Friday 17th October 2025

Culture

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...

Algorithms of individuality: ‘The Consciousness Company’

As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar...

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...

Interview: Palma Violets

Helen Thomas discusses Chilli-ng out and settling down with the indie frontman

Review: Judgment at Nuremberg

A compelling and assured performance of this unmissable production

Interview: Tavi Gevinson

Anna Leszkiewicz talks firsts, feminism and fans with Rookie editor and rookie actress Tavi Gevinson

Review: Saved

A ridiculous premise that is saved by strong acting and well-cast characters

Review: Raymond Moody’s Blues

Olivia Aylmer muses on Freidrich Kunath's presentation of solitude

Interview: Hadouken!

Matt Broomfield and Daniel Beatty get some nu-rave advice from the grindie upstarts

Review: Arcade Fire – Reflektor

To Hendrik Ehlers, this album is a Very Big Deal

Interview: Portico Quartet

Andrew McLean finds it impossible to pin down the inscrutable quartet

Nathalie Wright’s cultural must-dos

The co-editor of new Oxford magazine interVIEW tells Cherwell about her love of twisted, magical places, Alan Partridge and screaming inappropriately.

Stirring Strings

Cherwell Music presents the soundtrack to your essay crisis

Lou Reed (1942-2013)

Edan Tal pays tribute to a true legend of music

Review: Solo

Ed Lewis's take on Boyd's new Bond

Letter from Moscow

Kit sends Cherwell a letter about how she is enjoying her time in the Russian capital

Preview: Saved

An entertaining, human and engaging production from a cast who are clearly having a lot of fun.

Review: The Producers

The production team behind Theory of Justice conjure up another surefire hit

Review: Foxfinder

A claustrophobic allegorical tale with a remarkably gifted cast

Review: The Ghosts of Barucone Manor

Lisa Bernhardt enjoys the the 'pleasantly eerie' atmosphere in The Ghosts of Barucone Manor

A Bridge Too Far?

Sadie Levy Gale laments the decline of the nation's favourite diarist

Review: The Death of Maria

A powerful production that flits wonderfully between certainty and doubt

Review: Ibsen’s Ghosts

Interesting set design and a few strong performances cannot salvage this dated production

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