make the Omicron variant more able to evade the body’s immune system, even after vaccination.

People who have been identified as a close contact of someone with the Omicron variant are required to self-isolate for 10 days regardless of their vaccination status.

Pembroke told Cherwell: “Pembroke continues to support all students who are isolating due to covid-19, as we have done throughout the pandemic. We are working closely with the HSA and implementing their guidance with regard to procedures where omicron is identified.  Protecting all students and staff remains our priority at this time and we continue to provide appropriate guidance to all members of our community.”

A spokesperson from Oxford University told Cherwell: “We can confirm that two members of Oxford University have tested positive for COVID-19, and the omicron variant is suspected. The individuals are now isolating in line with government guidance and their close contacts have been notified and are also isolating. The University is working closely with the public health authorities and following their advice.

“The University has already implemented a number of changes to its health guidance in response to the omicron variant, based on advice from its clinical academics. There are no further changes to the University’s health guidance at this stage, or any additional actions that students or staff need to take. We are continuing to encourage the whole community to follow all University and Government health advice to reduce the risks of COVID-19.”

Image: Andrew Shiva/CC BY-SA 4.0 via Wikimedia Commons

Plans submitted for Schwarzman humanities centre

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The University of Oxford has published its final plans for its new centre for humanities.  Made possible by a £150 million donation from its namesake, the Stephen A. Schwarzman Centre for Humanities is intended to be completed by 2025 if planning is approved.

Further planning applications have been submitted for Oxford University’s new ‘Home for Humanities’.  The building is set to cost £170 million to complete with the vast majority of funding coming from the the controversial businessman and philanthropist Stephen Schwarzman. Schwarzman is currently the Chairman and CEO of The Blackstone Group, a global private equity firm. 

According to the University, the centre will “provide all of the staff and students of our faculties with facilities to support our outstanding research and teaching, to promote cross-disciplinary connections with the rest of the University, and to open out more widely than is currently possible to new audiences and visitors.”  

The design from Hopkins Architects includes a concert hall, a theatre, and an additional performance space for experimental pieces.  The centre will measure 23,000 sq/m and is set to be constructed opposite the Radcliffe Observatory building, providing “a dynamic hub dedicated to the humanities”.

A spokesperson for Mr Schwarzman told Cherwell: “When approached by Oxford, Mr. Schwarzman was proud to support the creation of the new Centre which was a major unmet need for the university and will benefit Oxford students, faculty and the community for years to come.”

The project has come under criticism in the past, most notably after initial public consultations in February of last year.  Then, campaigners from the Student Union and university staff called for Schwarzman’s money to be rejected, wanting more transparency in general regarding the process by which donations are accepted and funding is approved.

Schwarzman has faced significant backlash in the past when contributing to other projects thanks in part to his close personal, political, and business relationship with Donald Trump.  He set up and chaired the president’s ‘Strategic and Policy Forum’ before it was disbanded in 2017 and donated $15 million to a super-PAC backing Senator Mitch McConnell for re-election in August of last year. A spokesperson for Mr Schwarzman told Cherwell: “Mr. Schwarzman is a lifelong Republican and it is hardly surprising that he has supported Senator McConnell – the party’s long-time leader in the Senate.”

Regarding Mr Schwarzman’s ties to former President Trump, the spokesperson said: When asked, Steve provided advice to former President Trump on matters related to economic policy and trade. Over the last two decades he has similarly provided assistance to presidents of both parties – including the Obama and Bush Administrations – on issues such as veterans hiring, the fiscal cliff negotiations and global financial crisis response.

