Tag: oxford

On 6th June, The Telegraph published an article outlining the abuse and criticism faced by Ben Ashworth, over his visit to Israel. The article describes the trip as “a fact-finding trip to better understand the Gaza conflict”. A closer examination of the trip itinerary, however, tells a different story.

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young...

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

The ocean crossings were extraordinary, but they were never really the destination.

King Charles III officially opened the Schwarzman Centre for the Humanities and unveiled a plaque to commemorate his visit.

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

A private members’ club audacious enough to promote itself as the “last bastion of free speech”, the Oxford Union is the embodiment of Oxford...

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

I was very close to rejecting Oxford for Exeter. While this is not why I eventually accepted my offer, I couldn’t stop thinking about...

At least nine Oxford colleges invest indirectly in Mitie Group Plc, an outsourcing company whose subsidiary runs Campsfield House Immigration Removal Centre (IRC) in...

Student theatre strives to be as professional as possible, but the annual garden play offers something unique: permission to have fun.

As the academic year draws to a close, the most anticipated list in all of Oxford is finally here! This year’s BNOC nomination form received 331 responses over the course of ten days, with the final response coming in just 14 seconds before the form closed (you’ve got to admire the procrastination of an Oxford student).

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.