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UrbanObserver
Saturday, May 24, 2025
Oxford's oldest independent student newspaper, est. 1920
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‘Thamesis’ Interview: “The most refreshing thing you’ll see in Oxford drama.”
"I've never seen or heard anything like it."
A list of brilliant things about ‘Every Brilliant Thing’
"This performance... is likely to have made a lasting impression on every single person who has watched it."
Review: Entertaining Mr Sloane
"Brook’s production moved between playing the world for laughs and playing it real enough that the audience was left with lingering unease."
Review: Black Blood
"The most interesting elements of the play are the characters themselves, and their relationships outside the murder plot."
Review: I Will Delete This Story
"I found that I Will Delete This Story left me wishing that the titular promise had already been fulfilled."
In Conversation With Velvet
"If you haven’t heard of them, you should have."
“A fantastic story of love and liberation”: An interview with the cast and director of ‘An American In Paris’
"It’s been a process of figuring out how we can tease out those themes of love and liberation."
The Story Behind Noah Wild’s ‘I Will Delete This Story’
“Growing up when the past won't let you go”
Dead Man’s Suitcase: A Review
"At once funny and profound, Dead Man’s Suitcase is a treat for the senses."
Babel, or the Beauty of Multilingualism
Emerald Ace-Acquah reflects on the complexities of language, colonisation, and power, as explored in R. F. Kuang's new novel.
Euro supermarket and the comfort of finding authentic ingredients from home
One faithful day during a stroll through Cowley, I stumbled upon a shop with my flag
Confessions of a Theatre Kid: Debunking The Myth
"This problematic and relentless framing of the theatre kid as marginalised or an 'underdog'... misses the fact that the arts are propped up by privilege."
‘After Life’: A review
After Life was an understated joy – a brilliant, bittersweet highlight of Week 7.
“In here, it’s just pretending…”: ‘Posh’ and the brilliance of impersonation.
At the end of it all, the audience are left in the wake of their destruction, while tellingly, most of the boys have left the scene, unscathed.
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