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UrbanObserver
Tuesday 1st July 2025
Oxford's oldest independent student newspaper, est. 1920
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“A tense and deeply disturbing piece”
Emily Lawford is left shaken by 'Orca', an award-winning drama about sacrifice and redemption
“Fun, thoroughly amusing and worth watching”
Freya Thorpe praises Ambriel Productions’ musical ensemble
A day in the life of… a lighting director
I came to Oxford with very little backstage experience. It’s really easy to get into the scene—TAFF (the University network of backstage crew) is...
“If you’d told me a year ago I would never have believed it”
Katie Sayer chats to Callum Cameron, the writer and star of They Built It, No One Came – coming to Oxford following a successful run at the Edinburgh Fringe and a sell-out week in London
An odd mix of Sophocles, Stoppard and Wilde
Katie Sayer gives four stars to Simon Callow's revival of a 1970s classic
A day in the life of… an assistant director
Rebekah King describes her role assistant directing Brontë, Polly Teale’s successful 2005 period drama
“An aspirational first performance”
Jacob Greenhouse is impressed by 'Blatavsky's Tower', the first production from newly founded company
“A little-known gem”
Thomas Player gives four stars to 'Dear Brutus', an underrated classic
“Elegant, witty, sophisticated, remarkable”: The ‘Philanthropist’
Katie Sayer and Emily Lawford meet the all-star cast of Simon Callow's production of 'The Philanthropist'
“Injections of humour amidst the Beckettian existential angst”
Emily Lawford is impressed by Leveaux’s revival of Tom Stoppard's meta-theatrical tragicomedy Rosencrantz and Guildenstern Are Dead
“Love and humanity scattered amid the horror”
Emily Lawford enjoys a genuinely frightening production of Macbeth
A disturbing worldview undercut by patchy acting
Olivia Cormack finds that it's not just the costumes in Contractions that need ironing out
“Young, classy and capable of mischief”
Jacob Greenhouse is impressed by the freshness of Consortium Novum’s production of The Marriage of Figaro
A word from the stalls
Miriam Nemmaoui chats to an audience member who is left feeling nostalgic by Anna Karenina
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