Culture

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...

Culture Radhika Bhargava -

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Books Ngoc Diep -

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly...

Culture Franca Haug -

Lacking Latin: Ceremonial mistakes in My Oxford Year

My Oxford Year, a new Netflix rom-com, has received considerable attention. Yet as a...

Culture Honcques Laus -

Latest

Webtrash

We live in a society that values things that are quick to buy, quick to use, and quick to dispose of.

The mere mention of ‘high’ and ‘low’ art can make us feel uneasy. Such distinctions are often branded as pretentious and as the work of the elitist in their desperate attempts to preserve tradition and exclude diversity within the literary canon.

Preview: The Crucible

Miller's classic sees a new lease of life in Rose on a Rail Theatre Company's new adaptation.

Review: Talking Maps

The first wall of this Weston Library exhibition focuses on Oxford, offering the visitor visions of Oxfords which could have been and those which remain in the past.

In Vogue

Vogueing is having a moment. Again. The last time saw Madonna’s 1990 hit “Vogue” soar to the top of the charts in America and was supposed to herald a period of greater exposure for the New York ballroom community. It didn’t.

Mr Gorbachev, Tear Down This Protest Art

Thirty years ago, the Berlin Wall came down. Any art fan should celebrate that. Not just because it represented a profound triumph for free expression against the forces of authoritarianism and censorship, but because the thing was a bloody eyesore. The grey concrete was awful enough, but then the Berliners went and covered it in sodding graffiti.

The Farewell Review

Seemingly all of us either have or yearn for an affectionate but caustically witty grandmother such as Nai Nai (Zhao Shuzhen), the endearing matriarch...

Who’s afraid of Derrida?

This article is a complaint to my academic discipline, English literature. It is, not to overstate the matter, one of my great loves, but...

Metamorphosis, Money, and Moldovan ice cream

It’s probably unsurprising that while The Guardian hails Ian McEwan’s latest novella as a “comic triumph”, it is dismissed by The Telegraph as “an...

Novelty Music is Real Music

To call the summer of 2018 memorable would probably be an understatement: there was the heatwave, the subsequent hours spent in beer gardens, and, perhaps most...

Review: Kanye West – ‘Jesus is King’

It’s that time of the year again when Kanye West, armed with another batch of outrageous quotes (“God is using me to show off”) and the...

Boyfriend vs. Genghis Khan

Back in February of this year, Ariana Grande seemed on top of the world, or at least the music industry. With the release of an...

Philip Glass Ensemble – satisfying constancy

Clare: On the 30th October, Philip Glass and the Philip Glass Ensemble performed Music with Changing Parts. Due to illness, Glass himself was unable to...