Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Latest

Preview: Much Ado About Nothing

Susannah Goldsbrough looks forward to seeing Poltergeist Theatre's millenial twist on Shakespeare's classic comedy

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Preview: Dates

Charlie Atkins looks forward to Oxford's most topical sketch show yet.

Is it wrong for a dictionary to offend me?

Laura Wilsmore questions the OED’s newly-added definition of ‘Essex girl’

On the incompleteness of reading

Ellie Duncan gets lost in the countless possibilities of translation

Bah, humbug: An Oxmas Carol

Charles Britton pastiches Dickens’ classic with a familiar setting and an all-too familar overworking protagonist

Rewind: Miracle on 34th Street

Susannah Finlay defends the capitalism of Miracle on 34th Street

Graham Greene and Oxford’s pubs

Daniel Curtis loses himself in tales of writerly pub trips in the penultimate Through the Looking Glass

A “tinsel-covered silver lining”

Safa Dar analyses the spectacle of Oxmas as an intrigued international student

Sci-ﬁ review: Arrival

Jonnie Barrow ﬁnds Villeneuve’s latest release a true masterpiece in both performances and intellectual power

Jon Boden at the O2: Painted Lady and other folk

Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy

Review: Summer and Smoke

James Lamming is delighted by the best show he has seen in Oxford

OxFolk Reviews: Faustus – Death and other Animals

Ben Ray looks at the UK folk three-piece's latest release

Review: Class

Priya Khaira-Hanks says Class is like the old glory days of Doctor Who, but with a twist

Review: Henry V

Sam Luker Brown has some qualms about this ambitious production at Corpus Christi

The end of the film reel

Daniel Curtis refuses to feel any sense of nostalgia for the state of the remake-ﬁlled ﬁlm industry

The enduring value of Diamond Dogs

Matt Roberts crawls through the outpourings of Bowie praise to look at a long-forgotten album

Emotional electronica

Ellen Peirson-Hagger is touched by the humanity in James Blake’s live show, as, for once, the musician/producer emerges from behind his laptop

Review: The Sellout by Paul Beatty

Benjamin Davies approves of the Booker winner with reservations

Review: Queer Cabaret

Nina Crisp enjoys a night which showcases a variety of queer talent—and all in support of a good cause

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Culture

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

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