Tuesday, May 13, 2025
Blog Page 313

Oxford University to host G7 health summit

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Oxford University will host a crucial health summit between the G7 nations on 3rd – 4th June. Health ministers from Canada, France, Germany, Italy, Japan, the UK and the US will meet to discuss global health policies and actions. India, South Korea, South Africa, and Australia will also attend as guests.

Attendees will discuss issues concerning antibiotic resistance, clinical trials, and global health security against future pandemics. Digital health – the intersection of technology, healthcare, and personalised treatments – will also be on the agenda. The discussions will inform future discussions at the G7 Leaders’ Summit on 11th – 13th June.

Vice-Chancellor of the University of Oxford, Professor Louise Richardson, said: “Oxford University is honoured to host the G7 Health Ministers. This past year has demonstrated just how much can be accomplished when universities, business and government work together to advance global health. We hope that in the course of this meeting insights and information will be shared, ideas generated, and lasting partnerships forged. In particular, we hope that as a result of this meeting plans will be developed to ensure that we are never again caught unprepared for a pandemic.”

The G7 nations account for two thirds of the global pharmaceutical market. In addition, the Oxford/AstraZeneca, Moderna, and Pfizer vaccines were developed in the UK, US, and Germany respectively.

Matt Hancock, Secretary of Health and Social Care, said: “Oxford is the birthplace of the Oxford / AstraZeneca vaccine and at the heart of British life science. Oxford is a perfect location to stage pivotal meetings on how the world readies itself to combat future health threats.

“We should not underestimate how far dreadful viruses can reach and the devastating impact they can have.  … Collectively we can build back better from this virus and … have an opportunity to learn from this pandemic and take measures that will develop global health security.”

A ministerial working dinner on 3rd June will also be attended by representatives from the life sciences industry. They will discuss the themes of the Prime Minister’s ‘Pandemic Preparedness Partnership’ between the public and private sectors.

Oxford City Council Leader, Councillor Susan Brown, said: “Oxford is proud to host this international gathering of ministers and life science leaders, to plan a global approach to ending the COVID-19 pandemic. Our city has rightly become synonymous with excellence in life science research and manufacturing. We are proud that Oxford’s name is carried by the vaccine used most widely across the world. There is a real opportunity for those gathered to step up international support for the vaccination programmes still only in their early stages in many developing countries, particularly in Africa.”

Image: Yoonsuh Park/unsplash.com

Department of Chemistry Professor Kylie Vincent appointed first Academic Champion for Women in Entrepreneurship

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Oxford University has appointed its first Academic Champion for Women In Entrepreneurship, Chemistry Professor Kylie Vincent.  The post has been created to support the University Strategic Plan 2018-2023 and the Knowledge Exchange Strategy, which focuses on developing innovation and entrepreneurship at the University.

The role is expected to require Professor Vincent to spend two days per month working to support the University’s commitment to diversity in entrepreneurship. The Professor will work in her role with IDEA (Increasing Diversity in Enterprising Activities), a new initiative set up by the University which aims to reduce the barriers faced by underrepresented groups in enterprise and industry. Additionally, as part of her role, she will work with Enterprising Oxford, Divisions Departments, the EDU, and other researchers and professionals who provide support to entrepreneurs.

The role has been set up to provide ‘academic leadership for the discussion, and potential development and implementation of a Woman in Entrepreneurship Strategy’, according to the University website. Professor Vincent will also be tasked with providing a voice for women already interested or actively involved in entrepreneurship.

Chas Bountra, the Pro-Vice-Chancellor (Innovation) and Professor of Translational Medicine, said: “I am delighted to announce Kylie Vincent’s appointment as the first Academic Champion for Women in Entrepreneurship. Kylie brings a wealth of experience in entrepreneurial activities, including patenting, technology innovation, and research commercialisation, and is an active advocate for women in academia.”

Image Credit: Andrew Gray/CC BY-SA 3.0 via Wikimedia Commons

Oxford LGBTQ+ society responds to OxMatch ‘homophobic’ question controversy

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Oxford LGBTQ+ society has issued a statement in response to the recent OxMatch ‘homophobic’ question controversy. This centred around a question on the OxMatch questionnaire which asked applicants to rate out of five whether ‘I would be okay if my children were gay’.

The statement by the society on their Facebook page said that “In response to backlash regarding this, OxMatch released two public statements (that have since been deleted) where they attempted to justify the inclusion of the question. While we can empathise with their professed intention to identify homophobic users and to prevent them from being paired with LGBTQ+ people, the execution of this intention was poor, with there being other, more appropriate, alternatives that protect LGBTQ+ users.”

