Tuesday 14th October 2025
Blog Page 507

Pembroke provides food for 100 homeless people

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Pembroke College is providing homeless people in Oxford with three meals a day in response to the COVID-19 outbreak. The College is participating in a Council-run scheme which delivers food to three temporary homeless shelters. An email to Pembroke students suggested that the project may reach 100 people.

The scheme provides two hot meals and a cold breakfast, which are delivered by volunteer drivers each day. Coordinated by Oxford City Council, the scheme began a two-week trial period on Saturday, with the aim of an extension if successful. Thousands of meals will be provided, offered by the College at cost price.

“I’ve always said that while we have one student in College who needs our support the kitchens here will not shut”, said Kevin Dudley, Pembroke’s Executive Chef. “We continue to look after those who have had to stay in residence, and when the Council got in contact about this need in the wider community it seemed obvious that we could provide the solution.

“My team, who are working long shifts with small numbers on duty at a time, have been fantastic in stepping up.”

The College is confident that the increased demand on the catering team will not place staff or the 50 students remaining in college in danger. A College spokesperson confirmed to Cherwell that the small number of staff adhere to social distancing policy and that drivers are asked to clean their hands and are provided with new pairs of gloves at each pick-up.

Dame Lynne Brindley, Master of Pembroke, said: “Everyone in College is immensely proud of our catering team who are once again putting in extra effort to show the meaning of being a caring community.”

The Council has taken further measures to help homeless people during the crisis. 100 hotel rooms have been leased to provide accommodation, whilst the Porch day centre for homeless and vulnerable people has launched a £20,000 COVID-19 Response Fund. However, the Council reports that some rough sleepers have not yet been accommodated or have refused offers of accommodation.

Image Credit to Djr Xi / Wikimedia Commons. License: CC-BY-SA-4.0,3.0,2.5,2.0,1.0.

Pandemic Democracy: Trump, Biden, and the politics of coronavirus

The 2020 election already had all the elements you’d expect from a blockbuster political thriller. An impossibly large star-studded cast, a twin election conspiracy that resulted in a primetime impeachment trial, and a loopy yet ever-so-predictable plot that will result in a long-awaited showdown between Joe Biden and Donald Trump. 

And yet, in a shift in genre from thriller to horror, the 2020 election is being disrupted by one of the worst public health crises in modern history – and the 2020 election will never be the same for it. Indeed, coronavirus has hit the US particularly hard – at the time of writing, it has claimed over 3 million jobs and 2 thousand lives. While regional variations persist, the virus has forced most of the country in quarantine – fundamentally altering people’s everyday lives, and, by extension, the presidential campaign. Many questions have been raised regarding how and whether the election can move forward. 

First and foremost, the process of the vote, for both the primary and the general, has been called into question. In the age of social distancing, how does democracy organize its most vital process? 

Secondly, if an election is indeed inevitable, how will coronavirus change how voters see the candidates, and how the candidates campaign? Will the gravest public health crisis in a generation consume the campaign and become the main sparring point between the candidates?

So, amidst all this uncertainty, here is your guide to understanding how the coronavirus pandemic will affect the 2020 election and how American democracy lives on through the most challenging public health crisis of our time. 

How will Coronavirus Affect Voting in the Democratic Primary?

In the age of social distancing, holding elections has become an unprecedented public health challenge, and Governors around the country have negotiated their states’ primaries to strike a balance between democracy and health concerns. Primary elections, unlike the general election contests, are statutorily organized under the authority of the state – meaning state legislatures and governors around the country have the prerogative to change, cancel, or postpone Democratic primaries. There are two ways that Democratic primaries in most states have been adjusted to accommodate coronavirus.

The first is postponement: 14 states, at the time of writing, have postponed their primaries. Most postponements have pushed the election calendar past mid-June, with June 2ndbecoming a popular date. This is despite the DNC’s June 9thlimit for states to hold primaries (the penalty for contravening this rule is a reduction in delegates allocated to the state at the national convention), which, as of yet, has not been pushed back or eliminated. Two issues remain for those states: first, it is uncertain whether the sanitary conditions under which holding an election is safe will exist by then; and secondly, most postponements don’t accommodate a change in rules to expand virtual or remote voting. 

The second way in which states have altered their elections is by making them totally remote, and by making voting entirely by mail. Three states have taken this approach: they will mail ballots to registered voters and extending registering deadlines. Additional states, who have often already postponed their elections, are also considering switching their elections to this format.

In conclusion, most states (all, in fact, but Wisconsin, which, despite a stay-at-home order in the state and general chaos around the question, is somehow still holding a vote on April 7th) have gone to impressive lengths to preserve and maintain their primary elections in safe conditions for their citizens despite the coronavirus, by postponing, or rendering virtual, their primary contests. 

However, in addition to the primaries themselves, the convention has also been affected by the coronavirus. American primary elections are indirect elections: each state holds primaries, and uses the results of these primaries to allocate delegates to each candidate, and these delegates are then charged with voting for them at the party convention, which officially chooses the party nominee. The Democratic Convention plays an essential role in formalizing the nominee but it also plays a symbolic role, showcasing the party’s enthusiasm and support for the nominee before the general election with surrogates and balloons aplenty. It has recently been moved from July 13thto August 17th

How will Coronavirus Change the Campaign of the Democratic Primary?

The Democratic Primary, according to FiveThirtyEight’s election prediction model, is settled at 99% in Joe Biden’s favor. Indeed, Joe Biden’s delegate lead, accumulated through impressive wins over Bernie Sanders over the last few weeks, is near insurmountable. 

Nevertheless, Bernie has stated that, despite “an admittedly narrow path” to the nomination, he intends to stay in the race to push his agenda further into the Democratic mainstream, as he did in his contest with Hillary Clinton in 2016. He has expressed interest in another debate with Joe Biden, a proposition which the former Vice-President has dismissed, stating “I think we have had enough debates. I think we should get on with this”. 

