Music

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular – cough, cough, Oasis – the often-forgotten band of the same era, Pulp, have stolen the...

Music Tom Cockburn -

Bonding, identities, and connections through music

The feeling is both shared and unique to that moment

Culture Maya Mukherjee -

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances...

Music Samuel Oliver-Sherry -

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated...

Music Milo Man -

Latest

Review: Fiona Apple’s ‘Fetch The Bolt Cutters’

“All my particles disband and disperse/And I’ll be back in the pulse.” Music, to Fiona Apple, seems like a Schrodinger’s Cat kind of paradox; it relies...

Review: Jerskin Fendrix’s ‘Winterreise’

Weird things are happening in the world of pop music. Charli XCX and Carly Rae Jepsen have bounced back from ‘Boom Clap’ and ‘Call Me Maybe’...

Album Review: Rina Sawayama’s ‘SAWAYAMA’

Sofia Henderson celebrates a dynamic but thoughtful debut

A City Without Music?

Mila Ottevanger explores Oxford's place in music history...

Study music: ambience over annoyance

Jazz, techno, or lo-fi hip-hop beats, Emmaleigh Eaves asks what music best gets you into a productive zone and why...

Mad Dogs and Englishmen: 50 years on

In the spring of 1970, 50 years ago, a collection of musicians underwent the Mad Dogs and Englishmen tour, which came to be immortalised in a...

Say So, TikTok, and the ‘Viral Sleeper Hit’

William McCathie examines TikTok's hit-making capabilities

Music History: Django Reinhardt

George Newton reflects on the life of the jazz guitarist who defined an era.

Better to burn out or fade away? The crafting of musical legacy

Annabelle Grigg questions our valuing of self-destructive behaviour in the music industry.

Album Review: Dua Lipa’s ‘Future Nostalgia’

Emily Cope defends Dua Lipa's position as 'Britain's leading popstar'.

Album Review: Ruthie Collins’ ‘Cold Comfort’

Maxim Mower finds much to praise in a maturely sombre new country music star

Live Review: Jon Hopkins at the Brighton Dome

Jon Hopkins is not so much a polarising figure as one whose music can appeal to people for precisely opposite reasons. As beloved to...

Review: Four Tet’s ‘Sixteen Oceans’

Fred Waine praises Kieran Hebden's latest offering for its evocation of natural themes

Music: In Isolation but not Isolated

Anna Gunstone reflects on how listening to music can remain a communal experience even in isolation.

Dramatics in Isolation: The Nightly Met Opera Streams Reviewed

On the 13th of March, the Met Opera’s Twitter announced that they would begin a series of ‘nightly live streams’ of beloved operas for anyone with...

Electronic Music: the Sound and the Sceptics

A look back over the history of - and our attitudes towards - electronic music today.

In Conversation: Enter Shikari’s Rou Reynolds

A chat with Enter Shikari's frontman ahead of the release of their highly-anticipated sixth studio album, 'Nothing Is True & Everything Is Possible'

In conversation: Chase Rice

US Country singer-songwriter Chase Rice has gone Platinum multiple times, co-written a Diamond-certified hit, and last year reached No. 1 with his single...

Interview with Musician and Neuroscientist Izzy Frances

Musician and neuroscientist Izzy Frances loves to play on your heartstrings. Propelled by a desire to understand herself and others, Izzy has burst onto...

C’est la Brie: why we love cheesy music

Few would care to admit that the dated tunes of 'cheese' make up a significant portion of our listening habits, and yet music once...

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Music

In More, Pulp aren’t just trading on nostalgia – they’re fresh

Bonding, identities, and connections through music

The cantatas of Bach with New Chamber Opera

Review: Bush! The Musical – ‘Is our actors singing?’

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