“Mr. Schwarzman and former President Trump have not spoken since mid-2020 – well before the November election – as Steve’s advice was focused solely on economic matters, not politics.  Steve made it crystal clear in a November 2020 public statement, long ahead of the January Electoral College certification, that President Biden won the election and that he was ready to help the new president in any way he could. This was followed by a deeply personal statement expressing his horror and disgust at the appalling insurrection that followed President Trump’s remarks on January 6. As Steve’s previous statements make clear, he strongly condemns the attempts to undermine our constitution.”
Elsewhere, he saw himself drawn into controversy in 2010 after comparing an Obama taxation project to Adolf Hitler’s 1939 invasion of Poland. Mr Schwarzman’s spokesperson told Cherwell he had apologies for the comment “more than a decade ago”.

The plans for the centre are now available to view on the city council website for 12 weeks and, if approved, the university plans to complete the construction by 2025.

An Oxford University spokesperson told Cherwell: “Mr Schwarzman has been approved by our rigorous due diligence procedures which consider ethical, legal, financial and reputational issues. The idea of a humanities building has been in ongoing discussion and consultation for more than a decade but we did not have funding for the building until Mr Schwarzman’s gift. The Centre will benefit teaching and research in the humanities at Oxford; its performing arts and exhibition venues will bring new audiences to the University; and it will build upon our world-class capabilities in the humanities to lead the study of the ethical implications of AI.

“All decisions about donations are made by the University’s Committee to Review Donations and Research Funding, whose members include Oxford academics with expertise in relevant areas like ethics, law and business. This committee considers whether donations or research funding are acceptable under University guidelines, and turns down proposals which do not meet this standard. The Committee reviews all the publicly available information about a potential donor and can take legal, ethical and reputational issues into consideration. Auditors have looked at our process and found it to be robust and effective, and we are confident in its ability to determine which sources of funding are acceptable under our guidelines.”

Image: David Fitzgerald/Web Summit via Sportsfile CC BY 2.0

City Council announces return of severe weather emergency protocol

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Oxford City Council announced last week the return of their Severe Weather Emergency Protocol (SWEP). The policy is intended to provide overnight accommodation to homeless people living in Oxford in the event of particularly harsh winter weather.

In a press release issued on Saturday, the Council expanded on their plan for housing those in need of shelter over the winter. In partnership with the charities St Mungo’s and Homelessness Oxfordshire, thirty bedspaces have been secured across twenty-five rooms. The Protocol will then be activated if certain extreme weather conditions, such as snow or freezing or feels-like-freezing temperatures, are predicted. 

The decision to activate will be made on a day-by-day basis, and anyone believed to be in need will be contacted and offered a place by representatives of St Mungo’s outreach team over the course of the day. In a continuation of the social distancing measures first implemented in response to the coronavirus last year, homeless people will also be offered separate and segregated accommodation if they so desire. Communal spaces, will only be available to one person at a time. For the first time, accommodation will also be pet-friendly, and room in dog kennels will be allocated to those who arrange in advance.

The Council believes that these provisions ought to meet the needs of Oxford’s homeless community, particularly as the busiest night last year saw demand for as few as eighteen beds. However, contingency plans are in place should the number of people in need of accommodation be higher than predicted. A Council spokesperson clarified that the policy, if deemed necessary, would involve the introduction into the scheme of “a number of venues and hotels … used over the course of the pandemic,” but stressed that such an eventuality is currently viewed as highly unlikely.

This week’s announcement ought to serve as a relief to Oxford’s particular – and growing – homeless community, which in 2020 was estimated to be four times the size in relative terms of its London equivalent. In light of the pandemic’s disproportionate effect on homeless people, and the record-breaking length and harshness of last year’s wintry conditions, it will likely be reassuring that such plans are in place.

When asked about the Council’s level of consultation with homeless people, a Council spokesperson noted that a questionnaire was distributed to each individual who took up the offer of accomodation last year. The results of these questionnaires have informed this year’s policies, including the decision to maintain separate room spaces, in spite of the scarcity of available venues. The Council also points to their close working relationship with the Lived Experience Advisory Forum, a board consisting of people with lived experience of homelessness.

