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Review: Taylor Swift’s ‘Miss Americana’

Taylor Swift’s last album, Reputation, was an unapologetically  aggressive response to the ‘drama’ that she had endured during nearly a decade...

Review: Knives Out

British audiences know the whodunit genre well. The Queen of Crime, Agatha Christie, wrote 66 murder mystery novels over the course of...
A middle-aged man and a teenage boy smile into the camera. The man has his arm around the boy.

Beautiful Boy review: powerful, painful, poignant

Beautiful Boy is unlikely to have an unintentional glamorising effect. We witness the oblivion of being high before the inevitable crash down to a deeper and darker place.
A black and white close-up shot of the face of a man with a woman standing up beside him.

Fast Film: In a Lonely Place unites noir tradition with painfully...

Humphrey Bogart is a man addled by loneliness in this cinematic masterclass of subtlety and allegory.

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial...

"It's the same story told over and over; all an artist can do is say how they see it"

“Studio 54” is an era’s “Paradise Lost”

"Studio 54" is a predictable story fascinated with the fall of an era of glamour.

Coco sees Pixar back on delightful form

Pixar's latest venture may feature the Day of the Dead, but it's packed with heartwarming life and vitality

The Death of Stalin review – ‘it straddles that oh-so-narrow line...

Christopher Goring enjoys the satire of Iannucci’s warped world behind the Iron Curtain
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