Coronavirus has thus created an awkward dynamic in the primary: Joe Biden has attempted to use it as a way of contrasting his leadership with President Trump’s, emphasizing his alternative, more proactive plans, and experience dealing with the Ebola crisis in the Obama administration. He has attempted to turn his campaign’s focus to the general election. However, with Sanders refusing to bow out, it has created a weird space where the primary is settled, but still exists in the background of the public health crisis ongoing, sucking any energy out of Joe Biden’s public media presence. 

Moreover, with the Convention being moved back a month (to August 17th), three issues have arisen. First, the delegates that formally vote for the nominee at the convention are determined by state party conventions – and while the convention has been moved back, it’s unclear whether it gives the time, given the public health conditions, for these state conventions to take place. Secondly, it also raises questions about the timeline for Joe Biden to choose his vice-presidential nominee: traditionally, they are announced right before the convention, but with this delay, will Joe Biden want to announce his pick so late, giving his choice for the second highest-ranking job in the executive only 2 months to campaign alongside him? Thirdly, and most importantly, this dramatically shrinks the calendar of the election. This reduces the amount of time Joe Biden has to reduce his fundraising deficit and campaign by 2 months. Worse, with a pending unfinished primary challenge, it could keep focus away from him in the already politically suffocating time of coronavirus.  

In sum, it seems more likely than not that coronavirus remains a pressing public concern until the Democratic convention, which would suck any oxygen left in the primary away. This would mean that, even if Bernie wants to stay in longer, it would be very secondary to the coronavirus response,   and to the general election, which already seems set. Biden’s general election is further complicated by the elongated primary timeline, and the delayed convention. 

How will Coronavirus Affect Voting in the General Election?

The general election is set by acts of Congress – meaning that if it were to be delayed it would require bipartisan consensus, as it would have to be agreed by both the Democratic House and the Republican Senate. However, postponing the election would not extend President Trump and Vice President Mike Pence’s terms in office – the 20thAmendment to the Constitution provides that their terms “shall end at noon on the 20thday of January”. This would require a constitutional amendment to change, meaning 2/3 of Congress and 2/3 of all States need to approve extending Trump’s first term, which is extremely unlikely. 

So, it seems inevitable the general election is set to take place on November 3rd. The real question regarding the general is not when, but how, the election will take place. As with the Democratic primaries, it seems that a dramatic expansion of voting-by-mail is the most desired outcome. Speaker Pelosi suggested as such when she recently stated: “In terms of the elections, I think that we’ll probably be moving to vote by mail”. Other initiatives that could be taken are the expansion of online voting registration, the introduction of early voting in states that currently don’t allow for it, and the reconfiguration of polling places to accommodate for the risks posed by coronavirus. 

Nevertheless, this prerogative belongs to individual states, who set their own voting laws. Of course, in the past states have not shown themselves to be above the weaponization of voting laws to influence the outcomes elections. Decades of systemic voter suppression aren’t just symptomatic of structural racism in the USA, but exist largely as the product of hyper-partisan Republican legislatures and governors seeking to maintain their political offices by suppressing minority voters, who vote disproportionately for Democrats over Republicans. In this vein, coronavirus could be used to distort voting patterns, repress voter turnout, and target specific communities or states. 

There are two risks that coronavirus could pose to the integrity of the election in 2020. Firstly, the election could be underfunded, leaving states unable, even if they wished to, organize the election with the proper measures to keep voters safe. The 400M$ provided by the first stimulus package passed by Congress just days ago for election security and to expand voter access in the public health crisis is a far cry from the 4B$ the Democrats initially demanded. Secondly, a fearmongering campaign about the risks of voting, targeting specific liberal areas especially, could be used by the President as a weapon to depress voter turnout. 

So, in sum, with the election undoubtedly set to take place on November 3rd, Congress must act swiftly to secure safe, open, and fair elections. A pressure campaign must be waged on states so they render access to voting easier – by expanding voter registration online, vote-by-mail, and no-excuse absentee ballots. More money must be invested into election security to secure the safety and freedom to vote without risk, and more focus in public discourse must revolve on how to create the best conditions to facilitate voting in November despite the impending public health crisis. 

How will Coronavirus Change the Campaign in the General Election?

Finally, the coronavirus will profoundly change the dynamics, substance, and the nature of campaigning in the race between Joe Biden and Donald Trump. 

The first, most obvious, effect coronavirus will have on the election is changing the length and focus of the campaign. Traditionally, the general election begins from the point that both presumptive nominees are chosen (traditionally April) until November 3rd. However, coronavirus will dramatically shorten the time both candidates have to campaign. In addition to the dramatically shortened campaign period, the campaign’s focus and means will also necessarily adapt themselves to the public health crisis. 

The way campaigns are run usually involve extensive on-the-ground operations, large rallies, and intense use of earned media. Instead, with the media (rightly) covering the coronavirus instead of the campaign, and organizing and rallies at a halt, campaigns have instead begun to move to a more digital space. 

For President Trump, this certainly plays to his strengths: his campaign has built a digital juggernaut (his 2020 campaign manager, Brad Parscale, served as his digital media director in 2016) that has spent over 3 times as much money as Joe Biden’s campaign on Facebook and Google ads since the 2018 midterms. In addition to digital advertising, the Trump campaign has been swift to continue its digital organizing initiatives, hosting three targeted virtual town halls this week (“Latinos with Trump”, “Women with Trump”, and “Catholics for Trump”) which have each regularly reached over 250k views on Facebook, YouTube and Twitter. Besides this digital advertising edge, President Trump, as an incumbent President leading the response to a national disaster, has earned countless hours of earned media, with most networks live-broadcasting his press conferences on coronavirus. 