OUBbC: Learning to love on an away night at Brookes

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Brookes 84-95 Oxford

It’s eight o’clock on a Monday night. The regular crowd shuffles in. We’re in the Oxford Brookes sports centre, and the players are warming up for a relatively important game in their season. Yet I do not care. I worry about the narrative that’s going to play out, and I hope for something interesting enough to commit to paper. But for all the time I’ve spent on this group of people, the tendrils of shared fate have not yet got a grip of me.

Today, I’m looking to change that—partly out of a sense that it’s time enough for it, and partly just because it’s a fun exercise in personal control (or perhaps guided surrender). As the game tips off, I start looking for villains. Roughly, I know my heroes. There’s the trio of Alex, Josh and Orin whom I covered last week, along with the host of other faces I’ve become used to. I don’t know exactly who the protagonists will be this time, but at least I’m clued up on the domain I’m drawing from.

Brookes I know only to an extent. The Blues played them earlier this term in what was a fairly vibrant game. What I had learnt was that their best player is no. 10, Maxwell Adzet Mauchline. The problem with Mr Mauchline is that he’s predominantly unassuming and inoffensive. He just does good things and doesn’t fuss too much about it, which is very unhelpful for my wannabe-zealot self sitting on the sideline. Anyway, Blues players Orin and Akin are tasked with stunting him for this game and, it turns out, they are going to do a pretty good job, so Brookes will be looking elsewhere for leading lights.

Orin Varley faces off with Maxwell Adzet Mauchline. Credit: Oxford University Basketball Club

Fortunately, the alternative choice is obvious. There is one guy I remember distinctly from the first Brookes encounter: their no. 8, Cole Barton. He has the demeanour of the kind of player that you find annoying whether he’s on your team or the opposition. Either way, he talks too much, protests too much. This is probably unfair, and he could be a great guy. But to enter the mode of true fanhood, you cannot treat people fairly. At least, you cannot treat the opposition fairly. They have to become one-dimensional characters in a two-bit storyline. To that righteous end, with all due apology to the man, I select Cole as my primary nemesis for the evening.

While I’m working this out, the game has been under way, and I look at the scoreboard—it’s lying. ‘Home 15, Visitors 9’. Now, if you’re unfamiliar with the Oxford Blues, what you need to know is that they do not lose. In fact, they don’t ever look like they are losing. That’s how this works. I come and I sit and I enjoy a comfortable display of dominance, and the train chugs on.

But this time, a real game is going on, and Mr Barton (boo) is aiming a shot towards the hoop, and it’s bouncing on the rim, and it’s still bouncing on the rim, and will it ever stop bouncing on this godforsaken rim? I actually thought the ball might have just stopped, there on the rim, but I was wrong. The shot was a miss, and the ball is up the other end, and Josh Soifer scores a two. Nice, some normality.

It’s not really normality because Brookes come back, and I’m noting down more about the opposition players than I have done in any previous match. But now, Orin has earned himself two free throws, and the Brookes crowd is jeering. Free throws normally cast this sudden moment of quiet, but this is not quiet at all. Still, much to the gallery’s disappointment, Orin sinks both. It feels like a moment of proper leadership from the captain. The quarter ends at a balanced 26-25.

For a brief moment there, Brookes were outplaying Oxford—the first time any team has done so this season. Now, though, it’s fairly evenly pitched. The second quarter continues in the same vein, in a reasonably uninteresting way. So instead, I focus my attention on Cole. There’s Cole going for a two in loads of space, but he misses and Akin goes up the other end and shows him how it’s done. There’s Cole going on a big run to loud cheers, but with no end product. There’s Cole going for a big buzzer-beating three, but it’s way off. Turns out this vilification thing is quite fun. The quarter ends with a completely-not-game-changing score of 47-46, but I don’t mind. Take that Cole.

It’s half time. I assess the crowd. It’s larger than the ones we are used to down at Iffley. Or, at least, it has more people unconnected to the team. That is, more people have just come to enjoy the game, with beer and a barely passable grasp of the sport’s rules in hand. The whole sports centre, with its bar, cafe, and screens showing live sports has a communal, welcoming feel that Iffley Road misses. I can’t help but feel it’s a shame that Oxford lack a hub like this.

