Culture

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Perhaps, Oxford

We met at a Latin meeting hosted by the Oxford Ancient Languages Society at...

The Source Ngoc Diep -

Latest

Ignore the naysayers, opera is for everyone

Many have dismissed opera as unaffordable and elitist – they are missing out, writes Jack Pepper

‘Caesar’ at the Keble O’Reilly – preview

Miranda K. Gleaves previews 'Caesar', a hot new reinterpretation of a classic Shakespeare play from Cosmic Arts

Feel good indie for the oncoming winter

Superfood’s outlook on the alternative scene is refreshingly optimistic, says Charlie Hackforth

How a small office in Bloomsbury keeps the tradition of criticism alive

The LRB’s Alice Spawls talks to Altair Brandon-Salmon about her journey from intern to editor at the world’s most prestigious literary journal

Fringe Round-up: Six of the Best Stand-Up Shows

Izzy Smith rounds-up the best stand-up shows from the Edinburgh Festival Fringe 2017

La Bohème review – ‘Shabby and chic but not lacking in charm’

Amid the fakery of Shoreditch, Jack Hunter finds a rare thing: an age-old opera that celebrates the joy of being young

Ones to watch: Science fiction’s signature moves

Donnie Darko, Signs and Terminator are classics of the genre

Rewind: ‘My Big Fat Greek Wedding’ is still relevant 15 years on

Esther Borsi reflects on the romantic comedy classic on its anniversary

Society from a Martian perspective

Matthew Palmer makes the case for the significance of science fiction in today’s society

Sad and Loud, Ryan Adams Live

Thomas Athey reports on an eventful show at The Sage

Paul Foot – eccentric comedy from a Merton mathematician

Miranda K. Gleaves talks to ex-Mertonian Paul Foot, ahead of his new tour, which comes to Oxford on September 30th

The queen of artistic appropriation is crowned at the Tate Modern

Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work

‘Kingsman’: The sequel’s disservice

Cinema's latest spy flick fails to charm Charles Britton

Dido, Queen of Carthage at the RSC review – ‘Daring, poignant and powerful’

The RSC's new production of the lesser-performed 'Dido, Queen of Carthage' is a phenomenal achievement, writes Katie Sayer

The Comedy About a Bank Robbery’s Steffan Lloyd-Evans interview – “most of the time I like to make people laugh”

It’s fairly early in the morning when I sit down to interview Steffan Lloyd-Evans, the star of Mischief Theatre’s The Comedy About a Bank...

The Comedy About a Bank Robbery review – ‘half the audience are in quantifiable hysterics’

Katie Sayer finds 'The Comedy About a Bank Robbery' to be a perfectly cathartic comic concoction

Coriolanus at the RSC review – ‘brutally minimalist but utterly compelling’

RSC's ultra-modern production of 'Coriolanus' balances humour with minimalist staging for a fresh new interpretation of one of Shakespeare's lesser performed plays, writes Miranda Gleaves

Baby Blues review – ‘gripping, entertaining and tragic’

'Baby Blues' at the Camden Etcetera Theatre is shocking portrayal of the realities of postnatal depression, writes Isabella Rooney

Max and Ivan at the Fringe review: ‘Laugh-out-loud hilarious from start to finish’

Izzy Smith is impressed by the duo's masterful sketch comedy

‘It’ review – the most purely entertaining horror movie of the year

Jonnie Barrow reviews the latest silver screen horror sensation

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Culture

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

Perhaps, Oxford

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