Tuesday, June 18, 2019
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Staging Invisibility

The writer of Week Seven's Hustlers at the BT discusses the concept of the hustler and diversity in theatre

Review: I punched a Nazi (((and i liked it))) – ‘Brechtian...

I found out I wasn’t going to be allowed to punch a Nazi
A poster for the OUDS New Writing Festival 2019

OUDS New Writing Festival 2019 – A Roundup

A summary by their writers of the plays which are part of this year's OUDS New Writing Festival.

The Lady’s Mad Review – ‘a triumph’

Paul Nash is captivated by Thistledown Theatre's production of Rebekah King's new play.

An Unexpected Visitor Review – ‘performed in a unique space but...

The setting of Mercury Theatre Productions' newly written play is impressive but the writing requires reworking.

Brink Review – ‘brilliant from start to finish’

Nitrous Cow Productions' new play has a high standard of acting and great technical sophistication

‘Brink’ Preview – ‘an exploration into public vs. private spaces’

Alastair Curtis' new play explores how individuals forge connections with others in our modern, digitalised world

How To Save A Rock With A Circle Review – ‘centres...

Taiwo Oyebola finds Pigfoot Theatre’s work-in-progress play about the environment funny and oddly optimistic

The Mountaintop Review – ‘explores the man behind the pulpit’

Katori Hall’s depiction of the Civil Rights icon Martin Luther King in his last hours is bewitching.

Breaking down stigma, challenging genre, and facilitating conversation – the new...

A visit to the Oxfordshire charity 'Clean Slate' with the cast of new musical 'Nice Guy'
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