The statement highlights some of the issues that the society felt were raised by the question. This included the wording of the statement being “unnecessarily emotive”, failing to recognise the “weight and trauma” felt by many in the LGBTQ+ community from the process of coming out. The society also highlighted that Anti-LGBTQ+ attitudes manifest in a number of ways, while the question was aimed only at catching traditional ‘homophobia’. This would miss those who wouldn’t accept their child being part of the LGBTQ+ community, which the question grouped under the term ‘gay’.

The LGBTQ+ society committee said that they “reached out to OxMatch at the end of last week (the week beginning 3rd May), asking them to remove the question and introduce new measures and/or questions that would serve the same purpose in a more considered manner.” The society mentioned that they “would like to assure everybody that we were not simply asking for this question to be removed outright with no alternative, as this would have been detrimental to the safety of LGBTQ+ users of the service. Our intention throughout the process was to work constructively with OxMatch to find alternatives that were both more sensitive to LGBTQ+ issues, and more effective in achieving the goal of protecting users from homophobia.”

Oxford LGBTQ+ society noted that, along with the SU LGBTQ+ Campaign, they had offered to help to work with providers on future Oxford-based projects to help avoid similar incidents from occurring. They said that their emails to OxMatch, sent on the 8th May with a follow up on 12th May, were yet to receive a reply at the time they posted the statement. Cherwell can confirm that OxMatch responded to these emails later on the 12th May, after the statement had been posted.

Finally, the society’s statement reads: “Our biggest concern that has arisen from our correspondence with OxMatch is not the original oversights they have made, but their unwillingness to consider the lived experiences of LGBTQ+ people and inability to actively engage when problems are raised. We don’t doubt that OxMatch is experienced in questionnaire and algorithm design, as they have pointed out to us, but such experience does not remove the potential of making a mistake through ignorance and a lack of awareness of LGBTQ+ issues. During our correspondence, their tone has been both defensive and accusatory towards us, showing no willingness to listen and learn from their failings.

“We do not wish to villainize OxMatch, but we do wish to hold them accountable, especially when they have a self-declared commitment to welfare and inclusivity. They have a responsibility to do better, and cannot rely on the excuses that in the past they’ve “not received a single complaint about this question” or that “the same question was used in other surveys without complaints”. These reasons do not absolve them of their wrongdoing in the present.

“We once again implore OxMatch to remove the question in favour of more appropriate measures that have been devised in consultation with LGBTQ+ people and to publicly apologise for the mishandling of this situation. These actions are the best way for OxMatch to truly affirm their commitment to LGBTQ+ inclusivity.”

In response to this, a spokesperson for OxMatch stated: “The specific question was put in due to previous complaints about individuals matching with those holding homophobic views. The question was designed to filter out homophobic individuals. We had not received a single complaint about this question before it was mentioned publicly despite thousands of students doing the survey. The same question was used in other non-affiliated surveys that ran in Oxford and elsewhere before without complaints.

“We have always sought to make OxMatch as inclusive as possible and welcome any suggestions about how to do that.”

Image Credit: Filmbetrachter/Pixabay.com

Review: “Beauty in Death” by Chase Atlantic

Beauty in Death is the third studio album from the Australian alternative R&B band and production trio from Cairns, Australia. The group consists of lead vocalist Mitchel Cave, guitarist and vocalist Christian Anthony, guitarist, saxophonist, and backing vocalist Clinton Cave. Their newest album is the cherry on top of what is already an excellent discography with continuous themes and creative influences resulting in a smooth and flowing album arc.

It’s difficult to describe Chase Atlantic’s style. Think punk-pop meets alternative R&B meets moody trap soul, whatever genre they do occupy the subjects of their songs will always strike a chord in one way or another. Beauty in Death, as with their other work, focuses on highs and lows of substance abuse, depression, loneliness, and heartache and it’s almost certain at least one of these will be familiar to you.

Having seen them on tour in a gloomy, backstreet Bristol club complete with sticky floors, crowded mosh pit and chaotic staging, their newest album didn’t disappoint on the vibe. The album artwork is punky and weird, setting the tone for their songs and their general aesthetic. Imagine drug fuelled joy riding down dark, twisting country lanes as dawn approaches before crashing into an unmade double bed, the room bestrewn with old dishes, overflowing ashtrays and dog-eared posters. Euphoric exhaustion sets in and you drift off to sleep in the arms of the other half of your dysfunctional relationship. As someone not really living the life Chase Atlantic croon about, I find their music excellently diverting and transportive into another kind of life that I’ve only experienced in films and books.  

