Culture

The Oxford art calendar: Hilary 2026

Oxford’s frosty Hilary term is best spent looking at new exhibitions. This art calendar will guide you through some of the upcoming highlights.

Art Maxim Vorobev -

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Culture Beatrix Arnold -

Damaging detachment: Reflections on the Booker Prize

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

Books Charlie Bailey -

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Culture Nora Miles -

Latest

The trouble with sex in fiction

Fiction presenting sex as pornography is dishonest and ridiculous

Our paradise is lost

Modern re-tellings of man’s original sin focus on its devastating environmental effects

The Brew that changed the direction of jazz

A look at how Miles Davis seismically shifted his genre

A long way home

Living 10,000 miles away can be both a blessing and a curse

Julius Caesar review – ‘two hours of pounding drama’

Nicholas Hytner's adaptation is makes you rethink the iconic tragedy

The 39 Steps review – ‘It is rare to see an Oxford play take itself as seriously as this 39 Steps – that is,...

Charles Britton is left with a smile on his face after an uncommonly fun night out in Oxford

The 39 Steps preview – ‘guaranteed to be a comedic spectacle of no small intensity’

Alice Taylor previews Antonia Hansen's interpretation of a Hitchcock comedy

Sweet Charity review – ‘Oh Mama, welcome to the 60s!’

Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage

Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’

Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama

When movie marketing becomes maddening

A misleading trailer can be a frustrating one, but they may be more useful than you'd think

Beautiful Things preview – ‘brilliantly captures a microcosm of London life’

A show about sex, youth and life in the city

Impressionists Tate review – ‘impressive and surprising’

Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.

Pakistan’s cultural reinvention is spear-headed by its youth

Pakistan’s identity and future is debated in culture both at home and abroad

So bad it’s good: appreciating the joys of cinematic mediocrity

Our absurd obsession with terrible movies

Young Marx review – ‘Fiercely comical, ingeniously designed’

Harry Hatwell reviews the triumphant 'Young Marx', the first production at London’s new Bridge Theatre

Revolt. She Said. Revolt Again Review – ‘a perfect balance between unsettling humour and sincere urgency’

Alice is impressed by this urgent feminist showcase, although it sometimes feels constrained

John review – ‘remarkably and unashamedly real’

Harry Langham praises an American transfer that proves spooky, funny and earnestly human

Hanna Review – ‘strikingly honest’

Meg Harris is touched by a mother's monologue at the North Wall Centre

Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’

John Livesey is left cold by a conservative if accomplished transfer

The Corridor review – ‘a serious spectacle of operatic drama’

Isaac Pockney is spellbound by an opera that puts a fresh twist on a classic tale

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Culture

The Oxford art calendar: Hilary 2026

‘Beautifully we may rot’: ‘Madame La Mort’ in review

Damaging detachment: Reflections on the Booker Prize

In defence of the theatrical release

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