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[The exhibition] is delightfully creepy, especially the sections where the artefacts are resting on the glass above you in chimney-like structures, forcing you to walk into dark little alcoves and crane your neck up to see them.
An exhibition that tells a personal story of heritage, politics, heartbreak and pain.
America’s Cool Modernism shows us a society terrified of the world it created
Place is the essence of this exhibition, which celebrates the beauty of Greece and its impact on the life and work of three famous bon vivants
Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.
A vivid depiction of an ancient culture excites at the British Museum
Ilya and Emilia Kabakov's 'Not Everyone Will Be Taken into the Future' illustrates the horrors of the Soviet Union through a series of juxtaposing perceptions
Tate Modern's Modigliani show is tame, but beautiful
Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition
Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith
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