Naturally, these advantages have led to a bump in the President’s approval ratings, as the result of a “rally-around-the-flag” effect. In portraying himself as a wartime President, Donald Trump has managed to hoist his approval ratings to their highest point in his presidency. Nevertheless, this bump has been very modest compared to those received by other government leaders in times of crisis, like George Bush’s after 9/11. The relatively “small” bump can be explained by President Trump’s muddled messaging, late response, and still-divisive rhetoric. These approval ratings are also constantly evolving, and will have more meaning for the election once the crisis comes to an end and Americans are able to fully evaluate President Trump’s performance. 

Joe Biden and the DNC currently face a cash deficit of 200M$ on Trump and the RNC. This deficit is even more difficult to make up virtually in the context of an impending depression some economists have projected to be worse than 2008. Joe Biden has consistently been outraised and outspent online by the Trump campaign – and the virus is set to exacerbate this trend. 

This is especially troubling for the Democrats as Biden has naturally been sidelined during the coronavirus. His lack of office has meant he has no official role in the fight against the virus – as a result, he has been outshone by Democrats across the country on the front lines of the response to the crisis, from Governors like Andrew Cuomo of New York and Gretchen Whitmer of Michigan, to members of Congress like House Speaker Nancy Pelosi. Nevertheless, from his home in Delaware, Joe Biden has tried, with mixed results, to stay a visible and credible alternative to the President. This has included taking symbolic measures, like drawing contrasts with Trump by promising to wear a face mask in public, and stoking speculation about his vice-presidential and cabinet picks on fundraising calls. However, the consensus among Democrats is that he needs to ramp up his media presence and play more of a role within the Party in establishing a strategy for the crisis and how to communicate about it. 

Finally, perhaps the most consequential result of the coronavirus crisis will be the way it shapes the election’s main areas of contention and focus. The Trump campaign’s plan was a simple one: run on the strength of the economy. Needless to say, this has been complicated by the impeding global depression. Joe Biden’s moral argument has now transformed into a more offensive one, tying President Trump’s late and faltering response to the crisis to the impending death toll and economic fallout. Whereas the economy and healthcare were expected to play central roles in the election, they will now take an even more pivotal place in the debate between Biden and Trump, and will likely give Joe Biden a more effective line of attack on the President. 

Blind Spots and Vigilantism: Learning from the ghosts of recent pandemics past

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As word of the coronavirus began to grace newsfeeds in January, the initial posts were inevitably accompanied by righteous reminders that there are other, bigger problems in the world. In the naïve, early belief that media fear-mongering was blowing the grim prospect of a tsunami of COVID-19 cases well out of proportion (and side-stepping the likelihood that the Chinese government were underplaying, rather than overstating, the severity of their situation) multiple posts called for things to be brought into perspective.

Whilst the virus seemed locked behind a screen on the other side of the world, the savants of Facebook took it upon themselves to remind the masses of the following: the burgeoning bug had no right to occupy more space on our timelines than the instances of war and starvation which had gone ignored for a long time theretofore.  

Invoking alternative crises as topics for conversation in an attempt to deflate the hyperbolic coverage of a single issue cannot represent pure, undiluted caring. Telling followers to quit harping on about Brexit and to lend their social media attention to starvation in Yemen does not smack of altruistic passion.

The implicit denial of a forthcoming crisis and the apparent irony of calling to attention the plight of the Third World in order to demonstrate a new-found, empathetic awareness of difficulties overseas whilst belittling present difficulties overseas might rightly be construed as hypocritical.

However, there is a valid point to be extracted from such trending tirades. Twitter-folk sometimes harbour more noble impulses than I have let on. Regardless of the actual, intention of each ‘serial poster’ or ‘content creator’ in sharing posts like these, encoded within the decision is a will for advocacy by a member of the public who has not been supplied with the background information to formulate a compelling argument.

Many apt comparisons would better voice the concern that the media’s attentions and inattentions require evaluation. Just last week, I stumbled across three documents which convince me that articles on the coronavirus should have felt like old news, rather than appearing as an explosively new-on-the-scene media frenzy.  

First, according to this blog post, schools in Liberia, Guinea, and Sierra Leone were closed for six to eight months during the 2014-2016 Ebola outbreak. I had no idea.  

Secondly, according to this piece by the Global Education Monitoring (GEM) report, in 2016 experts voiced the importance of ‘plan[ning] now’ ‘in order to mitigate human and financial losses as a result of future global pandemics but the statement languished in the International Journal of Infectious Diseases. Likewise, the phrase ‘the world is ill-prepared to respond to a severe…pandemic’ recorded in The New England Journal of Medicine after the 2009 H1N1 outbreak seems not to have made it practically beyond the page.

Thirdly, as someone who finds current circumstances ‘eerily familiar’, the writer of this Guardian Article berates the ‘inescapable’ nature of the Coronavirus which ‘dominates the news and our conversations’.

These articles exposed my lack of knowledge of international crises beyond Europe, the repeated pleas of academics for a mobilising effort to plan for global health crises, and the wealth of recent, historical precedents for situations just like this one. In combination, they represent a literally fatal lack of communication of the experiences of relief workers and researchers to the general public, for which world news forums must be at fault. 

In line with the vigilantes of social media, I would like to challenge a disparity in the media’s portrayal of comparable events. I take issue not with the lack of equal airtime for crises at home and abroad (this ground is covered elsewhere). Rather, I refute the claim that news cannot be made directly relevant, engaging, and motivating wherever it happens.

Presumably, posts which call attention to far-off disasters do not find gratification in flooding feeds with an influx of negative news. Instead, they oppose ego-centric panic reporting and advocate for broader opportunities to become invested in socially bettering schemes at all times. At the very least, they demonstrate a will to look beyond one’s borders for some perspective, lessons, and potentially answers on how to live during times of adversity. This implication is lost only because of the layman’s difficulty in projecting a voice in earnest about situations they know little about, but almost certainly should do, given that a response needs be collaborative.

