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UrbanObserver
Thursday, March 20, 2025
Oxford's oldest independent student newspaper, est. 1920
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review
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culture
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“Refreshing, original and honest – a genuine delight to watch”
Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre
“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”
Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'
Gangster rap with glimmers of uniqueness
Big Fish Theory is a refreshing spin on modern rap music that shows there is plenty of talent and potential within Vince Staples
‘Baby Driver’ dazzles and thrills
Daniel Kodsi reviews 'Baby Driver', an action story that packs a musical punch, with a love story at its heart
‘Spider-Man: Homecoming’ defies expectations as a surprising pleasure
Jonnie Barrow finds the new Marvell instalment provides a fresh take on the stale Spider-Man character
Hokusai: Beyond The Great Wave – a man possessed by the Japanese landscape
Becky Cook is awestruck by Hokusai’s ‘The Great Wave’ but says the artist fails to discover anything beyond the masterpiece at the British Museum’s current exhibition
Studio 60 on the Sunset Strip – a neglected Sorkin revisited
Becky Cook asks why Aaron Sorkin's Studio 60 on the Sunset Strip was cancelled, after one season on air
The science books that every non-scientist should read
Rosalie Wells lists the best science and medicine books to read this summer
“At times refreshingly witty and sharp, and then lets itself down…”
Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine
Dispatches: Friends, Ulysses, and the value of a story’s ending
Ellie Duncan considers how endings reflect a need for stories
A sense of closure amongst dreaming spires
Sarah Brown reflects on three years at Oxford University as the end draws near
“Intense and enjoyable to watch”
Nina Crisp enjoys an intense and enjoyable performance
Choose wisely, it’s in your hands
Alice Robinson explores the phenomena of multiple endings
“A fascinating interpretation of Racine’s masterpiece”
Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy
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