“The energy is less mosh pit, head banging, and more vulnerable”

Unlike previous albums, specifically, their self titled debut album and subsequent Phases, the energy is less mosh pit, headbanging, and more vulnerable. There’s talk of heartache and relationships crumbling. With this newest album you certainly get the feeling the band are writing from the mirky depths of real heartbreak rather than prematurely ended flings. There is a sense of desperation and loneliness with the single ‘Mollywhich hops on the bandwagon of their practice of female titled songs including ‘Roxanne’ and ‘Cassie’. ‘Molly’ is both an ode to a girl and the drug and you come away feeling hooked on the chorus but pitying the boys for their chemical reliance.

‘Call Me Back’ is a triumph and is perhaps the most vulnerable the band has ever been, I found myself invested in the storyline of the lyrics picturing myself at a phone booth waiting on the end of a line for a call that just won’t come. The saxophone solos continued to be the icing on the cake, tipping you over the edge and making the hairs on the back of your neck stand up. There were some unfortunate additions as with any album. Their single ‘Out on the Roof’ was a disappointment and I felt didn’t fit in well with the other songs. In the build-up to the album release, I didn’t hold too much hope, fearing that a lockdown produced album might be somewhat of a train wreck with too many clashing styles and experimentation. Instead, lending it to be more so a vanity project sound than a catalogue of art. ‘Please Stand By’ featuring De’wayne and Xavier Mayne was an unwelcome addition, jarring and out of place with the low fi vibe of the rest of the album. The three voices simply didn’t mix and coming almost slap bang in the middle of the tracklist made it an obstacle rather than an extra.

The title seems a little pompous and perhaps more appropriate for their earlier work which seemed to look drug-related and misadventurous death squarely in the eye. This time around there’s a sense that there’s more to lose and there is, in fact, no beauty in it. Overall, Chase Atlantic’s Beauty in Death is an excellent album and I look forward to when they will be able to tour again.

Image Credit: Poppy Atkinson Gibson

Protest marks one year since murder of George Floyd and calls for removal of Rhodes statue

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On the 25th May at 17:30, around 250 protestors demanded anti-racist measures from the government and the University. The protest marked the one year anniversary of the murder of George Floyd and criticised Oriel College’s decision not to take down the High Street Statue of imperialist Cecil Rhodes.

The protest began at Bonn Square, with a speaker criticising the UK government’s denial of the institutional racism. He said “What happened to George Floyd has happened in the UK,” with protesters holding up signs saying #UKisNotInnocent. Individuals came forth and read out the names of UK victims of police brutality. The crowd then shouted the names as an act of remembrance, known as #SayTheirName. The protestors took the knee in solidarity, and raised their fists into the air.

Protestors take the knee and hold up their fist on Bonn Square Oxford as part of #SayTheirName. Many hold signs saying “BLACK LIVES MATTER / No justice No peace”.
Image credit: Matilda Gettins

Next, a speaker from Rhodes Must Fall in Oxford. Referring to the statue of Cecil Rhodes, she said: “The statue is still standing. Shame on you, Oriel College.” Rhodes Must Fall in Oxford’s main campaign against the statue began in 2015, following successful ‘Rhodes must Fall’ protests in Cape Town 2020. Protests resurged with the BlackLivesMatter movement in Summer 2020, leading Oriel College to express its desire to see the statue removed. However, after an independent commission suggested the statue be removed, the college has chosen not to take down the statue due to “regulatory and financial challenges”.

The protestors then marched towards Oriel College itself, shouting “Black Lives Matter” and “No justice, no peace”. Oxford citizen Shaloma said: “As a black female in the UK, I am very aware of racism even if it’s sometimes very under the table. I want to see my black women and sisters freed. And I think we’re the generation that will make it happen.”

Protestors march along Oxford Centre with signs saying BLACK LIVES MATTER and other slogans.
Image credit: Matilda Gettins

Once arrived in front of Oriel College, the protestors assembled on the pavement opposite the college, and chanted  “Rhodes was a racist” and  “De-de-decolonize / Oriel is full of lies”. Oxford student Wallerand Bazin said: “The statue is a symbol of the University’s support of colonialism. History is a construct, and the University must decide what it wants to keep. Keeping the statue is an act of discursive violence, and an act of violence against those who have been protesting against it for years.” Student Eve Devillers highlighted that not just Oriel, but the University must be held accountable, while another student emphasised that it was important to be a “white ally”.

Two minutes before the end, the protestors stood in the road in front of Oriel College, chanting “Rhodes must fall / Rhodes must fall / Rhodes must fall”. To end the protest, the organisers called for a minute of silence. The protestors reassembled on the pavement opposite the Rhodes statue, with their fists in the air as an act of remembrance and defiance. 

