Monday 2nd June 2025
Blog Page 503

Oxford prepares to celebrate fairtrade fortnight

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Oxford is set to host a series of events over the next two weeks in celebration of Fairtrade Fortnight, a campaign which takes place every year to raise awareness of Fairtrade practices.

This year, Fairtrade Fortnight will take place from February 24th to March 8th. Its central aim is to continue the fight for cocoa farmers to earn a living income, and the campaign will include stories showing the foundation’s positive influence on the farmers whose rights it seeks to protect. 

The events will be held by the Oxford Fairtrade Coalition, which is supported by the Oxford City Council.

Events will include the Fairtrade Business Breakfast on Wednesday 25th February, from 7.45am – 9.15am, held in Oxford University Club, as well as a panel discussion entitled ‘She Deserves Chocolate’, held on Tuesday 3rd March from 7pm-9pm in Lady Margaret Hall.

Oxford Town Hall’s café, run by Lemon Zest, will be offering customers a discount of 10% on Fairtrade hot chocolate throughout the Fortnight. The café already offers a variety of Fairtrade products.

Other events include a lecture on Thursday 27th February at the Museum of Natural History entitled ‘Climate Resilience, Social Justice and Sustainability’, which will involve a talk from Palestine Fair Trade Association (PFTSA)’s Mohammed Ruzzi, Conservation Hierarchy’s Henry Grub, and a panel discussion on how small-scale farmers can deal with the climate crisis.

On Sunday 1st March, the Student Union will host a Great Fairtrade Bake Off, organised in collaboration with colleges’ environmental representatives. 

Several colleges have already announced their plans to support the campaign. Wadham, one of the colleges to take part, will provide Fairtrade products such as chocolate brownies, cookies, and Divine chocolate bars in their New Refectory.

The Oxford City Council has pledged its commitment to the use of Fairtrade products and encourages local residents to buy from businesses that stock Fairtrade products. Oxford has been a Fairtrade City since 2004, meaning that the Council has passed a resolution supporting Fairtrade, and has agreed to serve Fair Trade tea and coffee at meetings.

A range of Fairtrade products is also available at local establishments, and Fairtrade products are used by local workplaces and community organisations. 

Councillor Susan Brown, Leader of Oxford City Council, said: “We are delighted that Oxford continues to be a Fairtrade City, having first been awarded this in 2004. We are a member of the Oxford Fair Trade Coalition and contribute funds to support the promotion of fair trade activities, goods and events such as the One World Fair. We work hard to ensure workers in our city are paid the Oxford Living Wage, but it is just as important to tackle poverty away from home where we can. Simple changes such as selling Fairtrade drinks (try some at our Town Hall café) and goods can make a difference to those who need it. Producers all around the world deserve to be fairly paid for their work.”

Ben Ashton, Chair of the Oxford Fairtrade Coalition, said: “Imagine a world in which the person who grows the cocoa could set a fair price for it. If everyone in Oxford chose to buy a Fairtrade option whenever they could and the small difference in price we pay made its way back to the producers at the beginning of the chain we could change their lives and their communities forever.

“The Fairtrade logo you can see on some food packaging means that the product includes certified Fairtrade ingredients which have been produced by farmers, organisations or co-operatives in a way that meets agreed social, economic and environmental standards. They will have been paid a fair price and will also receive a premium to spend in their community as they choose. There are over 4500 Fairtrade products from coffee and tea to flowers, chocolate, bananas, beauty products, and much more. So when you shop, look for the Fairtrade logo.”

Oxford University has been a recipient of the Fairtrade University and College Award since 2018, something that requires a commitment to supporting Fairtrade practices in departmental cafes and sites.

Firefighters called to help flood victims despite current law

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Unlike the rest of the country, firefighters in Oxfordshire do not have a legal obligation to help flooding victims, according to current rules.

Despite this, firefighters have been called to assist in hundreds of rescues in Oxfordshire following Storm Ciara and Dennis.

