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Who’s afraid of Derrida?

This article is a complaint to my academic discipline, English literature. It is, not to overstate the matter, one of my great...

Metamorphosis, Money, and Moldovan ice cream

It’s probably unsurprising that while The Guardian hails Ian McEwan’s latest novella as a “comic triumph”, it is dismissed by The Telegraph...

Whose Revolution? The winners, the losers and the left behind

Two clear streams run through Patrick Radden Keefe’s Say Nothing– a gut-wrenching tale of intersecting lives at the centre of the Troubles: that...
Margaret Atwood in a red scarf, talking into a microphone on a podium.

ATWOOD RETURNS TO GILEAD

It is difficult to sanitise Atwood’s new venture. In fact, it is difficult to put into words at all the violence of...

‘The Lost Properties of Love’ by Sophie Ratcliffe

'treads a fine line between a deeply personal memoir [...] and an academic exploration'

An Artificial Low

Reviewing Ottessa Moshfegh's 'My Year of Rest and Relaxation' (Jonathan Cape, 2018)

Menial Heroics

Reviewing Sayaka Murata's 'Convenience Store Woman' (Granta, 2019)

Reclaiming the Moment

A review of Lavinia Greenlaw's 'The Built Moment' (Faber and Faber, 2019)

The Funny/Not Funny Exercise

A review of David Sedaris' 'Calypso' (Little, Brown, 2018)
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