There is something liberating about being somewhere where nobody knows your name, your college, or your subject. While abroad, I am no longer simply an Oxford student navigating the same routines of term-time life; I am an outsider, and, most importantly, a beginner again. The world suddenly feels much bigger than the few square miles I had grown accustomed to calling home.
When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
CW: rape.
This week, Cornell University has made headlines as prosecutors reopened an investigation into the alleged rape of a student at the Ivy League...
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.
Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.
The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.