Two men holding their bikes and lifting up their fists into the air. Image credit: Matilda Gettins

This article was edited on August 18th 2021 to correct a quote’s attribution.

Oriel College Oxford has been contacted for comment.

Image Credit: Matilda Gettins

Marquee set up in University Parks

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The University of Oxford announced that a purpose-built marquee has been set up in University Parks to safely host outdoor events this term and into the Long Vacation.

The marquee is open and free to book for students and departments. It can be booked for social events through their department or division via Estates Services. It will be available until early July. 

The marquee has capacity for 30 students, in line with government guidance. It will be open-sided and accessible, with toilets nearby. Student event organisers may bring their own food and drink or pay to have it provided by the University catering company.

The marquee plans are the latest part of the Love Oxford campaign delivered in partnership with Oxford SU and the University. Love Oxford provides a hub for events organised across the collegiate University including by students, as well as in the community.

Ben Farmer, VP Charities and Community at Oxford SU said: “Throughout our planning for this year we’ve highlighted the importance of spaces for students to run events and socialise and we’re pleased the University have recognised this in providing the marquee. We’d like to thank staff across the University especially in Estates Services for helping to make it all happen.

“We know student clubs and societies have had a tough time over the past year and we’re committed to working with the collegiate University to ensure student-led groups get the support they need. We’ll continue to represent students on these issues on key committees like the Student Experience group to ensure students get the best possible support.”

Dr Jane Sherwood, Chair of the Student Experience Group and Director of the University Language Centre said: “The Student Experience Group, Parks, Estates, and the Van Houten Fund are delighted to offer a serviced Marquee in the Parks for departments to use this term. It’s one of a range of initiatives, such as Love Oxford, which the Student Experience Group is supporting to help strengthen student communities after this disjointed pandemic year.”

Image Credit: Ed Webster / CC BY 2.0

“Financial Challenges:” Inside the Oriel College commission report

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CW: Racism

The independent commission on Oriel college’s association with Cecil Rhodes released its 144-page report at the end of last week. It expressed support for the June 2020 desire expressed by Oriel College to “remove the statue of Cecil Rhodes” located on the High Street, as well as containing “recommendations concerning educational equality, diversity and inclusion (EDI)”. Since the report’s publication, Oriel college has released that due to “regulatory and financial challenges”  it will not remove the statue, and will instead focus on EDI measures. 

The report outlines some of the different views expressed concerning the Cecil Rhodes statue as well as a plaque located on No.6 Edward Street, which it obtained by collecting submissions from 1447 sources. Of the 83 student submissions, 62 supported moving the statue. Of the 338 alumni submissions, only 95 supported moving the statue. The report notes that among the “younger alumni consulted” there was a “more widespread view that the memorials should be removed”. 

Of the 982 members of the general public who submitted their views, 966 were opposed to moving the statue. The report notes that almost 500 of these submissions were made within two days in March 2021, following an appeal to its supporters by the organisation Save Our Statues

The report also summarizes some of the main arguments made in submissions for and against the removal of the statue. Arguments in favor include: “Rhodes was contentious in his own day, let alone today. The statue, when it was erected, reflected one side of an argument, not both.” Other arguments included “Retaining memorials that symbolise colonialism and racial discrimination perpertuates such ideologies today,” and ”BME students, staff, citizens of Oxford … should not have to walk past symbols of racism that they find offensive and that commemorate those who oppressed their ancestors”.

Three young adults wearing masks at a protest holding signs which say: "ONLY RACISTS WOULD VALUE A DEAD MAN'S STATUE OVER THEIR MORALITY", "ANTI-RACISM ISN'T A TREND" and "SEND CECIL FOR A SWIM".
Three young adults wearing masks at a protest holding signs which say: “ONLY RACISTS WOULD VALUE A DEAD MAN’S STATUE OVER THEIR MORALITY”, “ANTI-RACISM ISN’T A TREND” and “SEND CECIL FOR A SWIM”.
Image credit: Matilda Gettins

Arguments against include: “Removing the memorials would reduce understanding of their context,” “We should judge historic figures by the standards of their own time, nor ours,” and ”Removing the memorials distracts attention from the real issues which need to be addressed”.

A further objection, made by Oriel college itself is that as the statue is located on a Grade II* building, “[any] changes to the building – including the addition of a permanent information board to explain the history and context, removal or replacement of the statue … would require planning consent”. 

