Wednesday, May 25, 2022
Tags New writing

Tag: new writing

‘Heartbreaking and beautiful’ – Review: Brain Freeze

"From the play’s beginning, this immensely talented cast of Oxford students captured my imagination, and I was swept up by the story they had to tell."

‘A wildly enjoyable ride’ – Review: The Importance of Being Nihilists

"We’re left with a simple truth: not everything has a deeper answer, and perhaps we shouldn’t be looking for one."

‘The modern cult of the Girl Boss’ – Review: She Felt...

"Surrounded by the pressure to be beautiful, to craft a beautiful life, and to appreciate beauty, is it any wonder that Kathy goes a bit crazy? She Felt Fear is a portrait of hysteria in the twenty-first century."

‘Mortality and the human condition’ – Review: Wednesday, Death Meditation

"This uncomplicated plot provides Worth with rich opportunities for philosophical musings, with ideas explored in the piece ranging from the abrupt to the more profound."

Oscar Wilde, the 70s, and psychiatrists: The Importance of Being Nihilists

"It digs into some of the most important things we have to face in our lives. Sexuality, family, the education system, the way we judge others and ourselves."

New writing in Oxford: An interview with Shaw Worth and Kirsty...

"I think to write a play you’ve got to be constantly re-inspired. It requires so many exchanges between characters and demands inhabiting so many different psyches."

Review: Please Clap // 00Productions

'Overall, I very much enjoyed Please Clap. Experimental, and at the same time digging into the solemn secrets of celebrity and humanity, the fakery of the media and the forgery of façades, this was a show to be applauded.'

Review: Songs of the Silenced // Musketeer Productions

In the maelstrom of reinterpretations of misunderstood Homeric women and Greek tragedy revivals, the show’s lyrics stand out for consistently centring the core themes and questions asked by the ancient texts themselves.

“These are full humans that we have to take in”: An...

I wrote Quartet over a year and a half ago in early 2020, sitting down for an hour every morning to chip away at it as my way of getting through a term in lockdown. Having handed over my script to the trusted hands of Alex Foster (director) and our stunning actors, I was itching to find out how Quartet has developed.

Review: V-Card by Alison Hall // Blue Moon Theatre

'The university-set dating satire provides a perfect balance of authenticity, heart and nuanced observations on student sexuality.'