As a result, the county branch of the Fire Brigades Union, who have been campaigning for a rule change since 2016, argued that the rules as they stand could prevent money and other vital resources being available to residents of Oxfordshire when they are most needed.

A spokesperson from the group said: “We need government ministers and Chief Fire Officers to get around the table with the Fire Brigades Union and look at resources that are needed, what investment is required and look at a long term plan to deal with flooding incidents. Flooding is nothing new, and will only get worse with climate change, but our ability to tackle its consequences has been utterly undermined by a lack of long-term planning from this government.”

He further criticised the flooding response from the conservative government as a “shambles.”

Following a request for comment, Chris Dyson, Press Officer for Oxfordshire County Council, wrote: “Although the fire and rescue service has no statutory responsibility to deal with flooding or water rescue, Oxfordshire County Council Fire and Rescue Service has invested in equipment and training so we can provide assistance during flooding.

“The service provides support and carries out rescues following accidents on or in the water, and for people and animals stuck on ice or in mud.Each frontline appliance carries a water rescue capability, including floating lines to throw to people and inflation equipment for our hose to allow us to deliver it to people in need of rescue.

“Each appliance also carries dry suits and associated equipment to allow us to enter water, and life jackets to allow us to operate safely in and around bodies of water. This capability is enhanced by our specialist water rescue crew, based at Kidlington. They are trained to the highest level and are capable of swimming to casualties or accessing them via boat in order to rescue them.

“During times of mass flooding, we can also call upon a resilience stock of equipment held at Abingdon Fire Station. This equipment is delivered by the station to wherever it is needed and can include, extra life jackets and dry suits, inflatable rescue sleds, used to ferry people to safety.”

Lord Mayor visits twin cities in wake of Brexit

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Lord Mayor of Oxford Craig Simmons will travel across Europe from February 26th to March 3rd in order to coordinate carbon emission reduction initiatives and address post-Brexit relationships with Oxford’s twin cities. 

This trip was scheduled as part of the Mayor’s commitment to a year of low-carbon initiatives, according to the Oxford City Council. During the trip, he will coordinate with these nations to synchronise plans to combat climate change within each of their cities and to spread messages of friendship and commitment to the international community in the wake of Brexit. 

Originally scheduled to occur during 2019, the trip was rescheduled to follow the Brexit decision. The new date will allow the Mayor to talk to representatives from each city about how to foster long-term relationships as the UK leaves the European Union.

The Mayor released a statement that affirmed the city’s commitment to invigorating Oxford’s connections in Europe, which emphasised that Oxford is a deeply international city.

Simmons said: “We’ve enjoyed cultural exchanges as well as exchange of knowledge and expertise with our twin cities, and my message is that we value that more than ever as we leave the EU and build a new international status.” 

Oxford’s twin cities include Bonn, Germany; Grenoble, France; Leiden, Netherlands; Padua, Italy; and Wroclaw, Poland. Links to these European cities provide Oxford international economic and cultural connection and enrichment from diverse regions across the continent. 

In the wake of the three tumultuous years leading up to the Brexit decision, the Oxford city council launched a social media campaign, #WeAreOxford, last week. This campaign’s purpose is to reinforce Oxford’s ties to the rest of Europe and to solidify Oxford’s commitment to building a strong, diverse, and optimistic international community. 

The campaign has been allotted £35,000, which will be invested in activities and initiatives that invigorate Oxford’s diverse community.

As part of #WeAreOxford, the city council has plans to host a celebratory event focused on Oxford’s relationship with its twin cities later this year, with aims to further community and business links between cities.

The Mayor emphasised that he seeks to enhance the relationships between Oxford and its twin cities with messages of friendship. 

In his public statement, he encouraged Oxford residents interested in sending their own messages to email [email protected] with messages of support and requests to build business links in the twin cities.

