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UrbanObserver
Monday 30th June 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Reviving the symposium at the Ashmolean Krasis programme
Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.
Art
Dara Mohd
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‘This Room Their Lives’ in Magdalen College’s Waynflete building
Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...
Art
Josie Stern
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In More, Pulp aren’t just trading on nostalgia – they’re fresh
In a year where many are talking about one Britpop band in particular –...
Music
Tom Cockburn
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Perhaps, Oxford
We met at a Latin meeting hosted by the Oxford Ancient Languages Society at...
The Source
Ngoc Diep
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Old and new fuse in ‘Twin Peaks: The Return’
Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival
Rhetoric and realism in ‘Raphael: The Drawings’
Anoushka Kavanagh is impressed by the Renaissance master’s gift for story-telling and imaginative flare in the Ashmolean’s new exhibition
Music without borders : Misogyny and Bollywood
Jeevan Ravindran exposes the contradictions within Hindi cinema
“A fascinating interpretation of Racine’s masterpiece”
Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy
“Precisely the kind of theatre I would like to see more of in Oxford”
Charles Britton is besotted with the potheads in 'Garden'
“Its clear, accessible acting makes intelligible a foreign tongue”
Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'
“Pleasingly thoughtful and thought-provoking”
Natasha Burton previews 'Rewritten' at the Michael Pilch Studio
Evoking emotion and rejecting repression through art in the Middle East
Joseph Botman makes a case for the importance of the humanities in contemporary society
The extraordinary life and lenses of Robert Capa
Katherine Wood discusses the twentieth century’s greatest war photographer
The human desire for an easy explanation
Joseph Botman makes a case for the irrelevance of individuals in history
“It kept me hooked right until the final denouement”
Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'
A new era of repressive state censorship dawns over Russian art
Anoushka Kavanagh dispels the religious disguises of violations on creative and political freedom
What can horror movies do to terrify us more?
Calum Bradshaw terrifies himself in the name of student journalism
Old and new fused in ‘Alien: Covenant’
Jonnie Barrow examines the influences of Ridley Scott’s latest horror
Dispatches: Gentrified graffiti on the streets of Stokes Croft
Altair Brandon-Salmon explores differing responses to Banksy as a graffiti artist
A day in the life of… a stage manager
Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity
“A marathon-style theatrical whirlwind”
Harry Hatwell is blown away by 'Angels in America' at the West End
A tempestuous tribute to a perplexing artist
Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern
“A woman sitting alone, doing nothing”
Tilly Nevin reviews Mary Ruefle’s stunning and startling new collection 'My Private Property'
Class and conflict in the works of Leonora Carrington
Priya Khaira-Hanks explores the surrealist's attempt to come to terms with her class identity
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