I have learned two things from the indignant voices of social media in response to the coverage of COVID-19; one, that attention to off-piste journalistic enterprises which translate the distant experiences of others into a universal call-to-action might just be the secret to worldwide development; and two, that a large number of people are probably poised to listen to the reasonable and imaginative relation of international stories to their own contexts.

The media should not shy away from promoting interest in issues which have the potential to be universally implicating. In doing so, they leave it to social media goers to seek their own methods of correction.  

Opinion – Oxford Finalists Deserve a Proper ‘Safety Net’

On Wednesday 25th March I released an Open Letter to the University advocating for a ‘guaranteed minimum’ grade to be implemented to protect students particularly affected by the extraordinary circumstances of the Covid-19 crisis. It was signed by 1600 finalists; over half of this year’s finalist body. 

In the letter, I argued that sitting online exams during lockdown without a ‘safety net’ wouldn’t measure student ability so much as inequalities of home environment: inequalities such as access to books and tuition, the effects of coronavirus on the health of students and their families, amplified generalised anxiety, difficult family relationships, lack of workspace, and countless other issues.

One finalist told me that the Open Letter had been“a source of great hope and joy for me personally in a difficult time”. Another signed because they had been made to feel as though “the examiners don’t care that much about the concerns that students have.”

Numerous prestigious UK universities have since implemented ‘guaranteed minimum’ grade policies, including Exeter, St Andrews and Warwick. The day before the University of Oxford was due to announce its examination policy, the University of Cambridge followed suit, announcing that they too would be introducing a ‘safety net’.

When Oxford announced its examination arrangements, they contained several issues. Departments have been left to interpret the rules however they like. As a result, several haven’t reduced workloads whatsoever. Concerns around cheating were not alleviated by a reliance on an ‘honour code’ to prevent students collaborating. The statement (like its precursors) reads as if the only academically relevant effect of Covid-19 is the fact we can’t sit our exams in Exams Schools and the consequent uncertainty over their format.

I don’t know who in the University needs to hear this but even after examination arrangements are made clear, students will continue to struggle to revise effectively. Students do not want finals that are as close to conventional as possible, they want finals that reflect the very unconventional environment in which we are studying. We are asking for a human response to this crisis rather than a managerial one.

For students unable to take exams, the University offers a ‘Declared to Have Deserved Honours’ (read: unclassified) degree, presenting it as a ‘special class of degree’. Punishing the students most disadvantaged by the pandemic by denying them honours is unjust. Cambridge’s decision to award students their deserved classification but retain raw marks on degree transcripts is much fairer, and more closely aligned with the views of the Oxford finalist body, as outlined in the open letter. If students were likely to receive honours before the pandemic, they should be given honours now, not a tokenistic half-degree that future employers will neither recognise nor understand.

At the end of the statement, the Vice Chancellor announced a safety net policy although “the details of this are still being finalised and will be communicated as soon as possible.” It’s possible that this policy was added at the last minute in response to our letter, as well as Cambridge’s announcement the day before. This would explain its vagueness but suggest that Oxford had been intending to announce a policy considerably less responsible or fair than Cambridge and many other leading universities. If a safety net has been part of Oxford’s plans for longer than this, then there is no excuse for the continuing lack of detail around this policy. 

Oxford University has one last chance to prove its commitment to equality of opportunity, and to its duty of care for students. Details of the proposed safety net should be announced as soon as possible for all subjects, and they should constitute a “a genuine Safety Net Policy that covers allfinal year students on allUG and PGT courses” as advocated for by the Oxford SU VP of Access and Academic Affairs in an email to finalists. In addition to this, I hope that the University will reduce the overall assessment burden across the board.

More broadly, Oxford needs to reform its ideology and attitude towards its own responsibilities as an institution. So far during this pandemic the University has increased the anxieties of the student body rather than eased them, and this is part of a larger historic pattern. From access issues around class and race, to student mental health, to conservative curricula, Oxford has demonstrated that it prioritises its traditional image, wealthy donors, and high ‘academic standards’ over moral social values and the wellbeing of its students.

From nations to food delivery companies, Covid-19 is highlighting the need for bold, ethical leadership and systemic reform. The University of Oxford is no different, and announcing a genuine safety net as soon as possible would be a good first step on a positively transformative journey. When the individuals responsible for Oxford’s examination policies are asked the question “what did you do for your students during the pandemic?”, the answer “I safeguarded the academic rigour of Oxford degrees” will not be looked upon favourably.If ever there were a time to put compassion before misjudged standards of ‘academic rigour’, that time is now.

Oxford East MP appointed shadow chancellor

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Anneliese Dodds, Oxford East MP, has been appointed shadow chancellor in today’s reshuffle of the shadow cabinet under new Labour leader Sir Keir Starmer. Dodds, an Oxford PPE graduate, replaces John McDonnell to become the first woman to hold the position of shadow chancellor or chancellor.

Keir Starmer, a former human rights lawyer, won the Labour leadership contest yesterday with 56% of the vote. The newly-elected deputy leader, Angela Rayner, has been named chairman of the Labour party.

Lisa Nandy has been appointed shadow foreign secretary, Nick Thomas-Symonds as shadow home secretary, and Rachel Reeves as shadow Chancellor of the Duchy of Lancaster. Jonathan Ashworth will remain as shadow secretary of state for health and social care.

These appointments make up a new Shadow C-19 Committee, which will be responsible for the Party’s response to the coronavirus pandemic.

Nick Brown has been re-appointed as chief whip, and Angela Smith remains shadow leader of the Lords. Barry Gardiner, Jon Trickett, and Ian Lavery have left the Shadow Cabinet.

