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Tag: Drama

The Two Gentlemen of Verona review: ‘Theatrical rom-com’

The Two Gentlemen of Verona is almost always referred to as one of Shakespeare’s ‘early’ plays: an apologetic slant which does the play no...

Broadway, besties and Brian Cox: A conversation with J. Smith-Cameron

J. Smith-Cameron would like you to know that she is not Succession’s Gerri Kellman. She gently corrects me when I slip up by describing...

The Human Body review: ‘A Socialist exploration of healthcare and romance’

I recently attended my first production at the Donmar (https://cherwell.org/2024/01/24/review-of-tennant-as-macbeth-an-auditory-experience/ - shameless self plug!) and fell in love with the energy of the space...

An Enemy of the People review: ‘Tragic but thought provoking’

Ibsen has re-entered the drama scene with the current production of his classic play An Enemy of the People at the Duke of York...

Dynamic, Chaotic and Physical: Review of Frantic Assembly’s Metamorphosis

"Frantic Assembly takes on a new challenge, taking a decades old Kafka novel, The Metamorphosis, and putting it to the stage in their signature physical theatre style."

‘Frost/Nixon’ by St John’s Drama Society – Review 

"Rohan Joshi is a star turn as President Nixon. His wounded gait, booming American accent, and measured pace of delivery kept the audience rapt."

A queer exploration of new age romance: ‘Best of Five’ Review

"Watching ‘Best of Five’ felt like I was watching a combination of mine and my friends' university experience playing out in front of me. "

A modern way of doing Chekhov: The Cherry Orchard Review

"If the look of the production is traditional, then Esme Buzzard’s translation is distinctly fresh."

Review of Tennant as Macbeth: An Auditory Experience

"Last week I took a trip to London to see the new production of Macbeth starring David Tennant at Donmar Warehouse."

‘ASMR Eat Your Heart Out!’: A Review of The Metamorphosis

The Metamorphosis was, understandably, intense, and weird – in a good way. Blessed with excellent performances, and clever use of technology, the play captured all the absurdity of Kafka.

“A Joy to Watch”: A Review of ‘Window Seat’

The play is a joy to watch. Coleman always provides just enough detail in the dialogue to allow the audience to follow what is happening without making the relationship between the two characters seem overlaboured or mechanistic.

“Dreamlike and Wonderful”: A Review of ‘A Midsummer Night’s Dream’

"All in all, a dream-like and wonderful way to spend the ‘three hours between our after-supper and bedtime’, in the words of Theseus himself."

Review: Better Yesterday

"The most important takeaway of Better Yesterday... is ultimately the idea of how the voyeuristic public eye can be damaging to a relationship."

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