Culture

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Seabass Theatre has carved out a niche for itself producing original takes on canonical texts, most memorably last year’s plant-inspired Hamlet staged at the former Music Faculty. When discussing...

Culture Lara Machado -

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and...

Culture Beth Riding -

The day she died

...

The Source Nat Conboy -

Death’s Lament

Please, I have done what you asked. I burned it all for her. I wrench the...

The Source Tilly White -

Latest

Introduction to… Lieder

William Pimlott explains the appeal of German classical pop

Review: Blood Orange – Cupid Deluxe

21st-century R&B with the emphasis on blues over rhythm

Review: Kvetch

Hard-hitting, brilliant and very, very, very funny

Live Review: Palma Violets

Palma Violets are too heavy on sweat and too light on passion for Helen Thomas

Balloon breasts and whoopee cushions with Ellen Page

Director Ellen Page offers her insight into KVETCH, a play 'dedicated to the afraid'

Interview: Roddy Doyle

James Tozer talks to Roddy Doyle about middle-age, teaching, and Fernando Torres

Review: Trains and Lovers

Laura-Beth Shanahan finds McCall Smith's stories 'comforting as hot chocolate'

Preview: Can’t Stand Up For Falling Down

An intimate depiction of domestic violence at the TSK

A Grimm Birthday

As the 200th anniversary year of the Brothers Grimm's 'Kinder und HausmÓ“rchen' draws to a close, Enyuan Khong reflects on the fairy tales' significance