This means that if the College were to decide to remove the statue, it would need the consent of two bodies: Oxford City Council, and Historic England. The Leader of the City Council, Councillor Susan Brown has welcomed Oriel’s commitment to removing that statue in the past and said: “It would be better for the statue to be placed in a museum, such as the Ashmolean or the Museum of Oxford, to ensure this noteworthy piece of the story of our city isn’t lost to history.” Historic England, however, has adopted the Government’s emerging policy of ‘retain and explain’. In a case of disagreement between the Oxford City Council and Historic England, the Communities Secretary would have the final say. Concerning monuments, communities secretary Robert Jenrick has said:  “We cannot – and should not – now try to edit or censor our past”.

The second main objection raised by Oriel college are the “financial challenges” placed by the statue’s removal. In his will, Cecil Rhodes left around 100,000 – worth around 12 million in today’s value – to Oriel college, making up “less than 2% of the value of his estate”. However, nearly all of this money has since been spent. 

The financial argument arises not from the original benefaction, but from the “total cost of removal” and from the worry that the “College will lose potential future benefactions if it moves/removes the Rhodes memorials”. However, the report notes that, should the College not remove the memorials, it may also “fail to attract funding from potential donors who would not wish their donation to be associated with Rhodes’ legacy”. The report adds “A statue of Rhodes was not a requirement of the will or of any subsequent negotiation concerning the endowment.”

Cecil Rhodes (1853-1902) was a “prominent figure in the history of British colonialism”, whose “career was controversial [even] during his own lifetime”. Amongst other positions, he was Prime Minister of Cape Colony, where he made and supported “a number of important decisions [and developments] that intensified racial segregation”. These included  a “labour tax for African people only”, a “segregated local government system”, and the beginnings of “coercive compounds for black workers”. 

Rhodes was a “deeply committed British imperialist” and convinced of “racial superiority”. In an 1894 speech to Parliament he stated: “If the whites maintain their position as the supreme race, the day may come when we shall be thankful that we have the natives with us in their proper position”.

Substantial campaigning against the statue and calls for EDI measures at Oriel College began in Michaelmas Term 2015. This period of campaigning, run in large part by ‘Rhodes Must Fall in Oxford’, was inspired by successful demonstrations against a statue of Cecil Rhodes at the University of Cape Town. In November of that 2015, Rhodes Must Fall in Oxford presented a petition to Oriel College, demanding the movement or removal of the statue as “a welcome first step in the University’s attempt to redress the ways in which it has been an active beneficiary of empire.” 

In Summer 2020, protests against the Rhodes statue resurged, “[leading] the College to issue a statement in support of racial justice and educational inclusion”. Oriel JCR and MCR carried motions to remove the statue from its current location, and, at the time, the Governing Body of Oriel also expressed its desire to see the statue moved or removed. 

Image Credit: Michael Day / CC BY-NC 2.0

Out of the Frame: Gericault’s Raft of the Medusa

The act of representing the truth is something which is made more complicated than it needs to be: we post pictures of ourselves after we have edited and applied a filter, we read Wikipedia articles that have been reworked because someone thought they knew better. The fact of the matter is that we cannot bear to be faced with the ugly truth- because ugly is exactly what it usually is. This week’s painting is the 1819 work by the French artist Gericault, the Raft of the Medusa which poses a similar kind of problem. Known first and foremost as a Romantic painter, he uses the individualistic emphasis of the movement to confront the viewer with individual cases of human suffering and achieves it through macabre detail. The subject matter was taken from an incident in 1816, when a French ship off the coast of Senegal ran aground only for the crew to find that there were not enough lifeboats. The captain and the senior officers decided to prioritise themselves, leaving the rest to face a gruesome fate: left on a makeshift raft, 147 men were left to survive. In the 13 days before their rescue, the men were faced with starvation and dehydration, resulting in mass death and cannibalism. By the time they were rescued, only 15 survived. The painting caused a real scandal when it was unveiled at the Paris Salon in 1819, due to the bleakness of the subject matter and the controversy arising as to the incompetence of the captain, who had left most of his men to die.

What is it about the painting, other than the political connotations, which caused such a stir? Gericault supposedly interviewed some of the survivors so he could capture the true horror of the experience to the best of his ability—perhaps it is the truth behind the work that we find so difficult to digest, a sentiment just as valid now as it was back in the time of Gericault. While we see a traditionally dramatic pyramidal composition, framed by dark clouds looming overhead and waves ready to engulf the raft at any moment, we are made aware that this is a very real scene which is being put into fantastical context. When we watch a horror movie, we get that much more uncomfortable when the narrative is preceded by the words ‘based on a true story’; in viewing this painting, we are aware that the pile of bodies, that melee of living and dead, draws upon the horror of reality.  Suffering is found in numerous forms: men can be seen on their knees, looking desperately towards their one hope of salvation, another appears in a state of hopelessness as he mourns for the loss of his son, resigning himself to the same fate and abandoning any effort to help, shrouding himself with a red piece of fabric. The earthy colour palette, reminiscent of those found in Renaissance depictions of Hell (See Jan van Eyck’s Last Judgement), drains any expectation of hope, and washes their flesh with a green tinge as decay begins to set in. This is the reality of disaster, a living Hell, heightened through the drama of the Romantic style, which vividly encapsulates the intense emotions that the men must have experienced. The raft extends beyond the frame of the work, inviting the viewer themselves to become an actor in the scene, sharing in the ambience of desperation.

