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Salò, or the 120 Days of Sodom: The Pornography of Power

"Pasolini uses the language and imagery of obscenity in order to shock, but if not shocked, we would only be indifferent."

In Defence of Excess

"You feel attacked, but you also feel seen – and really, is that not one of the most important things people look for when watching a film – to feel seen? "
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