To review Tiptoe Productions’ staging of Death of a Salesman, I must first contextualise my biases as a reviewer. By no means do I intend to offend – I...
In ‘Misery Business’, Paramore’s 2007 breakthrough hit, Hayley Williams claimed that “second chances, they don’t ever matter / people never change”. She’s been proving...
Deep in idyllic Hertfordshire, in the last quarter of the last century, there lived an uncompromising genius. The director Stanley Kubrick was a recluse...
In an age of globalised literature and artificial intelligence translation tools, to examine the function of literary translators is to question the substance of...
I first discovered Eurovision in 2015. Idly flicking through the TV channels one fateful night, I stumbled onto the largest, glitteriest, and most confusing music competition on...
Her feelings were in constant melancholy. When that Thursday had accumulated into a sunset, she was unmoved. The dwindling clouds did not produce in...
Of the firm landscapeMen see muchBut hold little for sure
What they learn is grownBefore workGathers them into a field
Each one admiresA settlingIn place,...
Heaven must beThat old dreamOf my garden, but lasting
When I wake, the leavesSeem to shred In the wind like manuscripts
The pollinated JunglelandBecomes a sodden...
Laura Marling’s seventh album, Song
For Our Daughter, was scheduled for release later this year. But, like many
other artists and entertainers,
the likes of Dua Lipa...
Iconic, encyclopaedic, and kaleidoscopic, Salman Rushdie’s Midnight’s Children has garnered a healthy sense of both wariness and respect from critics and readers alike over...
After mastering the downward facing dog-chaturanga-upward
facing dog transition, my isolation development peaked and it was time to do
some work. I watched the Donmar Trilogy’s...