Film

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a crew member tells him that they only have two days to shoot a scene. Lynch...

Film Arthur Meynell -

Missing the plot of ‘Wuthering Heights’: Is the book always better?

Sophie Price discusses Emerald Fennell's upcoming film adaptation of Withering Heights, examining how much film adaptations can get away with changing.

Culture Sophie Price -

A review of Day 2 of the Oxford University Short Film Festival

The Oxford University Short Film Festival took place at the end of last term...

Culture Tomas Overton -

The lost art of the intermission, and why the film industry needs to bring it back

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the...

Film Ruby Tipple -

Latest

Making Queer Cinema history: Victim (1961)

"‘Victim’ illuminates an important moment in the history of LGBTQ+ rights, primarily in normalising the existence of homosexuality and encouraging empathy."

Eagerly Anticipating: Sex Education Series 3

"I am desperately hoping Sex Education returns as planned in January – we don’t need any more bad news this year."

Between a rook and a hard place: Female ambition in The Queen’s Gambit

The Queen’s Gambit is refreshing because it offers a model of masculinity that is neither toxic nor fragile, but supportive and generous.

In conversation with Normal People Director, Lenny Abrahamson

“It’s about trusting the capacity of the actors, but also the ability that human beings have to read each other. We do it all the time, we put together very strong pictures of how people are from very little.”

The making of Bong Joon-Ho: Memories of Murder

Bong consistently backs up this technical precision with an attention to thematic and emotional detail that, combined with his now infamously anarchic approach to genre convention, renders him a singular force in the landscape of modern cinema

Damsels in distress? – The rise of the lesbian period drama

Kate Winslet catches Saoirse Ronan’s eye in the mirror, watching in the light of an oil lamp as she takes her corset off. Later, Ronan...

What The Write Offs tells us about literacy in Britain

Nothing has hit me as hard as this minute of TV for months. I had been sat in my little ivory tower of ‘well, why didn’t they just learn?’, but now I felt all that come down.

All treat, no terror – Halloween horrors for scardy cats

This year, Halloween is probably going to involve a movie night-in rather than a night out on the town. But not to fear! The...

Monos: More Than Just A Colombian Story

Landes has managed to create a raw film about humanity that goes far beyond the context of the Colombian conflict

Tenet review: Can visual spectacle make up for missing humanity?

After three postponements and millions of dollars’ worth of Covid-induced extra marketing, the much-anticipated action-thriller film, Tenet, has finally greeted a global audience, giving...

Have I heard that somewhere before?: i’m thinking of ending things and a crisis of originality

Kaufman is confronted with the impossibility of forming a new idea in a world where everything has been thought before, by someone else

Cinematic activism: Wind River and the #MMIW campaign

The power of film lies in its ability to force you to view a situation from another perspective

Approaching sexual assault on screen: The triumph of I May Destroy You

Coel reminds us that sexual assault is not always staring down at us from a bathroom stall. Sexual assault can be quiet, even subtle. Sexual assault can live hidden, unnamed in memories for years.

Comfort Films Medley – Chocolat, Call Me by Your Name, Ferris Bueller

During the summer vacation, countless people wish they could ‘pull a Donna Sheridan’ and escape to the Greek island from Mamma Mia! For me,...

Glutton for Horror

Mild Spoilers for Spirited Away and Pan’s Labyrinth Of all the sins, gluttony is the only one we truly commit against ourselves, where the implications...

Taking the old over the new: The importance of re-watching

It’s like the difference between working on a puzzle with or without knowing what it should look like when complete

Surrealism on film: Fellini and ‘Juliet of the Spirits’

Everyone’s going a bit crazy these days. I, for one, am happy to admit that the last few months have been quite bizarre, and...

A No Spoiler Review of Mrs America

To be honest, I didn’t originally want to watch Mrs America. I have studied the history of 1970s American feminism so hearing that Phyllis...

Setting the Scene: When location becomes character

I can remember the first time I watched The Revenant in an empty screening at my local cinema. It was during the height of...

“But where are the bonnets?”: Little Women and historically inaccurate costumes

In case you didn’t know, Little Women (2019) won Best Costume Design at the most recent Oscars and there are a good number of...

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Film

Going Dreamy: The Singular Will of David Lynch

Missing the plot of ‘Wuthering Heights’: Is the book always better?

A review of Day 2 of the Oxford University Short Film Festival

The lost art of the intermission, and why the film industry needs to bring it back

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