Starmer has stated that: “We are living through a national emergency. Under my leadership, the Labour Party will always act in the country’s interest to save lives and protect livelihoods. That will be the number one priority of my Shadow Cabinet.

“We will be a responsible opposition that supports the Government where we believe they are right and challenge them when we believe mistakes are being made.”

Image Credit to Cicero Group / Wikimedia Commons. License: CC-BY-2.0.

Folding@Home: the virtual fight against a global pandemic

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As we all isolate at home in the middle of this outbreak, it is difficult not to feel powerless. We are not medical professionals, epidemiologists or researchers – the best one can do to help is stay home with clean hands and follow Boris’ instructions. Yet it still feels wrong to just sit around playing video games and watching Netflix. The hundreds of thousands of recently signed-up NHS volunteers would no doubt agree. Is there anything else we can do? If you own a computer or laptop, it turns out that there is!

Two weeks’ confinement in my home had driven me to the brink of despair. Iit was through the boredom-induced scrolling through Twitter threads that I found an idea which could unite people through small, yet meaningful contributions. Folding@Home seemed like the logical approach to research in the age of the sharing economy.

So what is it, exactly? Folding@Home is a collaborative project created by the Stanford School of Medicine, running on a simple principle: by distributing small amounts of workload across the computers of thousands of volunteers, one can create what is effectively a powerful supercomputer. Anyone can participate by downloading the software, which uses your processor’s computational abilities whenever it isn’t performing any demanding tasks (like streaming video or working on your thesis). Users effectively ‘donate’ the computational cycles of their PCs. 

All this power is needed for a seemingly simple task: simulating molecules. More specifically, simulating the movement of proteins at an atomic level (called ‘protein folding’) and understanding how drugs target them. In many cases, this cannot be done experimentally so a simulation is needed. Running these simulations, however, requires an unprecedented amount of calculation. An average computer would take decades to centuries to complete just one. Through Folding@Home, scientists can run them quickly and at effectively no cost. In the 20 years of the programme’s existence, it has been used for work on cancer, Alzheimer’s research, malaria, Ebola, and now the SARS-CoV-2 Virus.

The goal is drug development. Simulating protein folding gives bio-engineers an insight into drug-binding sites, which is a starting point for developing a medication to halt or hinder the spread of coronavirus. 

Will it be successful? It does seem likely. Folding@Home has so far directly led to 223 scientific publications and amassed a total computing power greater than the world’s seven most powerful supercomputers – combined! The project has recently identified a potential exploitable weakness in the Ebola virus, and in the past led to positive outcomes in identifying cancer-promoting mutations inaccessible through physical experiment. It is currently running over 20 Covid-related simulations.

More so than ever, every contribution can help. With a recent surge in sign-ups (one so high that it led to a temporary crash of its servers), scientists are optimistic. And though it isn’t much, every simulation is like a lottery ticket which could lead to a development of a life-saving drug. Who knows, maybe it could be your laptop that stops the pandemic.

Folding@Home is available for most platforms (including Android!), and can be downloaded from https://foldingathome.org/. Users can also join teams, which are awarded points reflecting collective contribution by the client as it runs in the background. The ‘University of Oxford Students’ team (number 255937) aims to measure the overall help from Oxford students, and you are encouraged to join. 

Is escapism acceptable?

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We all have days where we want to get away from everything that’s happening in our lives, and even more relatable as of late. Many of us turn to films, books and music to do so, retreating into the depths of creative culture as a way of escaping. But should escapism really be the purpose of culture, or should we be actively consuming and creating things that actually reflect our reality and address its problems instead of just running away?

Firstly, I want to address the assumed subcategories of culture. Some would subdivide culture into two constituent parts. On the one hand, we have mainstream, pop, or “low” culture; on the other, the “high” culture so highly revered by academics. I bring up this divide as I think there’s a danger when talking about culture’s purpose to separate it into these two halves. In short, some people may argue that “low” culture can only mindlessly entertain, whilst “high” culture is there to raise awareness of society’s issues in a way that, they would argue, “low” culture is far too mainstream and far too base to be able to do. This distinction is dangerous, narrow-minded, and incorrect. 

Take a popular series like Derry Girls, for example. This is undeniably mainstream and provides a form of escapism in its comedic portrayal of its lovable characters. We can live vicariously through them, witness their ups and downs, laugh with them, and generally forget about the world for a bit, stuck in our little Netflix bubble. However, using 1990s Ireland as her backdrop, the creator Lisa McGee also forces us to consider the terrible impact of the Troubles through a teenager’s eyes. Of course, we can choose to watch the show without real discussion of this, but the opportunity is there and that’s the important thing.

To use another example, let’s turn to Taika Waititi’s latest release, Jojo Rabbit. This film grapples with many frightening aspects of history which threaten to make a reappearance on today’s political stage, yet does it in such a way that we both cry and laugh along with the characters. We escape from our lives into theirs, forgetting for a brief moment our own personal problems, and yet are simultaneously confronted with other ones. This is entertainment, but a thought-provoking kind. Waititi perhaps sums it up best in an interview with Vanity Fair: “People say that comedy is not an effective tool or is not something to be taken seriously as an art form. It’s one of the most powerful tools that we have to fight against oppression, bigotry and intolerance.” Comedy can be used as an escape, but that is definitely not its only function.

Similarly, sometimes a director leaves a sense of moral ambiguity in their work. It is then up to the consumer whether to use the piece as escapism, and enjoy it as is, or to probe it and question it further. Culture’s purpose can be twofold, fit for different audiences; it isn’t and shouldn’t be a one-size-fits-all model.

It’s also possible to add in our own moral judgements to the culture we consume. It might happen subconsciously, whilst watching an old rom-com on Netflix for example: making fun of it and poking holes in its out-dated, possibly sexist tropes still counts as considering society’s problems.

