theatre Archives - Cherwell

Review: Wolf Hall: The Mirror and the Light – “A new sensation”

There is a new sensation at Christ Church Drama Society, and it is called Wolf Hall. Adapted from the novel trilogy by Hilary Mantel,...

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and...

CRUSH preview: ‘A chaotic scramble through the teenage years’

I sat down with Hannah Eggleton, Director & Writer of CRUSH, to talk power, performance, and the making of her debut full-length play, premiering...

Review: Fiddler on the Roof – ‘Bringing the beloved production to life’

"It was truly a delight to listen to and watch"

Recorded theatre: The oxymoron of the prerecorded-live production

"Are we witnessing the downfall of the priority of ‘LIVE’ theatre?"

Playing with history: How does theatre shape our past?

"There is nothing more fascinating than a good historical drama; something about a true story that packs that extra punch."

Shakespeare and the ‘Dark Lady’

Shakespeare is undoubtedly the most well renowned English playwright. Thus, the chance that the bard might have been strongly influenced by a woman, as...

Julie review – Free shots, toxic relationships, immersive theatre

My ticket to see Julie resembled an invite to a birthday party, promising a live DJ and that I would be greeted by ‘partygoers’...

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round,...

The Busy Body Review: ‘Theatre of the Real’

The Busy Body (1709) is one of the many plays written by Susanna Centlivre. Centlivre is often referred to by critics and historians as...

In conversation with ‘The Children’

‘If you’re curious as to how and why cows, nuclear reactors, tricycles, peperami, and old people doing yoga all fit into one play…come and...

Review: NUTS – ‘a harrowing portrait of deceit and desire’

NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down.

Ovid meets modern identities in Sap

This will certainly be a loose retelling of Ovid’s Daphne and Apollo, but a dutiful one nonetheless.

Review: Les Liaisons Dangereuses at the Oxford Playhouse – “Nic Rackow is revelatory”

This new production of Les Liaisons Dangereuses, a glamorous, engrossing period drama, showing at the Oxford Playhouse, is elevated by its stars into one of the great shows of the year.

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