Lady Pat R. Honising: Tutor crush

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Dear Lady Pat,

I’ve got a bit of a crush if I’m honest, and I know that they say love is blind, love has no age etc etc but this is someone I most definitely should not have a crush on.

He’s funny, super intelligent, we have a great chat on the most intellectual and banal of topics, he oozes sexy powerful vibes. Sounds perfect right, well apart from the 20 year age difference and the fact that he is my tutor you would be correct.

The problem is college has all these oppressive rules against such a relationship, they think it’s “inappropriate” and an “abuse of power” and society would be super judgy and just tell me I have “daddy issues”, but I’ve read the Freud and done some self analysis and can tell you this is categorically not true though.

From an academic standpoint and it affecting my grades I do reluctantly kinda see their point, but by God he is one sexy man. If he pushed aside his beautiful successful wife and adorable child I would be waiting to ride off into the sunset with him in an instant but sadly this is a distant hope and wild fantasy. He may be an office hermit and barely see his perfect family but I highly doubt he’d ever throw his stable home life from his ivory tower in favour of a whirlwind romance with some small insignificant little undergraduate. I can always hope though.

If it helps me get through an arduous tute or gives me strength through a soul destroying translation that didn’t even make sense in its original language, then it’s harmless, right?

Please advise me how to get over this crush, I’m flailing in tutes and my concentration is at times elsewhere…

-Juliet

My dear Juliet,

Get a grip. Making advances at your tutor is very dubious, and making advances at your married tutor, who has a child is a resounding and definite no. Stop it. Right now. No entertaining this.

I am a strong believer that we have a degree of control over who we’re into. Even if you can’t help but be attracted to him, you can definitely tell yourself very firmly that you would not go there, and refuse to let yourself daydream or fantasise about it.

Age may just be a number, but being a homewrecker is more than slightly frowned upon (trust me darling, I went to prep school with Camilla, so I’d know). More than that, if you actually had feelings for this man, trying to be romantically involved with him would be at the bottom of your list – at least until you graduate. Although you might both be adults, if it became public knowledge that he was having an affair with his student, the least that would happen is that he would gain a terrible reputation, and with the way the press are these days (I hate journalists), there’s more than a slight chance that it could hit the pages of the Daily Mail as some sensationalist sex scandal. Also the fact he could lose his job, which, as an Oxford tutor, would be pretty hard to beat.

Juliet, darling, we’ve all been there. At the ripe old age of one hundred and seven I, of course, have had the odd crush on someone terribly unsuitable (can I just clarify that despite the raw chemistry between Clinton and I nothing ever happened – she was too focused on her presidential campaign). But the difference is that I have learnt to pick my battles. You’re at Oxford darling – this place is practically dripping with attractive, charismatic, intelligent people – just come to the Cherwell offices on a Thursday afternoon and you’ll see.

Turn on some Lizzo, get yourself on Tinder, and forget about this man. The excellent sconces are not worth all the trouble it would cause.

Live, laugh, love,

-Lady P xxxxx

Translating nature into the theatre

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Audition season for Trinity plays is beginning. Prepare your monologues and get ready to neglect your studies. More importantly though, get shopping for a raincoat. Garden plays don’t mix well with the British summer. So, for those who don’t fancy shaking with cold while doing Shakespeare under umbrellas and perhaps want to take a more interpretive approach, how can we depict the natural world in theatre?

Let’s deal with the obvious first – outside performances can be immersive and fantastic. The success of Regent’s Park Open Air Theatre indicates this. The Globe is similarly popular and features the threat of rain for groundlings – with the warning that they won’t cancel productions based on weather conditions. Sure, £5 tickets are great but standing in the pouring rain to watch Hamlet for three hours is less so (although I can now relate to Hamlet’s misery on a far deeper level). A midnight matinee (one of the Globe’s most popular performance types) results in moments of amusement – as you struggle to keep your eyes open, Romeo and Juliet pulls you through morning, noon, twilight, night and dawn again. Reliance on natural light and seasonal changes can also create issues. So, if you want to skip the authentic – what are your options?