 Yet, there is hope on the horizon, quite literally. The top of the pyramid sees a crew member being raised aloft, signalling a ship which is just visible in the background of the painting, bringing with it clearer skies. Gericault’s protagonist, who takes charge of the desperate attempt to save their lives, is an African crew member from the ship. The narrative transcends the prejudices of the time and sees the men for what they all are: just men. Whilst we do not see the face of the African crew member, this detail can reinforce his heroism rather than making him invisible. In fact, the eyes of those few remaining look up and reach towards him, making him a central figure of the piece. Gericault equated the struggles of the black population of the time more generally with the struggle for freedom, also taking the opportunity to criticise the continuing and highly profitable slave trade which was still happening in the French colonies after its abolition in 1794. In a world where liberty, equality and fraternity were so valued, what better way could he communicate this than through a scene of social harmony in the face of adversity? This resonates particularly with today’s social climate as we work still towards a more cohesive, tolerant, and accepting society.

The immediate consequence of such social harmony is the rescue of the crew members, whose salvation relies almost entirely upon a character that society at the time would consider inferior. Gericault combats this view and takes on a modern approach, advocating for the equality of all. His work provokes us to face a number of harsh truths: he confronts us with the gruesome reality of the events of the early 19th C, exposing members of the French upper classes for their shockingly selfish and inconsiderate actions, while also commenting on the illegal slave trade which continued at the time. This is all conveyed in a tableau of torment, exposing us to the realities that we would rather ignore, using it as a sharp contrast to elevate the positive consequences of unity and fraternity. An audience today is made just as uncomfortable at such an explicit depiction of suffering, accompanied by the implied comments on class and race. Just as fraternity is the saving grace of the men of the Medusa, our society today can also embrace the same outlook in the face of our modern adversities.

Fukushima: Should we reconsider nuclear power?

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On 13th April, the Japanese government approved the decision to discharge radioactive wastewater from the Fukushima Daiichi site into the Pacific Ocean over the next two years. The announcement came after March marked ten years since the most powerful earthquake and subsequent tsunami recorded in the country, which led to the disastrous INES Level 7 nuclear accident at the site. The decision proved to be controversial and immediately attracted critical voices and concerns from both Japan and nations and organisations around the world.

The powerful 2011 earthquake led to a triple-meltdown of the plant’s reactor cores. In order to maintain the stability of the power plant’s reactor, cooling water has been constantly drawn into the plant and, when mixed with rainwater and underground water collected in the plant, became contaminated by radioactive material. Large amounts of water were released into the ocean during the disaster, and in subsequent years more were released, both intentionally and due to leakages.

From March 2013, the plant’s operator, Tokyo Electric Power Company (TEPCO), implemented the use of a system known as ALPS (Advanced Liquid Processing System) developed by Toshiba, whereby water is collected and stored into a large number of containers to remove up to 62 types of radionuclides including caesium and strontium. However, the system cannot remove tritium, an isotope of hydrogen, from the contaminated water, and the current controversy is largely a result of contrasting opinions with regards to whether the treated ‘tritium water’ can be considered safe.

The 1061 containers with a total capacity of 1.37 million tonnes – enough water to fill 500 Olympic swimming pools – will reach their full capacity by autumn 2022. The solution presented by TEPCO to the ‘unavoidable issue’, as Prime Minister Yoshihide Suga put it, was for the ‘tritium water’ to be diluted to 1/40 of Japan’s national legal standard and 1/7 of WHO standard before being released into the Pacific Ocean. According to Japan’s regulatory officials, tritium is essentially harmless when consumed in small amounts. However, scientists like Katsumi Shozugawa pointed out that long-term consequences of exposure to tritium, even in low doses, has not been fully investigated and cannot be predicted. Furthermore, in August 2018 it was revealed by reporter Ryuichi Kino that the so-called ‘tritium water’ in fact does still contain significant amounts of radioactive substances, namely Iodine-139, the amount of which exceeded the legal limit by over 60 times.

