Culture

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully and boldly), St Anne’s College has become the first in Oxford to achieve ‘All-Steinway School’...

Culture Miriam Hussain -

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much...

Culture Radhika Bhargava -

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Books Ngoc Diep -

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly...

Culture Franca Haug -

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Iris Murdoch’s Oxford Life

Benn Sheridan reflects on Iris Murdoch's life and work in the final instalment of Through the Looking Glass

Love in a Renault Clio

Susannah Goldsbrough outlines Nancy Mitford’s tragic wit

A pioneer erased: Sister Rosetta Tharpe

Alice Townson argues that the innovative rock and roll talent should be discussed as unique in her own right

OxFolk Reviews: ‘Vortex’

Ben Ray reviews Methera's new album 'Vortex', and is swept away by their live Corpus performance

Review: Jealous of Herself

Bessie Yuill is impressed and entertained by the accomplished acting and original music of this thought-provoking comedy

Review: I, Daniel Blake

Jonnie Barrow is bowled over by the ﬁlm’s emotional realism, the kind to which so many of us should open our eyes

Beyond anger: an evening with Frank Carter

Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...

Remembering Laughing Lennie

The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...

Preview: Much Ado About Nothing

Susannah Goldsbrough looks forward to seeing Poltergeist Theatre's millenial twist on Shakespeare's classic comedy

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Preview: Dates

Charlie Atkins looks forward to Oxford's most topical sketch show yet.

Is it wrong for a dictionary to offend me?

Laura Wilsmore questions the OED’s newly-added definition of ‘Essex girl’

On the incompleteness of reading

Ellie Duncan gets lost in the countless possibilities of translation

Bah, humbug: An Oxmas Carol

Charles Britton pastiches Dickens’ classic with a familiar setting and an all-too familar overworking protagonist

Rewind: Miracle on 34th Street

Susannah Finlay defends the capitalism of Miracle on 34th Street

Graham Greene and Oxford’s pubs

Daniel Curtis loses himself in tales of writerly pub trips in the penultimate Through the Looking Glass

A “tinsel-covered silver lining”

Safa Dar analyses the spectacle of Oxmas as an intrigued international student

Sci-ﬁ review: Arrival

Jonnie Barrow ﬁnds Villeneuve’s latest release a true masterpiece in both performances and intellectual power

Jon Boden at the O2: Painted Lady and other folk

Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy

Review: Summer and Smoke

James Lamming is delighted by the best show he has seen in Oxford

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Culture

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

Just like the movies: An American’s notes on her Oxford year

Reading Oxford books in Oxford

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

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