review Archives - Cherwell

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

‘The Importance of Being Earnest’ in review

The Harris Manchester Players immersed Oxford’s inhabitants in the delightful world of Oscar Wilde’s The Importance of Being Earnest this May.

The Devil is Sponsored by Dior: ‘The Devil Wears Prada 2’ in review

In the world of The Devil Wears Prada 2, there is one thing that could have never existed: The Devil Wears Prada.

Toni Servillo shines in thoughtful assisted dying drama: ‘La Grazia’ in review

Does Big Tobacco sponsor Paolo Sorrentino’s films? Almost certainly not, but their money would be worse spent elsewhere.

A mini-guide to the Italian restaurants of Oxford

The Cherwell Lifestyle team decided to combine our forces and put together a mini-guide to the Italian restaurants to suit all of your needs.

‘Technologies of capture’: Ben Lerner’s ‘Transcription’ Reviewed

The book opens with the unnamed narrator travelling to interview his academic mentor and 90-year-old intellectual superstar, Thomas, for a magazine.

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat...

A show with bite: ‘Little Shop of Horrors’ reviewed

Ong and Bouchta have mounted an incredibly successful run at the O’Reilly. The commitment and love for the show comes across.

Loaf actually? A guide to Oxford’s sourdough

Sourdough is a simple pleasure. A perfect loaf should have a chewy, light, tangy, and springy crumb. On cold days it’s a reliable and simple comfort – the kind that makes Hilary term feel a little less bleak.

A bold choice for limited space: ‘Tick, Tick…Boom!’

This ambitious take on a classic struggled in the space constraints of the Michael Pilch studio.

Disturbance on the line: ‘La Voix Humaine’ in review

The Burton Taylor Studio has been transformed into a Tracy Emin mixed-media installation for Jean Cocteau's 'La Voix Humaine'.

How not to decolonise a museum: ‘Suturing Wounds’ at the Pitt Rivers

Emma Heagney reviews Sara Sallam's exhibition at the Pitt Rivers and how the museum interacts with decolonisation.

A noble mind o’erthrown: ‘Hamlet’ at the National Theatre

This month, Hamlet returns to the stage in a new production soon to be released on National Theatre Live, following its staging last autumn.

Faith in humanity restored: Taste Tibet, reviewed

It might have something to do with the freezing January rain outside, but when I arrive at Taste Tibet in East Oxford it seems a lot like paradise.

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