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Kiss My Genders – Celebrating identity with the Hayward Gallery

The Hayward Gallery's huge curation 'Kiss my Genders' attempts to unite over thirty artists from the LGBTQ+ community in a celebration of gender identity and fluidity. Charlotte Hall gathers her impressions of the exhibitions - how effective is it at breaking down stereotypes and prejudice?

“Delightfully creepy”: “Spellbound” at the Ashmolean review

[The exhibition] is delightfully creepy, especially the sections where the artefacts are resting on the glass above you in chimney-like structures, forcing you to walk into dark little alcoves and crane your neck up to see them.

Review- V&A’s Frida Kahlo: Making Herself Up

An exhibition that tells a personal story of heritage, politics, heartbreak and pain.

This brave new world is dark and lonely

America’s Cool Modernism shows us a society terrified of the world it created

Charmed Lives British Museum review – “you can almost feel the...

Place is the essence of this exhibition, which celebrates the beauty of Greece and its impact on the life and work of three famous bon vivants

Impressionists Tate review – ‘impressive and surprising’

Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.

The Scythians British Museum review – ‘a vivid and intriguing exhibition’

A vivid depiction of an ancient culture excites at the British Museum

Kabakov Tate Review- ‘an exercise in alternative perspectives’

Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions

Modigliani Tate review – ‘a delight to walk through’

Tate Modern's Modigliani show is tame, but beautiful

Imagining the Divine review – engrossing and important

Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition
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