Grab your motorcycle helmet. Sharpen up on the subjunctive. And cue the synthetic pulses of ‘Blue Monday’. The History Boys is back.
Alan Bennett’s 2004...
The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
During the odd ‘in-between’ space that is Week 0, I searched for a show to give me something to do, amid the random dilly-dallying and the odd collection currently occupying my time.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.
Shakespeare revivals must tread a fine line: too often they turn into one-actor vehicles or experiments, or shipwreck upon the squall of their adaptation.