War Horse – ‘Technically brilliant, but lacks the acting to match’

El Port enjoys a decadent press night for War Horse but is entertained rather than moved

The Actor’s Nightmare Review – “a high octane sprint through an...

Mercury Theatre Productions' venture into theatrical hell is impressive, but the length of the production lets it down

Flying saucers and the end of the world: Oxford Fringe sci-fi...

Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'

The Lonesome West review – ‘a pressure-cooker of rage and almost-erupting...

Practically Peter Production give an impressive rendering of Martin McDonagh's dark comedy

The right production but the wrong play

The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough

Lysistrata Review – ‘some over-directing vitiates a few performances’

Katie Sayer's anticipation of Oriel Classics Society's interpretation of a bizarre Greek comedy turns out to be a tragedy

Lady in the Sheets review – ‘powerful and horrible but comic...

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’

John Livesey is left cold by a conservative if accomplished transfer

A Doll’s House Review – ‘the pace of the narrative was...

A cohesive aesthetic experience, but a shortened script hampers character development

13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’

Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief

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