Inua Ellams’ Three Sisters (yes, it’s based on Chekhov) has just closed at the National Theatre. We are taken to 1960s Nigeria – more specifically, Owerri in Biafra. As civil war breaks out, nature seems to take over. We begin on the porch of a house built by the father of Lolo, Nne Chukwu and Odo, framed by hanging fronds which recall a proscenium arch. War leads us to a curtain of greenery; this is used to show distance and intimacy between characters as well as providing a victim to be evocatively attacked by Nigerian soldiers before the interval. 
We end with the house off-stage. Abosede, its new mistress, plans to cut down the greenery, showing her ascendancy and new-found power. The Igbo sisters, previously part of the educated elite, are instead relegated to the forest, a key zone within the atrocities of the civil war. Here, it’s set that leads us into the natural world, showing the collapse of Biafran idealism in the face of harsh economic and imperial reality. 


Rob Drummond’s one man show The Majority utilises layered hexagons which then show films of beehives. In contrast to the minimalist, metallic and modern set, this large-scale set piece shoves the natural world in the audience’s face. This clash exemplifies the discord explored in The Majority, which was written as a one-man show in the wake of the Scottish Independence vote and the Brexit Referendum, looking at issues of fragmentation – the cultural clashes are highlighted through the material clash of bees and metal. However, just as quickly as the bees come, they flash away. The stage returns to blankness, a canvas for Drummond (and his audience) to paint their opinions upon. Nature, here, is a trifle to be used, rather than a consistent embodiment of status or a reminder of setting, as it is in Three Sisters.


The 2017 Globe production of King Lear begins with homeless itinerants piling onto a sheet-covered, dully graffiti-ed stage – much like in The Majority, this is an urban and delocalised scene.It’s almost post-apocalyptic with the barren staging. There is no place for the natural world here. This jars uncomfortably with the natural focus of Shakespeare’s writing as Lear, the Fool and Gloucester wander the heath after entering exile. Lear, after his mental collapse, scatters the stage with (notably fake – pragmatism or symbolism?) flowers, tossing them over the audience. He is attempting to bring the natural world into this empty environment, creating comfort. Flowers remain scattered on stage, trampled by the cast, as Lear cradles Cordelia’s corpse. This, similarly to Three Sisters, shows the relation between character and nature.


The Prince of Egypt has been playing at the Dominion Theatre for the last month. The ensemble become the Nile, rolling over each other in an astounding act of physical theatre to carry baby Moses to safety. This is aided by nude-toned costumes and bold lighting choices – washing the entire stage blue, for example. The ensemble also become the desert and a burning bush; when the Nile turns to blood, the ensemble roll to rip the costumes of guards to reveal the red, blood-stained ones underneath. The Dominion seems to lend itself to large-scale choreography; it previously hosted An American in Paris, with beautiful balletic sequences. 


At the climax of The Prince of Egypt, ensemble members are hoisted up, spinning in mid-air while fringed costumes signify the Red Sea. They create a parting through which the Hebrews can escape to (a struggle for) liberty. The raised section of the stage – the only significant static piece of staging – tips to throw the Egyptian soldiers into the orchestra pit. The natural world is figured through human physicality – it’s familiar to any of us who played a tree (or a bush, or a sheep) in the school play. 

There’s also the question of immersion itself – placing the audience in a world which they can explore and discover, seeming more real and authentic than the standard, potentially archaic, model of theatre. For We Can’t Reach You, Hartford (The Assembly), the audience stand in the centre of a burnt down circus tent while the cast move around them. Iris Theatre’s Hamlet last summer was in the grounds of St Paul’s Church in the heart of Covent Garden – playing a play about corruption and capital in the capital of a perhaps corrupt institution. Sleep No More, an immersive theatre experience in New York since 2011, features more than ninety different spaces – from candy shops to cemeteries – while Then She Fell (riffing off Alice in Wonderland) takes place in an old church, transforming it into an interactive psych-ward for the audience to move around.