The third quarter is quite uneventful. Oxford have the slight edge now. As a small lead opens up, the crowd start to ramp up the noise. I feel a little tug of hostility to this. Just tentatively, I am starting to fancy myself as in opposition to those around me. By the end of the quarter, Oxford has built up a lead of 60-68, and I hope all these Brookes fans take note.

Now, the fourth quarter begins. Big Alex three—11-point game. Josh two—13-point game. Strong Alex drive—15-point game. Swerving Harry run—17-point game. I note: “It’s starting, finally, to feel comfortable.” With 6:51 left in the game, the score is 68-84.

The spirit of conquest is broken by a controversy. The Oxford bench is greatly aggravated by something. In basketball, when a player commits five fouls in a game, they are said to have ‘fouled out’ and are not allowed to play any more minutes. The referees have mistakenly miscounted the fouls of Brookes no. 9, Arseniy Pushkin. They say he’s on four. He’s actually on five. But oh well, no biggie.

Pushkin scores a two. Pushkin scores a two. Of course. A big ginger Brookes guy does a great tackle on Josh. The crowd cheers. Pushkin scores a three. This does not stop. In total, Brookes go on a 14-point run. 12 of those points are scored by Pushkin. No biggie.

It’s timeout. The score is 82-84, with four minutes to go. There is a lot of energy pumping around this room right now. As they come out to resume play, Cole riles up the Brookes fans. The referee joins in. Everyone is loving the theatre. We’ve been subjected to a Brookes lead and an Oxford comeback, and now an Oxford lead and a Brookes comeback. Everyone’s had their comeuppance. But somebody has to win this thing. For the first time in the Blues’ season, there is real uncertainty about how this game is going to end. And… I almost care. Almost.

Well, you know the rest, you’ve seen the score. But let me tell it to you. Akin earns two free throws. We’re at the crunch point of the game. The crowd jeers, loudly. They are so ready for him to miss. And he does. He misses both. I feel for him. The game remains in the balance.

But soon enough, Josh scores a two. This is fairly standard procedure. By this point in the game, the term ‘Soifer 2’ has become its own stock phrase in my notes. But this one is special. It relieves some stress, and I’m thankful for it. Yet only a few moments later, I am writing it again. Soifer 2. He runs back into position: “Let’s go!” And again, there he goes, there he goes, there it is. Soifer 2. Oxford are running away with this. And Josh is running away towards the Oxford bench, and he’s jumping and nodding, and everyone’s on their feet. And I’m loving it. Take that Cole. Take that crowd. This is the pinnacle of the Blues’ season so far. It’s a great moment.

In the last minute or so, Akin gets another two free throws. Jeers again. But this time, he does not miss. He swishes both. Each swishing sound is music to my ears. Cole, in resignation, goes for a dunk, and fails, and the buzzer goes. The Oxford squad roars. On a knife edge, their day has been made.

For me, I’m left to ponder my connection to what has happened. Sports fanhood is rationally desired irrationality. It’s the hedonistic paradox—if you try and maximise your happiness, you will not do so. Instead, you have to make yourself invest in something enough that it can cause you pain. To get the most out of it, you have to absurdly surrender yourself to some people out of your control throwing a ball around.

But believe in this idea as much as you want, it cannot, by the nature of its irrationality, be constructed soberly. You have to stare down the barrel of a Brookes victory and feel the oncoming affliction. You need that illegal Pushkin tornado to appreciate the Soifer chest-thumping. As my luck had it, this is what I was able to experience.

And so, I feel ready to say to Brookes that guys, you couldn’t hold us back. You had your little comeback, but eventually the dam broke, and we showed you what’s what. Yes, we. Yes, us. I had won the victory over myself. I loved the Oxford Blues.

