Tuesday 19th August 2025

Culture

HOLE IN THE WALL L’HOPITAL at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only proves that point. HOLE IN THE WALL L’HOPITAL, created by Chicago-based comedian Brendan Tran, pays...

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine,...

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much...

‘Irishness existing in England’: the brilliance of Skinty Fia

I first came across Irish post-punk band Fontaines D.C. when my brother brought me their debut album on vinyl for Christmas, back in 2019....

Oxford’s rock and roll: a very short introduction

"Rock and roll and academia has never been the most compatible pairing."

Love Island goes sustainable?

"As a show, Love Island isn’t exactly known for setting a good example for just about anything, so the sudden decision to eschew fast fashion seems rather out of character."

Let’s get physical: Review – Holding

Neily Raymond reviews Holding, Kristy Miles' new play at the Burton Taylor Studio.

Wilde at heart: In Conversation with members of the Lincoln Drama Society

It’s practically a cliché to say that with such short and busy terms, there are more events happening in Oxford than any person could...

Lord Reginald Moreton of Oxfordshire

Poet's Note: "One of my favourite things to do whenever I visit new areas with my friends is to come up with ridiculous "histories"...

In conversation with the creatives behind Top Girls

"Every play Caryl Churchill writes has revolutionised theatre."

Performing the unperformable – Preview: Carrie

Founding Fellas Productions have made an interesting choice in staging Carrie: The Musical at the Oxford Playhouse, which I watched in a dress rehearsal earlier this week. With its catastrophic production history (a book of Broadway failures is named after it), the musical is famously one of the biggest flops in theatre history.

Netflix’s Newest Sweetheart

Originally posted as a webcomic series on Tumblr in 2019, Alice Oseman’s Heartstopper became an instant hit. It has been adored internationally for its...

Maxim Biller and Ukraine: The resignation of a German-Jewish author?

I am well aware that for the sake of switching off from university, or from the cruel news about Ukraine, it is better to...

Music for the end of the world: a Plastic Beach retrospective

"Plastic Beach serves as a poetic, wonderfully produced and musically brilliant reminder that the world is slowly ending, everything is artificial and no one seems to be doing very much about it at all."

Bad language: the value of non-standard English

In many classrooms, slang is something forbidden, a recent example being  a London secondary school’s decision to ban words such as ‘bare’, and fillers...

P.S. I still love writing letters

"In searching for an activity to keep away the boredom, it was during lockdown that my love for letter writing was reignited."

“Sorrow and birthday cake” – Review: Mojo

"Emotions collide and coalesce to heart-stopping effect, reflecting the disturbing inevitability of the chaos caused when drugs and fear mingle."

A green scream machine at Queen’s – Review: Little Shop of Horrors

Queen’s College needed a sassy, singing carnivorous plant. In drag.

“Hide the babies” – Review: Girls and Dolls

There’s been a recent uptick in global awareness of the history of Northern Ireland. We can trace it back, roughly, to 2018. That’s when Lisa McGee’s hit TV series Derry Girls, which chronicles the tribulations of growing up in Derry during the Troubles, arrived on screens worldwide; and just like that, Northern Ireland became the object of cultural fascination.

Disappointing and passionless: The Met Gala 2022 review

"More than half of the outfits could have been worn for any other red carpet or film premiere that year."

Oxford Fashion Gala Review

Anna Roberts shares her experience of participating in Oxford's first FADSOC x Industry fashion gala.

Dresse me my harpe

The speaker in Anna Cowan’s poem herself undertakes a myth-making activity in playing her harp. “It is time”, she declares, as she unshackles the...

Oxford Student Film Review: The Pacifist

The Pacifist was put together by a team of recently graduated University College students. Matthew Hardy (2018, English) wrote the screenplay and collaborated on direction with Jack Rennie (2017, PPL).

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