So, why can’t we create an immersive world featuring nature? It would be far easier than a garden play, less reliant on the weather and more suitable for tech work. But the majority of us haven’t been to psych-wards or candy shops or circuses enough to truly judge their authenticity. We simply don’t have that knowledge so rely on tropes and creative choices to inform us. It’s far easier to create an immersive, authentic world within the urban sphere. When attempting to portray the natural world, though, the audience can typically tell, especially when given the freedom to move and investigate the space – in Three Sisters, the fake vines and fronds are only possible because of the separating proscenium arch. Sarah Kane famously demanded that flowers on stage in her play be real, planted in soil and tended to between performances. Authenticity at all costs.


So, the natural world can be constructed through staging, as in Three Sisters and The Majority, ensemble and cast (through The Prince of Egypt), props (as in King Lear) or indicated through the play text itself, with a requirement for audience belief. All of these are inauthentic – but then so is theatre. Fundamentally, it is a medium of falsehood and omission, with inauthentic performativity being central. Sibyl Vane, a failed actress, in The Picture of Dorian Gray claims that “the painted scenes were my world” in the “empty pageant” of the theatre. While in the theatre, these painted scenes can become our world, from the urban to the rural or natural. While it is an “empty pageant”, it is our choice to believe that makes the environment real. 
No matter how the natural world is constructed in theatre, it is its impact – whether it is compelling enough to make us believe – that is truly important.

Review: Facial Recognition

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In “Facial Recognition”, the main organiser, Lucy Tirahan’s ambition is clear: to break the unspoken taboos surrounding mixed-ethnic heritage.

The exhibition is extremely successful. It avoids romanticizing while asserting the wealth of multiculturalism. Ten frames are mounted over two tables running the entire length of the room. Each contains a picture and a text of equal size, highlighting how the story is just as important as the piece. The pictures are simple, they do not attempt the “artistic” but rather seek to imitate the quick gaze those with distinctive or “different” facial features experience every day.

The name of the exhibition, “Facial recognition” does not fear controversy. The words are now deeply associated with racial profiling and racist discrimination. The pictures and stories stimulate the observer, whether they be of mixed ethnic heritage or tenth generation Midlander, to confront their own, internalized discriminatory instincts. The project is nuanced in that it acknowledges one may be intrigued by difference. The juxtaposing of such a diversity of portraits and stories downplays morbid curiosity, as we are quick to realize the multiplicity of the shapes and forms of difference. 

Indeed, “Facial Recognition” explores the boundless spectrum of what mixed heritage can be. Mixed heritage simply means having multiple heritages. While it is often connotatively connected to differences in physical appearances, religion, traditions and customs, especially in highly normative places like Oxford, it doesn’t fit a unique definition. The life-stories narrated in the exhibition are particularly compelling in that matter. 

Some have experienced discrimination, for others “mixed heritage” is not a strong component of their identity. One written portrait says: “I don’t really consider myself to be someone with mixed heritage”. People from all parts of the university are represented, from undergrad to DPhils, College staff and teaching body. Mixed-heritage is a common and often understated reality. As such the exhibition pushes the borders of what “mixed heritage” can sometimes come to imply.

At the opening of the exhibition, Lucy held a beautiful speech. When she was eleven and her parents divorced, someone told her she would have to be English in the week and Indian on the weekends. These hurtful words had a deep impact on her but ended up motivating many of her later enterprises, amongst which this exhibition.

After her speech, her mother Cheryl said: “I am tremendously proud of her achievement. I am so proud of her passion; a lot of people should take a leaf out of her book. As humans, we are all equal, but the day we won’t these kinds of exhibitions is the day that will have become a reality.”