Review: 2nd May 1997 // Love Song Productions

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2nd May 1997 celebrates an era that feels unimaginably far from our current political landscape. Love Song Productions’ performance of the play captures this spirit of change; of breaking away from the past, and racing towards the future.

The play is sectioned into neat thirds ー naturally, one for each of the three main parties  ー spread over the course of the election night and the following morning. It opens with Tory MP Robert (Karan Lalwani) reflecting on his career as he tries to evade the grim inevitability of losing his seat. Meanwhile, his wife Marie (Céline Barclay) both dotes over him, and opens up about the lonely life of an MP’s spouse. The endless constituency garden parties and condescending SpAds are cited, but more serious are the tales of numerous handsy and leering MPs that Marie has had to endure. In the light of recent allegations about Stanley Johnson inappropriately touching journalists and MPs, this sheds a stark light on how old problems continue to plague politics today, twenty years on.

Lalwani is excellent in the role of Robert, capturing the old-boy, traditionalist mentality of 80s politics that New Labour tried so hard to break away from. His strong attachment to conservatism and frustration at this changing of the tide is clear, whilte his age and illness parallels the tired-feeling Conservative party of the late nineties; too broken to be complacent, and too stubborn to change. 

As the stage is transformed yellow, we are taken to a scene midway through the night, where a man and a womanl stumble in after an election party. Ian (Tom Baker), being a Lib Dem, is unable to cope with any kind of sexual tension, while Sarah (Iris Bowdler), having gatecrashed the party, is after something a little more exciting than watching the seats come in. Bowdler manages to perfectly capture Sarah’s chaotic and drunken state as she pendulums from brazen flirtation to confused vulnerability, perfectly opposing Baker’s nerdy nervousness. Throughout the play, the characters neatly fit into their party’s stereotypes, however co-directors Katie Kirkpatrick and James Newbery are careful not to lean too much into cliché, and in this scene, Baker’s Ian slowly transforms from a spineless bore into someone more, well, human, as Sarah opens up to him. 

Throughout the play, we are reminded of the impact of politics upon the character’s lives, and I’m sure anyone who has spent enough time with a PPE-ist can recognise the moment when switching on the election coverage makes Ian’s eyes light up in a way that poor Sarah could never manage. Despite this, though, Sarah and Ian’s chance meeting reminds us that the world does not, and should not, stop for politics, despite what Ian may wish.

As Blair’s new dawn breaks, we find ourselves in a teenage bedroom, where friends Jake (Noah Radcliffe-Adams) and Will (Hari Bravery) find themselves entangled after the previous night’s festivities. We see their furtive excitement as they pour over the morning’s papers and attempt to memorise the new cabinet, and their youthful energy as they plan their own political careers. They are sure of everything, it seems, apart from themselves. Where Jake shakes off the events of the night before with a winning smirk, Will hides his feelings for Jake behind his enthusiasm for this new era of politics, giving the boys’ jubilation a bittersweet undertone. 

Radcliffe-Adams’s Jake is marvellously arrogant, eager to show-off his political knowledge and intellectual prowess. Meanwhile, Bravery’s longing stares and nervous tension in the part of Will give the scene its edge, Jake being too busy dreaming to notice his silent admirer. While initially, the boys seem the epitome of the hopeful, Cool Britannia spirit of Blair’s campaign, this emotional tension reminds us that politics can’t solve everything, no matter how hard we may try to pretend it does.

2nd May 1997 manages to use a pivotal moment in political history to explore three very different relationships and the difficulties they face. It is performed with grace and humour, using the political events as a mirror that reflects the difficulties of each pair’s situation. 2nd May 1997 is about more than just politics; it’s about love and about the relationships that shape our lives, despite the changing of political tides.

Image Credit: Jemima Chen

Timothée Chalamet’s ‘Wonka’ to be filmed in Hertford College

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In a newsletter to its students, Hertford College confirmed that the resident college cat, Simpkin IV, will soon be “competing for quad space with the cast and crew of the new Wonka film.” The filming is set to take place in the College before Christmas. 

