In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.
The ornate, Latinate vocabulary. The debates peppered with witticisms. The patrician air, the untraceable accent, the playful glint in his eyes.
William F. Buckley was...
★★★★☆
Former Wadhamite Verity Babbs has created a practical guide to the history of art – breaking away from the traditionally dense Oxford academic style....
R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic, caffeine-fuelled study sessions; watching someone effortlessly ace every single test...
If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly good time, despite its cliché storyline. The rom-com, starring Sofia...