The exhibition is highly recommended if you wonder what mixed-heritage exactly means or if you are curious to delve into ten unique life stories.

Oxfordshire could become the UK’s first smoke free county

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Last Thursday Oxfordshire’s Health Improvement Board discussed a plan to reduce the number of smokers in the county. The scheme has been proposed following concerns about the pressure smoking has been putting on the Oxfordshire economy. 

Action on Smoking and Health reports that smoking costs Oxfordshire residents £121.7m every year. This includes spending on healthcare, workplace productivity, social care and house fires. The report also states that 2,132 people died from smoking-related causes in Oxfordshire between 2012 and 2017.

Oxfordshire Tobacco Control Strategy outlines plans to become smoke free by 2025, becoming the first county in the UK to do so.

According to a report to the Health Improvement Board, approximately 10 percent of the county’s population smokes regularly at the moment, equating to roughly 54,804 people.

Ansaf Azhar, Oxfordshire County Council’s director of public health, outlined the deep inequalities associated with who was smoking in Oxfordshire, stating that the poorest communities were hit the hardest by the health issues caused by the habit.

He said the new strategy had a ‘four pillared’ approach to reducing the number of smokers. These pillars will be: carrying on with existing prevention work, regulating and enforcing tobacco products, creating more smoke-free environments, and supporting smokers to quit.

The Health Improvement Board is made up of members from Oxfordshire’s five district councils, the county council, Thames Valley Police, and local health organisations.

Oxfordshire County Council is preparing to launch the Oxfordshire Tobacco Control Alliance Tobacco Control Strategy Consultation on ‘No Smoking Day’ on Wednesday 11th March.

The Council’s press office told Cherwell: “Representatives from the alliance will be attending and we are currently confirming interview availability for the day with key people from organisations such as: Oxford Health, Oxfordshire County Council, OUH [Oxford University Hospitals], and CCG [Clinical Commissioning Group]”.

You’ve Got Mail: The Joys of Letter-Writing

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My friends often say that I write paragraphs. This may seem self-evident: newspaper articles are generally composed of several linked paragraphs, and this is no exception. But what they really mean by this statement, often imbued with a palpable undercurrent of frustration, is that I never truly sacrificed my verboseness or literary tendencies for the brevity which modern communication methods favour.

Until recently, Twitter was typified by an irritatingly constrictive 140-character limit. Multiple texts may be more likely to engender annoyance than appreciation in the receiver. Any Facebook message longer than about four lines leads recipients to expect an unwanted emotional diatribe. This desire for conciseness has even invaded political discussions: lengthy and well-reasoned comments regarding push-button topics on social media appear to be met more commonly with ridicule than the sarcastic and often meaningless replies which inevitably follow.

Often, it seems that anyone hoping to express complex or subtle ideas to friends must either condense them inelegantly or await the rare luxury of coffeehouse get-togethers. Therefore, a few years ago, I resorted to the ancient and arguably declining art of composing letters. This may appear somewhat archaic, but I truly believe that social media and instant messaging have increased the importance of handwritten communication.

Admittedly, busyness prevents me from writing regularly, and the convenience of online messaging is often useful for maintaining contact with close friends. Yet long-form communication remains very personal and satisfying. Letters are blank canvases on which grand ideas and important subtleties, not easily expressible in a simple text message, may be communicated to a specific recipient directly. They are also physical mementos: much as record collectors prize the tangible manifestation of nostalgia, letters enable recipients to hold valuable memories of the author. And letters invite thoughtful replies – not just a few words in answer to a specific and trivial point, but a wholehearted response which is likely to be deeper and more meaningful than a brief Tweet.