Of course, there is also a risk that directors or writers may try to shoehorn in moral lessons or polemic themes where they don’t quite fit, or drive home a point far too hard. When it’s forced in like this, it feels inauthentic and somewhat futile, and the audience may well refuse to engage. I think some things have been created purely as entertainment, something to pass the time, and there’s no harm in taking a break from it all now and then without having to worry about the deeper meaning. Why shouldn’t we escape reality every once in a while? 

Moving away from film for a moment, I want to take a look at a broader definition of culture. Music, for instance, is well-known for evoking our feelings and addressing pertinent issues. Protest songs provide a neat gateway into reflecting their contemporary reality and addressing its problems, something which isn’t limited to the 1960s. Even Dua Lipa’s new song “Boys Will Be Boys” feels like a direct hit against the sexist ideas that still exist in our society today. Other music, however, is created for us to just enjoy without needing to search for deeper meaning. I challenge you to analyse some of your study playlists on Spotify!

Even a brief dip into literature produces a wave of content designed to entertain, yes, but also to address the problems of the society in which it was written. Take Hardy’s Tess of the D’Urbervilles, to me a damning indictment of the Victorians’ strict moral code, or Malorie Blackman’s Noughts & Crosses, just one example of a Young Adult field story bursting with socially aware, thought-provoking ideas.

To look at things from a creator’s perspective, I’d argue that we’ve never been in a time where more has been created with a questioning or reflective purpose in mind, stretching right through from films to literature. Even stand-up comedians manage to simultaneously make us laugh whilst exposing our flaws and making us think about the bigger picture. Take James Acaster and his skit about the British Museum, for example: the bitter truth in what he says makes it a more sobering realisation that we are laughing at ourselves, and with good reason. 

So, let’s recap. What is culture’s purpose? To entertain, to inform, to raise awareness of polemic issues, or to provide a means of escapism? Personally, I think culture is aptly equipped to do all of these things. 

In the end, I think it comes down to moderation. I’m not going to jump on my high-culture horse and say that everything we consume culturally should serve a greater purpose and address every problem our society faces. Yes, culture can create change, but sometimes we do just want to watch TV and relax. That said, I think we have a certain ‘cultural responsibility’ to consume and create things that do reflect reality and address our problems now and then. With a creative community that’s arguably more attuned to doing that than ever before, I think we’ll be all right.

Sleep is for the Rich

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This may sound familiar. 
Five political prisoners are locked in a gas chamber in 1940s Russia. In a military-sanctioned experiment, the subjects are kept awake for fifteen consecutive days with an airborne stimulant. While the first few days pass relatively normally, things then start to escalate dramatically. Starting with hour-long bouts of screaming, the experiment is ultimately terminated early when the prisoners start violently disembowelling themselves and eating their own flesh. When the stimulant is switched off, however, they beg hysterically for it to be turned back on. When they ultimately fall asleep, they die. 

At various levels of gore and apparent credibility, The Russian Sleep Experiment was a popular urban myth, reposted tirelessly in 2015 on the then notorious creepypasta. The story and the website have since subsided into the dark, forgotten corners of our cultural memories (with good reason). But the idea behind the story in many ways embodies the enduring societal anxiety about the fundamental role of sleep. 

Insomnia sufferers might find a resonance with the disguised cautionary tale – bar the disembowelment and questionable eating habits. At the very least on the level of being stuck in a room night after night, staring at the same ceiling and wondering if you’re steadily losing your grip on reality. The Sleep Experiment taps into the very fear that, ironically, keeps a lot of insomniacs up at night: what happens if you never get to sleep? 

Though everyone can sympathise with having a sleepless night or two, for those who do not struggle with the sleep condition, it is hard to comprehend exactly how detrimental an effect it can have on your quality of life. While the urban myth is hysterical and unfactual, the effects of sleep deprivation are very, very real. From fatigue, short term memory problems and irritability on one end of the spectrum, to difficulty communicating, depression, paranoia and hallucinations on the other, everyday tasks move from challenging to insurmountable. 

As someone who has suffered from chronic insomnia since an early teenager, I also know how completely isolating it can seem. Feeling too exhausted to join your friends on nights out, only to hear them come back again at 5 in the morning because you’ve somehow failed at the apparently effortless task of falling asleep again – is disheartening. Being made to feel like a drug-pushing degenerate because you’ve gone back to your doctor to ask for sleeping pills again – is degrading. And at it’s worst, putting on a brave face during a tute while you’re sleep-deprived brain is projecting neon-coloured triangles around your tutor’s head – is terrifying, not to mention quite distracting. 

Most of all however, the emptiness of those early hours in the morning, as your brain goes over mundane details again and again, chants snippets of song lyrics, composes letters to your gran you’ll never write, revisits conversations from weeks ago, conjures up small anxieties and projects them onto the inside of your eyelids with inescapable vividness, all make you feel utterly alone. In the oppressive darkness of your bedroom, you fight a demon by yourself that everybody else can call a friend – or just doesn’t even think about. 

Except that’s not true. According to some studies 22% of people in the UK struggle to fall asleep every single night. An additional 15% report struggling to get to sleep at least once a week. In a single month in 2019, the NHS issued 438,399 prescriptions for Zopiclone, one of the most commonly used sleeping pills. Yet despite affecting over a third of the population, awareness surrounding the complications arising from sleeplessness is limited, and there is very little in the way of online supportive communities as there are with many other prominent health conditions. 

The availability of and accessibility to help is the bigger dilemma, however. For one, the approach to insomnia varies dramatically from doctor to doctor. Under some, patients are condescendingly reprimanded about their sleep hygiene, essentially dismissed with the instructions to do some more sport and have a hot drink before bed (and sure, for some this may be a solution). Others leap immediately to the prescription pad and hand out Zopiclone and other sleeping pills after a 3-minute conversation. 

