I’m ashamed to admit I almost mistake Cuigy (Kate Burke) and Brissaille (Nancy Gittus) for incredibly dapper audience members before the play begins. The sweet jazz that pipes out...
"Disgusting basement? Check. No gas for the kettle? Check. Cryptic instructions from a mysteriously absent boss? Double check. The lack of workplace protection laws is appalling."
In the midst of the pandemic, Adrianne Lenker (Big Thief’s lead singer) ventured into the wilderness, fresh from heartbreak, and released two new solo...
Ants From Up There is the sophomore album from acclaimed experimental rock outfit Black Country, New Road – equal parts anthemic and introspective, the...
"This uncomplicated plot provides Worth with rich opportunities for philosophical musings, with ideas explored in the piece ranging from the abrupt to the more profound."
A lot of old movies are boring. That admission may cost me my credibility as a film nerd, but it’s true. But there are classic films that even my limited attention span can wholeheartedly enjoy, and very high on that list are the horror movies of Val Lewton.
Impending disaster. And yet little to nothing is being done about it. The film’s portrayal of a disaster that could be averted but is being ignored offers a clear message about the climate crisis to the audience.
In the cultural moment of the pandemic it may be an attractive idea to compare present society to fictional dystopias. The sense of fear, the limits imposed on people’s rights, the ubiquity of screens, widespread surveillance, the spin tactics of the press, and the hypocrisy of leading political figures are all features of a dystopia.
While discussing the upcoming sequel to the Oscar-winning Spiderman: Into the Spider Verse, a friend explained her love of the first film: “I just didn’t know that animation could look like that.”
"just as paler pinks bring to mind troubling questions about our femininity and how we express it, brighter pinks can tread a fine line between feminine power and caricature."
"It digs into some of the most important things we have to face in our lives. Sexuality, family, the education system, the way we judge others and ourselves."
It’s a strange feeling to stare into the void of a Zoom loading screen, waiting for a two-time Oscar winner to join the call. But that’s what I did one Sunday morning, counting the seconds until my interview with Cate Blanchett began.
"Spending years of loneliness
sitting on that toilet seat, a haven
from slow lunch times with no friends, I knew the peeling paint
as if it were my own palm, cream cracking, exposing
the avocado green of the seventies."
"As the centenary of perhaps the two towering works of literary modernism, T. S. Eliot’s The Waste Land and James Joyce’s Ulysses, 2022 appears a natural time to reflect on the present day significance of these texts. Such an impulse can only be furthered by the COVID-19 pandemic, which has caused many to use literary works as a means of processing, alleviating, or escaping from present reality."
"I think to write a play you’ve got to be constantly re-inspired. It requires so many exchanges between characters and demands inhabiting so many different psyches."
Right now, you believe you are reading this review in Cherwell. This is your reality. Yet in the world of the Matrix films, that could not be further from the truth.