But receiving a letter represents more than just a chance for the addressee to understand more fully the mind of the writer: it shows that the author genuinely values the recipient. We live in an age where an unthinking communicator may type and dispatch a minimal reply instantly, and many people regard their overflowing inbox with irritation. However, well-composed letters reflect the planning and effort of the sender, who may hope to be rewarded with a similarly pleasing response. Finding a handwritten envelope among the charity bags and pizza flyers which regularly blight my letterbox is always exciting. I hope to convert others to my allegedly noble cause!

Unfortunately, recruits are few and far between. Social media is anything but a passing fad, and it is difficult to imagine a young person receiving a handwritten letter from one of their peers with anything other than surprise. Nevertheless, I still believe in the importance of communicating with close friends on a deeper level than the sharing of memes or truncated anecdotes: if a face-to-face conversation is not possible, letters are one of the few catalysts of this process.

I just hope that social media doesn’t take over entirely. I’d rather it didn’t infect newspapers like this one, leading contributors to disregard good grammar and omit definitive article in their pieces. One rueful day, we might even begin missing vowels out completely, until there’s nothing left xcpt cmplt nd ttr nnsnse. 😉

Is Britain Ready for the Coronavirus?

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Since this article was written, it has emerged that the first British person has tragically died from the disease in Japan.

Fears of the coronavirus threat have intensified after health officials’ warnings of a potential global pandemic.

Italian authorities have begun to fine individuals found entering or leaving its northern outbreak areas, after the country’s death toll rose to 152 – the worst outbreak in Europe. Schools and universities have been closed, and the last days of the Venice Carnival cancelled.

Similar closures have been enforced in Iran. Public buses are being disinfected, and posters put up telling people to wash their hands. Its neighbouring countries Turkey, Iraq and Pakistan have shut down borders or imposed stricter health checks. Meanwhile, a sudden spike in cases was reported in South Korea this weekend, with the southern cities of Daegu and Cheongdo declared as quarantined exclusion zones. People are encouraged to wear face masks, and hand sanitizers have been placed in public spaces.

According to the official website of the European Centre for Disease Prevention and Control, the UK’s risk of ‘clusters, similar to the ones in Italy’ is considered as ‘moderate to high’. But the UK’s comparative placidness appears in striking contrast to the urgency voiced by affected countries. And while Trump has expressed fury over coronavirus patients being flown back to the US, Boris Johnson has stated that the UK should remain ‘confident and calm’.

Evacuated Britons are quietly flown back, quarantined, and treated. Headteachers have been told that there is ‘no need’ to close schools. Face masks are suggested to be ineffective, though washing hands is still important. Sadiq Khan has emphasised that public transport is safe. However, while the government seems calm, others may disagree.

Earlier this month, a family from Southeast Asia complained about their treatment at a local surgery in London after possible coronavirus symptoms were found in the mother. Although measures were promptly taken by the GP to quarantine the family, the ambulance took nearly four hours to arrive (between about 11am and 3pm). Only water was provided during this time. The family, who were visiting the UK to celebrate their daughter’s graduation, eventually phoned their embassy. A director at the embassy then intervened, negotiating with the GP to allow them to order a takeaway.

Overreaction is certainly better than underreaction, and the swiftness of the GP’s response is commendable. But this example echoes the pressure on GPs described in Channel 4’s recent documentary ‘Coronavirus: Is Britain Ready?’, as well as a lack of clarity over procedures for the patients’ information. At one point in the documentary, a member of Brighton’s health board berates the council, noting that ‘Public Health England have really got to step up and be more open in their communications’.

‘We’re being drowned in demand’, another GP adds. The problem of delayed ambulances reflects more long-term concerns over the strain on the underfunded NHS. Coronavirus, if it spikes in the UK, could test this strain to breaking point.

The case may moreover anticipate the ease with which coronavirus patients can be seen primarily as threats rather than humans. In the struggle to contain the disease, the patient’s welfare could be forgotten – the incident at the surgery, unfortunately, recalls the difficulties getting food in quarantined Wuhan . A failure to recognise coronavirus as an international issue can reinforce the simplistic and unhelpful notion of the disease as a ‘Chinese virus’.