This is despite the fact that in 2012 the Great British Sleep Survey established that those taking sleeping pills have a poorer wellbeing and associated with “greater feelings of helplessness, loneliness and being out of control.” GBSS urged the medical and psychological field to pour more funding and research into non-drug solutions to insomnia, but the reason behind the reluctance to do so is painfully apparent. Melatonin, while it does not work for everyone, is an experimental alternative to traditional sleeping pills with no known long-term complications such as developing tolerance or addiction. It costs the NHS £22.70 per prescription. Sleep programs including CBT and sleep clinics no doubt cost a lot more. Zopiclone costs them 66p per prescription. 

Recently, GPs have started indicating that the NHS might be cutting back on their facilities for sleep health, including sleep clinics for physical sleep conditions such as sleep apnoea and narcolepsy. In the absence of free treatment facilities, doctors have started directing patients to private sleep clinics. Of course, this is only an option for those who can afford it. Even the NHS online port of call for insomniacs, a program called SleepStation unflinchingly presents itself as a two-tier system, providing the option to ‘Request free NHS referral’ or ‘Buy now’. 

There’s no doubt that this will lead to inequality in the distribution of health services. Not to mention the fact that it will ultimately cost the NHS more money to address the long-term physical implications of chronic insomnia cases, which can lead to diabetes, cardiovascular disease, anxiety and depression and drug or alcohol dependence. 

My doctor, conceding that when he had last contacted the only NHS-run sleep clinic in Oxford, they had told him their specialist had left several months ago and they were unable to find a replacement, has also made the suggestion of private sleep clinics. He made a good-humoured joke about hoping I had rich parents and when I suggested to pay for the treatment with my student loan, instantly protested. But this is the position that the growing privatisation of “periphery” health facilities will be putting a lot of students in. And they’ll be removing the choice entirely for those in positions less fortunate than myself. 

Sleep is a fundamental need. Sleep is not just for the rich. Surely, we should not unprotestingly be heading towards a world in which sleep quality becomes an indicator of wealth. To me, that sounds just as nightmarish as the Russian Sleep Experiment. 

A little clueless never hurt nobody: the value of revisiting old favourites

Social media and news feeds in the wake of the pandemic have been full of enthusiastic headlines that suggest “Ten New Hobbies” to pick up, :The Award-winning Movies of 2019 You Missed” to watch, “Fifteen Trail-Blazing New Books” that you forgot to read in the early months of 2020. Just because we are vegetating physically within our homes, goes the feeling, does not mean we will also culturally stagnate. There is a consequent sense, worldwide, that this extended period of hiatus has allowed us to play catch up with pop culture and its artefacts— film, television, books and even activities— that have been constantly changing and updating while we were apparently stuck in our respective rat-races in the outside world. Yet what of those who will find this the perfect time to indulge in a kind of nostalgia, a revisit of the long summers and Christmas vacs of childhood and young adulthood that weren’t marked by deadlines or whirlwind trips abroad? They will rediscover the cheesy animation, the boarding-school adventures, and questionable outfits of a bygone era. Are we less culturally involved or intellectually stimulated than those with last year’s Pulitzer winner on their to-read list?

My friends and I have been using the wonderful Netflix Party extension to check off movies from a BuzzFeed list entitled ‘How Many Of These 50 Iconic Rom-Coms Have You Seen?’: using social distancing to immerse ourselves in the romantic clichés of the 1990s and early 2000s that we watched at high-school sleepovers. As the credits began to roll on maybe the fifth such film, my friend asked the question on all of our minds— why do we suddenly hate the protagonist of every rom-com? Scrolling through the texts we sent during the movie, I realised we had indeed been spending our time commenting on how much these characters’ actions, attitudes and dialogues were bothering us.

According to one Guardian writer, “re-reading is a crime”. It seems one must broaden their horizons rather than re-reading a novel, because the only real reason for a re-read, and this extends to a re-watch, is that we didn’t understand the thing in the first place. But in context of our rom-com binge, putting aside the obvious condescension of watching in a different era where we literally do understand more — think of the collective cringe at yellow-face Mickey Rooney in Breakfast at Tiffany’s, or the questionable content of Grease lyrics — there was something deeper, a specific revulsion from these characters and their actions that was caused by more than just our political correctness. These characters had always been this way: we as viewers were the ones who had probably been less aware, less cognisant of how Mia’s behaviour in the Princess Diaries was not awkward so much as plain rude, less understanding of how Mean Girls’ Cady Heron is herself a terrible friend. Rather than considering how and why the movie wanted us to respond a certain way, we once gave into the construction of “villain” and “heroine” that necessitated justifying all the protagonist’s terrible actions, whilst vilifying the justified actions of the antagonist. The countless articles and YouTube analysis videos that re-watch and comment upon the flaws and issues of films and TV shows considered cultural classics are testament to how much we want to make up for our earlier acceptance by retrospective re-evaluation of the very works we loved.

Maybe, then, the surprisingly strong annoyance one feels toward these characters upon re-watching is not just an expression of how problematic you now find them, but further enhanced by a desire to separate yourself— pointedly and uncompromisingly— from the past version of you that did root unquestioningly for a cringe-worthy rom-com heroine. Re-watching allows us to change and to recognise that growth within ourselves; not only have we actually evolved as people, but we learn to see ourselves as those more evolved people, more socially conscious, more in-the-know than ever before.

Yet there is little reason that our beloved films and books have to be outgrown and left behind to focus on more contemporary cultural content, and the fact that we understand them differently now does not invalidate how we loved them before. With literature, the “cultural continuity” of books has often been used as a yardstick for whether they can be considered classics or not. Recall the high-school English teachers harping on about the continued relevance of Shakespeare because everyone can at some point in their lives relate to the existentialism of Hamlet, or how the Great Gatsby was re-read to sympathise with Daisy in the late-20th century ages of feminist protest. Why is there an insistence that other cultural works cannot undergo a similar evolution, if at an individual level, under a shorter timeframe? Letting go of an old understanding is not the same as letting go of a cultural production altogether: take the Twitter and Instagram threads defending Sharpay Evans from High School Musical as opposed to protagonist Gabriella Montez, none of which denigrate the High School Musical series itself. Rather, those who grew up alongside the series have realised Sharpay’s character arc— a girl who is trying to win the heart of a boy she likes as well as excel in her field, using whatever means necessary — is more relatable than that of the perfect, self-sacrificing Gabriella.