A survey conducted by Asahi Shimbun suggested that only 32% of the Japanese public approved the government’s decision. For the public, especially residents of Fukushima and nearby Miyagi and Ibaraki prefectures, the concept of 風評被害 (fuhyo higai), meaning ‘damage from rumour’ or reputational damage, is of major concern. For the fishery and seafood industries, bans on products from Fukushima had only been lifted a year ago and a decade’s effort for products to regain public trust and re-establish a decent reputation would go to waste should the discharge become a reality. Many local fishermen and merchants expressed their ‘absolute opposition’ to the plan and ‘mistrust towards the nation and TEPCO’. Comments made by politicians such as Taro Aso, the Deputy Prime Minister who labelled tritium water as ‘drinkable’ further angered netizens. At the same time, attempts by the nation’s Reconstruction Agency to promote the ‘harmless’ nature of tritium and win public support through the use of an animated mascot largely backfired and the videos were swiftly pulled from air.

The backlash that followed the decision made on 13th April was not the first time that TEPCO came under public scrutiny. In July 2013, TEPCO admitted for the first time that failure in attempts to contain the contaminated water has led to significant leakages and around 300 tons of wastewater were pouring into the ocean each day. By 2016 an ‘ice wall’ was built at a cost of ¥35Bn to rein in excessive leakage, but as of February 2021, it was reported that water continues to leak from the reactors.

Neighbouring countries and organisations were quick to express their dismay at the news. Greenpeace called the decision a ‘breach of international maritime law’; Taiwan’s Atomic Energy Council expressed ‘deep regrets’ while South Korea’s Ministry of Foreign Affairs summoned the Japanese ambassador Koichi Aiboshi to protest. The most vociferous attacks yet came from China’s Ministry of Foreign Affairs. Its spokesperson, Zhao Lijian urged Japan to reconsider the decision and remarked that ‘the sea is not Japan’s bin and the Pacific Ocean not its sewage system’. Later in the month, Zhao shared a tweet which featured a Chinese artist’s parody of Katsushika Hokusai’s famous Ukiyo-e work, ‘the Great Wave at Kanagawa’, where fishermen in the original work were replaced by figures in hazmat suits dumping nuclear waste into the ocean while the iconic mount Fuji in the background was replaced by a cooling tower.

In contrast, the US provided support for the move, with Secretary of State Antony Blinken thanking Japan for its ‘transparent efforts’ in making the decision. Its climate envoy John Kerry said that the US ‘has confidence’ in Japan’s handling of the issue. The IAEA followed suit as its Director-General, Rafael Mariano Grossi welcomed Japan’s announcement and said that the Agency ‘stands ready to provide technical support.’

The current political climate of the region centred on the Sino-American relationship deteriorating to its worst in decades inevitably complicated and politicised the issue. It is no coincidence that a US-Japan summit took place in the same week following the announcement. As The White House announced a ‘partnership for a new era’ with Japan, it demonstrated the determination to stand by its ally, considered perhaps the most important in the region due to its economic power and geographical location. It was possible due to US pressure that the South Korean government softened its tone, suggesting that Seoul only wants ‘transparency and proof’ from the Japanese authorities, despite the still overwhelmingly negative public opinion against Japan’s decision and a significant number of ongoing protests.

It has been less than a century since Hahn and Strassmann discovered nuclear fission, but its power has already been profoundly utilised, with over 36 countries having operated around 18,500 cumulative years of commercial nuclear power. Recently the US government acknowledged its support for subsidies, in the form of tax credits, aimed at keeping open much of the country’s over 90 existing nuclear facilities open in order to meet its long-term climate goals under the Biden administration. Neighbouring critics of Japan’s decision, namely China and South Korea are also seeking to expand their nuclear power industries in the near future. Supporters of nuclear energy argue that it is a clean and sustainable energy source and point out that deaths from nuclear energy-related accidents per unit of electricity are significantly lower than that of other sources. Others point to the regulations and safety measures introduced following the Fukushima disaster. Moreover, far from simply providing jobs, nuclear power is still the most economic, efficient alternative to fossil fuel considered by many countries as pressure with regards to the reduction of greenhouse gas looms.

However, these at best justify the use of nuclear power as a short-term, transitional method to achieve carbon neutrality and does not negate the impact and dangers of nuclear power, made clear by disasters like Chernobyl. Radioactive particles from the 1986 disaster remain moving to this day and it would take another 44 years to fully decommission the reactors at the heart of the disaster. Many have returned to nearby villages and the plant itself, but the consequences of the disaster remain very much alive. After all, 35 years is a minuscule number in the face of millennia-long half-lives of isotopes released from the plant. Likewise, the full impact of the disaster at Fukushima, apart from the atmospheric and oceanic discharge and the over 164,000 people evacuated from within a 230 square miles radius, remain hard to fully estimate and comprehend. Faced with such uncertainties and the possibly irreversible changes to the natural world, over-reliance on nuclear energy can only be considered an unworthy and highly risky gamble.