There is every reason to have faith in UK’s response to coronavirus: the 2010 independent review by Dame Deirdre Hine in relation to the 2009 influenza pandemic, observed that ‘the NHS and public health services… responded splendidly and the public response was calm and collaborative.’ Meanwhile ‘the vast majority of the reporting of the outbreak’ was ‘highly responsible’.

Nevertheless, coronavirus presents a slightly different threat in its implications for identity politics, when UK post-Brexit is arguably more volatile, more isolated. We cannot be too complacent in expecting to remain ‘confident and calm’.

University commits to the Oxford Living Wage

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The University today announced that they have committed to paying the Oxford Living Wage, which will see a pay rise for nearly 2,000 employees, at a cost of around £5.5million over five years.

Wages will increase to £10.21 minimum hourly pay from 1st August 2020 onwards, when the commitment to paying the Living Wage will be implemented. The Oxford Living Wage is 95% of the Living Wage Foundation’s London Living Wage. The University is the largest employer in the city, and this represents a significant success for the council’s efforts to get employers to pledge to pay the Living Wage. 

This does not include colleges, who employ workers separately. St Cross College and Campion Hall already pay the Oxford Living Wage. A number of colleges currently pay the Living Wage Foundation’s Real Living Wage, which is currently £9.30 an hour across the UK, and £10.75 in London.

These are all voluntary rates: the two government rates that employers must legally pay are the National Living Wage, which is £8.21 an hour for over 25s, and the Minimum Wage, which is £7.70 for those over 21 and under 25. 

A statement from the University read “As part of its strategic plan, the University is committed to creating an environment that is supportive of wellbeing while ensuring Oxford remains an attractive place to work.

“Employees in a wide range of jobs are set to benefit from the new rate of pay, with office/clerical support staff, library assistants, museums’ staff, security staff, invigilators, technicians, secretarial and personal assistants and retail workers just some of the roles most affected.

“Apprentices, who were included when the University moved onto the Living Wage Foundation’s Real Living Wage, will be included once again. The University will initiate discussions with suppliers regarding a move to Oxford Living Wage where practicable.

“Professor Anne Trefethen, Pro-Vice Chancellor for People and Gardens, Libraries and Museums, said “There are many wonderful things about Oxford that make it an attractive place. However, it is known as being a city that is expensive to live and work in.

“Recognising this, I am very happy that the University Council has approved the introduction of the Oxford Living Wage for University staff, demonstrating our commitment to fair pay for our employees.” 

Councillor Susan Brown, Leader of the City Council, said: “I am delighted that the University of Oxford has signed up to pay the Oxford Living Wage. This is a huge commitment from one of the city’s biggest and best known employers, and will have a positive impact on hundreds of people they employ.

“The cost of living in Oxford is one of the highest outside London, but wages in the lowest paid jobs often do not reflect this. We think that the Oxford Living Wage is a good way for employers to show they recognise the financial pressures for their staff, demonstrate the value they place on their employees, and support a more inclusive economy for Oxford.”

“We recognise some businesses and organisations will have concerns about increasing the monthly payroll, but the University has demonstrated that even employers with significant numbers of people on the lowest rate can make that commitment. We hope that other employers will follow the example of the University.” 

Analysis from the University indicates those who will be most affected by the changes.The estimated five-year cost of implementing the Oxford Living Wage for University staff is £5.5 million.

The implementation of Oxford Living Wage will affect 2000 employees. This represents 8.2% of University employees and 6% of casuals.

The jobs that will benefit most are: Office/clerical Support (19.6%), Library Assistants, (17.6%), Security Staff (9.0%), Invigilator (7.9%), Technician (7.5%), Secretary/ Personal Assistant (7.3%), and Retail (5.2%).

Analysis indicates that a greater proportion of women (55%) than men (45%) will benefit from this move by the University.