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UrbanObserver
Friday 17th October 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Are you listening comfortably? Audio drama and theatre
When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...
Culture
Rhys Ponsford
-
Algorithms of individuality: ‘The Consciousness Company’
As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...
Books
Maddie Gillett
-
Over-the-top-vlogging and call centres: Dial 1 for UK
Dial 1 for UK is a one-man show following the journey of Uday Kumar...
Culture
Caitlin Shaw
-
Spike Lee’s lackluster remake: Highest 2 Lowest
There is no reason why a remake should remain inferior to its source material;...
Culture
Matthew Mair
-
Latest
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Interview: Palma Violets
Helen Thomas discusses Chilli-ng out and settling down with the indie frontman
Review: Judgment at Nuremberg
A compelling and assured performance of this unmissable production
Interview: Tavi Gevinson
Anna Leszkiewicz talks firsts, feminism and fans with Rookie editor and rookie actress Tavi Gevinson
Review: Saved
A ridiculous premise that is saved by strong acting and well-cast characters
Review: Raymond Moody’s Blues
Olivia Aylmer muses on Freidrich Kunath's presentation of solitude
Interview: Hadouken!
Matt Broomfield and Daniel Beatty get some nu-rave advice from the grindie upstarts
Review: Arcade Fire – Reflektor
To Hendrik Ehlers, this album is a Very Big Deal
Interview: Portico Quartet
Andrew McLean finds it impossible to pin down the inscrutable quartet
Nathalie Wright’s cultural must-dos
The co-editor of new Oxford magazine interVIEW tells Cherwell about her love of twisted, magical places, Alan Partridge and screaming inappropriately.
Stirring Strings
Cherwell Music presents the soundtrack to your essay crisis
Lou Reed (1942-2013)
Edan Tal pays tribute to a true legend of music
Review: Solo
Ed Lewis's take on Boyd's new Bond
Letter from Moscow
Kit sends Cherwell a letter about how she is enjoying her time in the Russian capital
Preview: Saved
An entertaining, human and engaging production from a cast who are clearly having a lot of fun.
Review: The Producers
The production team behind Theory of Justice conjure up another surefire hit
Review: Foxfinder
A claustrophobic allegorical tale with a remarkably gifted cast
Review: The Ghosts of Barucone Manor
Lisa Bernhardt enjoys the the 'pleasantly eerie' atmosphere in The Ghosts of Barucone Manor
A Bridge Too Far?
Sadie Levy Gale laments the decline of the nation's favourite diarist
Review: The Death of Maria
A powerful production that flits wonderfully between certainty and doubt
Review: Ibsen’s Ghosts
Interesting set design and a few strong performances cannot salvage this dated production
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