film Archives - Page 3 of 17

Oxford Horror Soc, un-earthed

The Oxford Horror Soc, led by Izzy Reese, is Oxford’s first and only society dedicated to the on-screen horror genre.

Lights, camera, Liaisons

It will undoubtedly be the one of the most all-out, technically spectacular shows that Oxford student drama has seen in a long time.

Review: Joker: Folie à Deux

Joker: Folie a Deux is ultimately too disjointed and unnecessary to win Oscars or make headlines.

The Graduate took on generational divides

From its start, The Graduate shows its audience that Ben is alienated from the older generations. At the party his parents throw to celebrate...

Dame Maggie Smith’s Oxford beginnings, from Mansfield to McGonagall

Now nearly a month since the news of the actress’ death, aged 89, we can reflect on Smith’s extraordinary career and her connections to the city that started it all.

Has the romantic comedy lost its charm?

The romantic comedy genre is often criticised for its overreliance on tropes. The romcom is, after all by, designed to be light and fun....

Film around the world: Japan’s Harakiri

It is not The Godfather or The Shawshank Redemption or any Hollywood epic that is the highest rated film on the app ‘Letterboxd’ (a...

‘There’s a seat at the table for everyone’: In Conversation with Daisy Maskell

CW: Spiking. Daisy Maskell is, in short, a multimedia superwoman. Her documentaries have aired on BBC and Channel 4, she is the youngest breakfast show...

Denis Villeneuve’s Dune

In 1984, shortly after the epic finale to the (original) Star Wars trilogy was in theatres, David Lynch’s Dune treated audiences to, in the...

Film around the world – Turkey’s Atıf Yılmaz

Atıf Yılmaz was a Turkish film director. Until his death in 2006, he was extremely prolific and directed films across every decade of Turkish...

Memory and narrative in Miguel Gomes’ Tabu

"Now approaching the 50th anniversary of the Carnation Revolution, I return to Miguel Gomes’ 2012 feature Tabu."

All Of Us Strangers Review – A Haunting Exploration of Love in all its Forms

"In All Of Us Strangers, writer-director Andrew Haigh leads us by the hand into a dreamlike, introspective world. "

‘Bittersweet, immersive and profoundly moving’ – Perfect Days Review

"I don’t think I’ve ever felt so ‘in the moment’ while watching a film as I did with Perfect Days"

Hollywood vs. AI – Is this the end?

"the question on everyone’s lips is: is this the end? The end of special effects teams? The end of video creation? The end of filmmaking?"

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