Music

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

When interviewed on his decision to cast Travis Scott as a bard figure in his upcoming The Odyssey adaptation, set to release on 17th July in the UK, Christopher...

Music Niamh Hoyland and Val Michael -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

The rise of Stats.fm: Music as a signal of identity

It is far harder to maintain a separation between your taste, your identity, and how you are thought of by others.

Culture Suzi Sharp -

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese.

Culture Val Michael -

Latest

Review: Bladee’s ‘333’

Bladee’s music is either airy transcendence...or the worst thing you’ve ever heard.

Review: Haim’s ‘Women in Music Pt. III’

As with other albums scheduled for 2020, the release date for Women in Music Pt. III experienced an upheaval. Having moved from its original...

Coming down from Eden: the darkening sounds of Sly and the Family Stone

No band – on record or off – better encapsulated the demise of the sixties and that era’s spirit of excited possibility than Sly...

Review: Taylor Swift’s ‘Folklore’

Usually, Taylor Swift begins a new album cycle with a blank slate. Instagram is cleared of any record of previous ‘eras’. Easter eggs are laid out...

The beauty of bedroom pop

The bedroom can feel like an inner sanctum, a personal hideout away from the public. Therefore, there seems to be a contradiction in bedroom pop becoming...

A love letter to Oxford’s music scene

In a city of dreaming spires, where casual magic hangs in every cobbled lane at golden hour and each paradisal quad in bloom, I...

Cherwell’s albums of the year so far

Ten albums that we've judged to be among the best of this weird, weird year so far

Review: Phoebe Bridgers’ ‘Punisher’

with each song, the world becomes blurrier, as if drunk, only to be immediately sharpened again with the piercing nature of Bridgers’ lyrics

Review: Khruangbin’s ‘Mordechai’

Part of Khruangbin’s marketing campaign for Mordechai features an update to their online playlist curator, AirKhruang. The 2015 website allowed listeners to create playlists for their...

In defence of minimalism

People like being right about things - they like being in control.

Now That’s What I Call… Poetry?

Somebody once told me there are a lot of bad song lyrics out there. Imagine, for every subtle, elegant song you hear, there’s bound...

Has ‘Over the Rainbow’ been overcooked?

As ‘We’ll Meet Again’ rang through the streets of the UK on VE Day on Friday 8th May, with echoes of the previous night’s ‘Somewhere Over...

Notes on Improvisation

Improvisation is a strange topic to think about. On the surface, it seems to be fairly simple: know the chord progression to follow, choose...

Album Review: Lady Gaga’s ‘Chromatica’

Promoting her latest album on Twitter, Lady Gaga told fans: “listen from beginning to end, no need to shuffle, this is my true story.” Indeed, Chromatica...

how i’m feeling now: Hyper-Pop Masterpiece for the Lockdown Generation

Charli XCX’s lockdown productivity is putting us all to shame. On the 6th of April she announced to fans via a public Zoom meeting that...

Review: The 1975’s ‘Notes on a Conditional Form’

Notes on a Conditional Form, the fourth studio album by The 1975, has created its own chaotic history even before its release. The band’s latest record...

Historical Opera: A Primer

The ancient Greeks were so moved by music that in their mythological conception, the father of songs, Orpheus, could move even the rocks. In less fanciful...

Songs of a Pride Cancelled

Pride 2020, which was supposed to be a celebration of our place in the world looking forward to liberation for even more LGBT+ people...

Streaming and the seismic shift in music release formats

Like many of us quietly fascinated with Matty Healy’s prolific output, I recently put in a shift to listen through The 1975’s sprawling new album Notes...

Live Album Review: Vulfpeck at Madison Square Garden

Madison Square Garden, NY, late 2019. A packed house. We see a stage, empty save for Woody Goss...

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Music

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

Is the dancefloor really dead?

The rise of Stats.fm: Music as a signal of identity

On Geese and the Cult of the Fake Fan

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