When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
At fifteen, I was fully and completely obsessed with the Californian soul/alternative R&B/jazz/funk band The Internet. It is for this reason that I can...
The 2024 Grammys were everything they should be: glamorous, monumental, and of course, controversial.
Taylor Swift has made history by becoming the first artist to...
"With the Oscar nominations for 2024 having been released in anticipation of March’s ceremony, it is worth looking back on a former Best Picture winner that has never got its due."
"As I exit the library, it strikes me that in its memorials of people long deceased and its unchanging historical landscape, Oxford seems often at a standstill."