Opinions on Japan’s decision have been relatively quiet in the West, not least because of the long geographical distance from the country, but the issue is worth drawing our attention to, not only because of the interconnected nature of oceans, but also the fact that 20% of the UK’s electricity currently depends on nuclear power, and the ongoing construction at Hinkley Point C demonstrates the determination of authorities to continue the nation’s heavy reliance on nuclear power. For the UK, the heavily-censored topic of the Windscale disaster of 1957 has largely faded from public memory, but the frequently updated government reports collections on the Sellafield site reminds us of the fact that the hazards are more realistic and closer to home than we might think.

The past weeks marked both the 51st Earth Day and the 35th anniversary of the disaster at Chernobyl. There is perhaps a no better time to consider the use of nuclear power and the collective, shared responsibility of humans towards the earth. If lessons can be taken from the past, authorities that are willing to put political and economic benefits above environmental impact and human lives must be questioned and held to account. It is important to realise that nuclear power only provides a short-term solution despite its economic attractiveness. The need for more green, sustainable alternatives requires closer examination and careful consideration along with the subject of climate change, featured more prominently in the media. As we await further developments at Fukushima, it is also important to set aside political agenda from our minds in order to properly appreciate the severity of the issue at hand. If implemented, the already conspicuous damage to the earth’s ecological system would be amplified and become more unpredictable.

Image Credit: “IAEA fact-finding team (02810461)” by IAEA Imagebank is licensed under CC BY-SA 2.0. 

EAS spent up to £250,000 employing staff to keep up with unprecedented demand

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Oxford University’s Early Alert Service spent between £200,000 and £250,000 employing external staff because existing employees were unable to keep up with demand in Michaelmas Term.

Both Thornbury Nursing Services and NHS Professionals provided staff for the service as it came under pressure at the start of Michaelmas Term 2020. A total of thirteen staff from Thornbury were employed, with NHS Professionals providing an additional eleven.

In response, the University said that the Early Alert Service was sufficiently prepared to meet the demand for tests in Michaelmas Term and was ready to respond were a similar surge in cases to happen again, with resources “available and ready to deploy at short notice”.

Regarding the cost of employing the external staff, the Early Alert Service said: “A number of avenues were explored for staffing the testing pods in Michaelmas Term and indeed we are hugely grateful for the input from just over 50 medical students who trained and covered some shifts.  Nursing staff were in extreme demand last year due to the demands of COVID on both clinical service and clinical research infrastructure so the University had to use agency staff to ensure our University could remain operating and students, staff and the local community could remain safe from Covid. 

“Highly responsible student practice around Covid meant that over half of Oxford Colleges had no active cases by the end of Michaelmas term and that we detected no evidence of student to staff or student to community transmission.”

Earlier in the year Cherwell revealed that the university’s Early Alert Service had failed to call all students who had tested positive for coronavirus because of a shortage of staff. There were also concerns that students were not given adequate medical advice and were instead relying on individuals without healthcare training.

At the time the Early Alert Service said they believed that the system was “excellent” and that “colleges and departments have indicated that they have found, and continue to find, the speed of testing and the support offered by the Result Liaison Team to be invaluable”.

The Early Alert Service came under pressure in October of 2020 owing to an increased demand for coronavirus tests. Minutes from the University’s COVID-19 bronze planning group state that “as of 17 October, due to an increase in positive cases, EAS Results Liaison Team (RLT) did not have capacity to make phone calls to the individual students testing positive. Emails notifying the index case and the SPOCs continue, but the RLT does not phone the index case unless they receive an email request from the SPOC.

“Colleges were concerned that SPOCs, who are not medical professionals, were having to advise students. The Group noted that the issue was being reviewed (as were the wider issues of EAS capacity).”

Later in the month the same group noted that “the service has staffing challenges in a number of areas, currently having a reliance on external temporary agencies to supply nursing staff. A range of options are being considered for the service and requirements for recruitment are being developed.

“It was noted that the role of the Results Liaison Team (RLT) needed further clarification, in terms of what the University required from the team.

“The testing service has been successful and the increased demand for the service has placed strain on resources. Work was ongoing to identify the right candidates to resource the service.”

In Trinity Term the university’s testing service has been expanded to include twice weekly asymptomatic testing for students who wish to book a slot. The tests are available at University Club on Mansfield Road, St Luke’s Chapel in the Radcliffe Observatory Quarter and the Richard Doll Building on the Old Road Campus.