Simpkin IV, the Hertford College cat, relaxing in the marquee in Old Building’s Quad. Image Credit: Charlie Hancock

The film has been described by Warner Bros and the Roald Dahl Story Company as focusing on the life of a young Wonka before he opens his chocolate factory. The film is directed by Paul King, who also directed the Paddington movies. Horrible Histories star Simon Faranby wrote the script alongside King.

Timothée Chalamet is starring as the third rendition of Willy Wonka to hit the screens. He was recently spotted filming in Lyme Regis, Dorset. The town councillor, Daryl Turner, told the BBC that “the town as a whole has fully embraced [the film crew], they are fantastic news for the town.” Others starring in the film include Olivia Colman, Rowan Atkinson, and Sally Hawkins.

The film’s venue administrators, Narrow Mark Films, have applied to close Catte Street in Oxford on the 12th and 13th of December, and then again on the 21st. New College Lane, Brasenose Lane, and Merton Street are also going to be used as locations to film in. Scenes have already been filmed at Culham Lock in Abingdon, reported OxfordshireLive.

Hertford College clarified in its newsletter, “it is fake news that we are adopting as our new motto its title character’s suggestion that ‘a little nonsense now and then, is relished by the wisest men.’”

Image: Maximillian Bühm/CC BY-SA 4.0 via Wikimedia Commons

Startup spotlight: Bringing rocket science into cooking

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FIREUP is a new Oxford cookware spinout founded by Raghav Agarwal and Professor Thomas Povey at the Department of Engineering Science. It recently launched a Kickstarter campaign to market and drive sales for a Dutch oven, which incorporates a unique design inspired by jet engine technology. 

The conception of this idea originated a decade ago with Povey, whose research involved designing cooling systems for jet engines. On one mountaineering trip, Povey struggled to get a pot of water to boil at high altitude. When a conventional pot is placed over a stove, a lot of heat dissipates into the environment after the flame goes around the edges, thereby reducing the cooking efficiency. He and his students spent the next three years prototyping with different pot designs and came up with a cast aluminum saucepan with tapered fins replacing the otherwise smooth cylindrical edge. They called this invention the Flare Pan. 

The inclusion of the unique fin design guided the flame around the pan and into the fins, allowing the pan to retain heat more effectively. This enabled the pan to utilize 40% less energy and cook 30% faster than comparable saucepans. This novelty earned Povey’s group a coveted Hawley Award from the Worshipful Company of Engineers for “the most outstanding engineering innovation that delivers demonstrable benefit to the environment”. 

In 2019 Raghav Agarwal, a former entrepreneur who launched a cookware manufacturer in India, earned his MBA from Saïd Business School. Whilst at Oxford, Agarwal was chair of the Oxford Entrepreneurship Network and represented the business school on the Oxford Foundry’s Student Advisory Board. Through an Oxford University Innovation (OUI)-sponsored programme, he met Povey and the two hit it off immediately given their mutual interest in cookware and innovation. 

After exploring different applications, base materials and marketing directions, they decided to launch their new company, FIREUP. Their first product is a 5 litre cast iron Dutch oven which uses the signature tapered fins of the Flare Pan.

Raghav cites the versatility of the Dutch oven to saute, sear, fry, braise, roast, and use in the oven as the primary reason for launching with this product. He also cites amount of hype that home cooking trends like “No-Knead Bread” received on Instagram during the pandemic. What did they bake their bread in? Not in a pan, but quite often in a Dutch oven. 

He also cites the lack of innovation in under a century in cast iron cookware, and the potential of a market currently worth $2.8 billion globally to grow to $3.3 billion in the next four years, as the key reasons for his optimism. The total UK cast iron cookware market is worth £1.3 billion. Raghav told Cherwell: “On one hand you have painstakingly expensive French brands, like Le Creuset, that force you to almost sell your house to buy a long-lasting premium product. If you look at the history of these brands, they’re almost 100-200 years old [that only come in] different shapes, sizes, and colors. That’s not innovation. [Then there are] smaller trendier startups [that are] investing a lot of marketing dollars to market a product that’s not as premium.” 

