Wednesday 27th May 2026

Music

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese. 
Culture Val Michael -

Who gets to speak? The rise of the male podcast epidemic

I couldn’t help but notice, however, that one of the reasons for my disillusionment with the genre was likely the glaring gender imbalance, often when it came to the most successful, well-known podcasts.
Culture Amy Lawson -

Internet Babies: Students of Subculture

There’s a certain kind of artist that I keep coming back to lately: artists...
Music Sharon Wilson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Catherine Garner, known as Slayyyter, has been chasing fame for almost ten years now. She started out making ‘lo-fi pop’ from her bedroom closet, before bursting onto the music scene in 2019 with a string of electro-pop tracks
Culture Val Michael -
Latest

Review: Gorillaz’ ‘Song Machine, Season One: Strange Timez’

2020 sees the release of the third Gorillaz album in four years. With previous efforts Humanz and The Now Now being somewhat lacklustre affairs,...

Review: Sufjan Stevens’ ‘The Ascension’

With access only to a drum machine and a computer, the rest of his instruments being in storage after moving, Sufjan Stevens’ September album...

Oxford artist spotlight: in conversation with LZYBY

Emerging from the depths of lockdown, Oxford-based singer LZYBY (George Cobb) has made light work of spelling ‘Lazy Boy’, and even lighter work of...

Mercury Prize 2020: an apt event for a tumultuous year

It goes without saying that the music industry has faced more than its fair share of hardship this year. With gigs cancelled, arena tours...

‘Change Is Your Responsibility’ – more than just a song

"When Paddy hit me up, I was like: this is 100% something I want to be the voice on."

Gotye’s ‘Somebody That I Used to Know’ – a modern classic

According to all known laws of the music industry, there is no way that ‘Somebody That I Used to Know’ should have been a hit....

Review: Lil Peep’s ‘Hellboy’

TW: mental health and suicide In 2016, Lil Peep’s Hellboy mixtape dropped on Soundcloud. In 2017, Lil Peep died of a drug overdose. The...

Six of the best: film soundtracks to get you working again

After far too long at home for many of us, it’s almost the start of Michaelmas; I don’t know about anyone else, but my productivity has...

The return of live music: Nick Cave’s ‘Idiot Prayer’

Of the many cultural events 2020 has cruelly snatched away from us, the loss of live music is perhaps the one that has hit the...

Six of the best: live albums

With the absence of ordinary gigs from our venues seeming certain to continue, our focus this week is on finding other ways to get...

An organist’s view on a crisis in church music

Over the last ten years of my life, I’ve been fortunate enough to work in the music department of a small parish church in rural Lincolnshire....

‘Dynamite’ and BTS’ explosive fame

K-pop group BTS’ perpetual rise in popularity has been staggering, and the success of their latest release, English-language single ‘Dynamite’, comes as no surprise. Perfectly timed...

The Eurovision Song Contest: more important than ever?

On 18th March 2020, the European Broadcasting Union (EBU) took the unprecedented decision to postpone the 65th edition of the Eurovision Song Contest – an annual celebration...

Music in a foreign language: short-lived novelty or here to stay?

When it comes to most music, you realise quite quickly that the language it’s written in isn’t really that important. Maybe you wouldn’t get...

Hooks and Hardbacks: a summer music reading list

For the music obsessives among us, the pieces of literature that stick longest in our minds are overwhelming those which take music itself as a subject....

Arcade Fire’s ‘Funeral’: an underappreciated album built for times like these

It is a fact of the universe that, in difficult times, people turn to music. It often seems somewhat counterintuitive that in states of...

Review: The Chicks’ ‘Gaslighter’

Fourteen years since their last album, and 17 since they were effectively shut out from the country music industry, The Chicks (formerly known as...

Review: Bladee’s ‘333’

Bladee’s music is either airy transcendence...or the worst thing you’ve ever heard.

Review: Haim’s ‘Women in Music Pt. III’

As with other albums scheduled for 2020, the release date for Women in Music Pt. III experienced an upheaval. Having moved from its original...

Coming down from Eden: the darkening sounds of Sly and the Family Stone

No band – on record or off – better encapsulated the demise of the sixties and that era’s spirit of excited possibility than Sly...
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