Finding new characters to relate to and new aspects of these films to love mean we retain the significance of their role as sources of comfort, while still engaging in stimulating exercises of analysis and understanding like we would with newer works. There is no harm in reframing these current feelings of isolation and entrapment as a nostalgic summer of endless promise by pressing play on Clueless for the fourth time, because we will inevitably stop to consider whether we, too, could pull off wearing yellow plaid to work.

Oxford’s Best Chip Van: A Highly Scientific Study

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It has long been the cause of much adversity: college has turned against college, student against student…oh yes, it has even caused BNOC to turn against BNOC – a terrible thing indeed.

The sheer ruckus surrounding it can only be said to rival that caused by the closure of Emporium, the unprecedented replacement of the Toffee Deluxe Quality Street with the Chocolate Caramel Brownie (an unforgivable offence), and even the disappearance of the dancing pole from the second floor of Bridge (It still hurts to think of it. Bridge Thursdays have never been the same.)

This fiery debate centres on one vital question: which Oxford chip van is the best?

When one poor soul, lulled into a confidence that only three VKs consumed in Park End can provide, dared to conjecture that Posh Nosh served up Oxford’s best chips, they were expelled from the cheese floor before they had the chance to listen to ABBA’s ‘Dancing Queen’ for a fourth time. A cruel fate indeed, especially for the Park End frequenter, to whom such a judgement proves to be the most heinous of all, living for the repetition of such tantalizing rhythms.

It was high time for someone to put an end to this age-old dispute and I thought that I, being an English student, and thus not knowing how to conduct a fair test, would be a slightly below average person for the job, so I took the burden upon myself to do so.

This was a wholly unbiased study.

First and foremost, I needed a representative selection of chip vans.

An entirely fair scientific process ensued. I based the following selection of chip vans exclusively on the advice of a slightly tipsy curtain-haired boy outside of Fever. Thinking back, he probably wasn’t the most reliable of sources. He did, however, repeatedly reassure me that these vans were ‘absolutely f***ing yummerzz mateee’ so I’m taking that as commendation enough, resulting in the following four vans being chosen:

  • Hassan’s
  • Solomon’s
  • Ahmed’s
  • McCoy’s

Secondly, I needed to ensure that the other variables were controlled.

  • I had the same three people, along with myself, taste-test each of the different chips. These persons shall remain anonymous for their safety, lest their views cause too much uproar among certain dedicated chip van supporters. They shall henceforth be identified only as anonymous persons 1,2 and 3.
  • From each van the same order was placed: a small portion of chips with ketchup on the side.
  • Each chip was to be tested according to the same three categories: appearance, crispiness and flavour.

With this established, the plan was complete. All that remained was to journey to the vans, obtain the chips, and return them to my delightfully beige accommodation for testing.

Ahmed’s

The most potato-esque of the bunch.

With their speckled appearance and knobbly surface, we sought much needed comfort in the fact that these chips did indeed seem to have originated as real potatoes.

Each glance seemed to transport us away from the surrounding 1960s architecture to a kind of pastoral bliss. Indeed, anonymous person 2 seemed entirely captivated by their rustic charm.

An admirable crispiness, and a rich flavour perfectly accommodated its attractive exterior.

Special mention goes to the ketchup, which had a certain vibrancy that I had never quite encountered before, nor will I ever again, I believe.

McCoy’s

Nestled between St Aldate’s Church and Pembroke College, McCoy’s is a hidden gem.

The aesthetic of these chips is truly something else. Each chip is seemingly identical in size and appearance, and the neatness of it all is truly a wonder to behold.

Anonymous person 3 was so enchanted by their uniformity that they were rendered quite speechless.

With an exquisite taste to top it all off, these chips are exactly what you need after a regrettably messy night in Park End.

Soloman’s

Direct, unadulterated quote from anonymous person 1: ‘that’s f***ing delicious.’

In fact, with this, anonymous person 1 seems to have perfectly summed up these chips: they truly are ‘f***ing delicious.’

A perfect crispiness and flavour, it seems that these chips can really do no wrong.

Hassan’s

It is purported that when you leave Oxford you will either have a spouse, a blue or a first – regardless of which you leave with, it is impossible that you could leave without having tried these chips.

Truly the BNOC of the Oxford chip scene, it seems that its status is unparalleled.

With a masterfully crispy exterior and a light and fluffy inside, the delicious taste of a Hassan’s chip is undeniable.

Appearance 10/10, Crispiness 10/10, Flavour 10000/10

These chips have been, and will remain God-tier.

Conclusion:

After much heated debate and rigorous scientific testing between myself and anonymous persons 1, 2 and 3, a winner was decided upon.

*Drum roll please*

The title of best chip van in Oxford was awarded to…

Hassan’s

It was a tough competition, with all participants deserving of much commendation and respect. But it was clear that there was only one true van to which one should journey to get the necessary chips after stumbling out of Park End, and that one true van was of course Hassan’s.

*DISCLAIMER: despite the overwhelming scientific evidence pointing towards Hassan’s as the superior chip van in Oxford, I must state that McCoy’s is in fact the best chip van. This alternative conclusion is, but of course, utterly unbiased, impartial, and entirely objective. It has absolutely nothing to do with any college loyalty to this particular chip van – I would never allow such a thing to affect, or cloud my judgement, on matters of serious importance*