Culture

“I will neglect everything else, including me as a person, just to get to keep making music. And even if it actually sometimes hurts,...

"It digs into some of the most important things we have to face in our lives. Sexuality, family, the education system, the way we judge others and ourselves."

It’s a strange feeling to stare into the void of a Zoom loading screen, waiting for a two-time Oscar winner to join the call. But that’s what I did one Sunday morning, counting the seconds until my interview with Cate Blanchett began.

"Spending years of loneliness sitting on that toilet seat, a haven from slow lunch times with no friends, I knew the peeling paint as if it were my own palm, cream cracking, exposing the avocado green of the seventies."

"As the centenary of perhaps the two towering works of literary modernism, T. S. Eliot’s The Waste Land and James Joyce’s Ulysses, 2022 appears a natural time to reflect on the present day significance of these texts. Such an impulse can only be furthered by the COVID-19 pandemic, which has caused many to use literary works as a means of processing, alleviating, or escaping from present reality."

"I think to write a play you’ve got to be constantly re-inspired. It requires so many exchanges between characters and demands inhabiting so many different psyches."

Right now, you believe you are reading this review in Cherwell. This is your reality. Yet in the world of the Matrix films, that could not be further from the truth.

Despite the shocking nature of Titane’s body horror, what lingers with you on viewing are the tender moments, the value of human compassion and the overwhelming sense that it is a tale of love and of family. An ode to Cronenberg's Crash (1996) it may be, yet Titane takes the strange premise that there is a connection between sexuality and cars, and crafts it into a work that explores an extreme form of love without words. Ducournau asks: how far are we willing to go to achieve a meaningful (familial) connection, to love somebody, and where might this kind of love take us? We learn of Alexia/Adrien’s daddy issues early on, and see the character start to deal with them as she learns to bond with Vincent in a fatherly way, as opposed to dealing with her trauma through sex and violence. Vincent, on the other hand, uses Alexia/Adrien to fill the gap left by his missing son, beginning to resolve an issue he had never been able to get over (interestingly set up against the cold attitude of his estranged wife). They bond through increasingly tender moments of intimacy, and through a shared love for dancing, culminating at the climax of the piece - in a finale Ducournau curiously describes as ‘a very happy ending’, though I would personally describe it as biblical, and a little insane.

Mulholland Drive is a film as mysterious and sinister as the workings of Hollywood. Do not be put off if you cannot quite figure out what exactly feels so off about it all the time

'The most thrilling moment so far was singing the opening ballad as a whole cast with the band for the first time. I’d never felt such a mix of excitement and nerves and awe all at once.'

"At best, I expected a night of mildly diverting entertainment – perhaps an audience member would heckle someone – and at worst, I was bracing myself for two hours of second-hand embarrassment. Anyone who is familiar with Jericho Comedy will already know how wrong I was: I laughed so much at this comedy gala that my face hurt."

"Reading for fun is not the same as reading a book to study it. This may be obvious to some people, but it took a while for me to realise that my love of Jane Austen books didn’t necessarily mean I would enjoy studying one of them."

It is an amazing skill to have such a carousel of worlds and people played by the same few actors, and yet the show never felt disjointed; it was almost as if the tennis players, the telly-tubbies and the young conservatives were all interconnected.

The world of foreign fiction is diverse and rich but often underrepresented, which is exactly what we are hoping to change! Our contributors have put forward a collection of some of their favourite books by authors from across the globe. So, enjoy a ‘tour’ through some great recommendations of world literature and maybe you’ll find your next read!

Don’t get me wrong. The album is upbeat, cheerful, maddeningly optimistic and, at least intermittently, catchy for most of us mortals. But something tells me it’s not quite the empyreal sound Pythagoras would have had in mind.

Don’t worry, this isn’t one of those articles about how superhero blockbusters are awful compared to classic movies. No, I’m here to explore the weird commonality between Ingmar Bergman’s The Magic Flute and modern blockbusters. Linking these different approaches to film will be a strange journey, but at its end lies an intriguing idea: that reality and fiction may be one and the same.

It is a thought that fills me with me with apprehension. A feeling so confusing that even my stomach does not understand whether to...

This is the time of year for promises we may not keep. And we’ve got plenty of movie-related resolutions, whether it’s something we always wanted to see but have never found time for, or a new aspect of film that we want to get into.

To blink a bloodshot world away And drink in rough, and burn, and heat Until she comes to kiss the dark.

There used to be three main reasons as to why I would read: firstly, for educational purposes, and as a historian, I can’t avoid this. I didn’t feel like I was even keeping up with the bare minimum of reading for my degree, and I was crossing off hardly any books on those ludicrously long reading lists. How could I allow myself the luxury of reading something for fun?