Initial financial support was provided by OUI and FIREUP was built up by a global team during the pandemic. The plan is to produce aesthetic and environmentally friendly cookware primarily for home chefs, finance its production through online pre-orders and sell units directly to customers. FIREUP also stands out amongst OUI spinouts as the first to use Kickstarter as its key funding source. The campaign began on 19 October and as of 18 November, £144,511 has been pledged by 1,276 backers. Due to popular demand, this campaign will continue for the next month on Indiegogo.

The FIREUP Dutch oven will be manufactured in Belgium with a nod to the sustainability profile of its predecessor. As Agarwal puts it: “The materials we use are long-lasting and non-toxic. We manufacture in an 80-year old foundry […] [which] is fully compliant with the highest environmental work standards. It pays fair compensation for workers, complies with global safety procedures and environmental standards.”

For now, FIREUP is completely focused on launching their Dutch oven but they do have plans to incorporate the heat retaining tapered fin design to additional cookware down the line. Affirming his vision, Raghav said: “We are here for the long term. We want to build a brand that the ultimate customer can believe in.”

To learn more about FIREUP, go to www.fireupuk.com.

Image Credits: FIREUP Cookware Limited

Money Diaries: Overdraft edition

Monday, November 1st, 9:00am, somewhere in OX1. I wake up from a five-day Halloween bender and find myself sore, at least a week behind on work, and, most importantly, broke. My banking app informs me that I have ten Great British Pounds and seven Pence to my name. I have precisely two weeks until the German government once again transfers valuable taxpayers’ money to my account so I can sustain my extravagant lifestyle of Gail’s cinnamon rolls and straight cigarettes. Which leaves me with the question: how do I stretch £10 over two whole weeks?

Just like George Washington knew back in 1799 that “the best form of defense is a good offense”, I knew that the best way to stop being broke is to make money. In this city, there are many side hustles to choose from. From tutoring private school kids how to get into Oxford PPE to life-modelling for art students and selling Union hacks oregano as marijuana, the options are unlimited. But this time, the solution was much simpler: I had booked a ticket for formal hall at my undergraduate college, and I wasn’t too keen on going anyway, so I sold it to a fresher for a tenner. That’s right, we’re at 20 pounds now – something we can work with!

Arguably, I could’ve tried to make some more emergency cash, but I believed that I had to repent and learn how to be financially responsible. Here is what I learned:

1. Milk what you have: With a Pret coffee subscription, a Union and a Law Soc membership (the holy trinity of good value for money), there was surprisingly much free stuff I could get my hands on. None of the coffee items on Pret’s menu are particularly nutritious but if you drink enough, your heart palpitations will make you forget that you were hungry. Burgers and Milkshakes with Kirkland & Ellis for the small price of acting like I’m interested in corporate law? Say no more.

2. Choose your grocery stores wisely: Some will say Tesco has the best prices, others will swear by Aldi or Lidl. I’ll let you in on a secret: one way grocery stores make money is by selling some items below market price while making profit on others. So by picking and mixing, I got the best value for my money. Also, know what knock-off brands are worth buying (Aldi’s Crave gives Kellog’s a run for their money, but stay away from the Mini Cheese Bakes!)

3. If it’s batteled, it’s free: I said what I said. This is essentially like taking out an interest-free loan, so I made sure to eat lunch in college as much as I could – I even convinced them to put the small celebratory glass of mulled wine that I had at the end of my two-week journey on my battels account.

After what felt like an eternity, two weeks were finally over and while I was glad to be able to spend my money at Turf Tavern again, some of the lessons I learned along the way remained. I’ve now permanently switched to some of the Aldi knock-off brands – they’re simply better – and it turns out that you don’t actually need to eat out every week. My mother will be proud of the two dishes I taught myself to cook (don’t get too excited, they both involve pesto and some form of pasta), and I even learned one or two things about Magic Circle law firms; mainly that I never want to work for one, no matter how many more times I need to stretch £20 over two weeks.

Transgender healthcare inequality: The life and death battle for adequate treatment

The right to universal healthcare without discrimination, and the ability to access such healthcare, has been a point of major contention for the transgender community within the UK for decades, with progress towards this goal achingly slow and often times intermittent. Lack of reliable data, poor understanding of transgender bodies and prejudices within the medical community are cited as some of the pivotal areas at the heart of the problem. Yet, this barely encapsulates the whole picture or the severity and gross negligence of care for transgender people in the UK. 

So close but yet so far, trans visibility and awareness has arguably never been more prevalent than it is now; tireless efforts made by trans activists and groups like Stonewall have ensured that these conversations are now etched into public consciousness. Current waiting times on the NHS for those seeking services at gender identity clinics are at a minimum of 3 years, with no promise of immediate treatment after the initial appointments. It is therefore no surprise that those of the trans community who can afford it, choose to seek privatised healthcare. 

“I personally have not gained much through NHS gender services and am planning to go private for it in future, however as a disabled person in a working class family, getting the funds required for this is likely to take me many years, if I ever can”, says Ali, an 18 year old student. Ali is certainly not alone in this respect, with nearly half of the trans people surveyed in a report by Stonewall echoing the same sentiment, that they simply cannot afford the medical expenses associated with transitioning. “I don’t personally know anyone who uses the NHS services and the general consensus seems to be that you don’t use the NHS unless it’s absolutely unaffordable to go private”, says Arthur, a 24 year trans man. Arthur recently opted for private healthcare and has been on testosterone for 4 months, being charged nearly £70 a month for his hormone therapy. This, however, is nothing in comparison to the estimated £18,000 he will need to allocate towards gender reassignment surgery. 

The process of transitioning can be a daunting one which is not helped by interacting with healthcare personnel who are openly prejudiced against trans people or gatekeep medical treatments. A new report by TransActual UK found that 1 in 7 transgender people have been refused care by a GP in the UK. Even for medical students who understand the necessity of this branch of medicine, very few training providers offer courses pertaining to transgender healthcare. There are still large gaps in understanding how trans bodies react to medication; for something as serious as anesthesiology for example, determining how much dose is required for a trans person is essentially guesswork, purely because there is not enough research to support comprehensive care. 

Oftentimes, when seeking services for their general healthcare needs, trans people find GPs have a tendency to relate their illnesses to any hormone medication they may or may not be using. “I went in for stomach issues once and pretty much the first question was whether it could be related to the hormones, but the symptoms started before the HRT so that explanation was ruled out”, says Avah, a 21 year old trans woman. This problem is exacerbated even further for trans people of colour who are twice as likely as their white counterparts to experience transphobia when accessing trans-specific healthcare. Taking the human factor out of the equation, transgender people still struggle with an out-of-date medical record system.

It is clear that unacceptably long wait times, costly treatment and poor general care are endangering transgender people who encounter roadblocks to treatment at all stages. The light at the end of the tunnel, so to speak, is fueled by the success stories of trans people who have received their treatment or have had positive experiences with medical professionals. 

Alfred Ellis, 23, who works full time as a staff trainer at a care home and has been openly trans for 1.5 years said: “We are living in a time of major reform to healthcare and human rights for LGBTQ+ people. Past generations have had many different struggles which we are now improving. Accessing healthcare as a trans person is still hugely difficult for many, but we have overcome some major milestones and the research has led to huge discoveries into different types of surgeries etc. which suit a lot of individuals far better and have greatly improved results… I’m positive that future generations will come into a world that is more aware of the trans community and has more resources to give.”