More than just a play: 'Medea' reminds us why we go to the theatre
Charles Britton is both amazed and horrified by Deanna Fleysher's oddball creation
Is OCTOPUS, like the Sex Pistols are now, “just” uncontroversial protest? Or does it strike deeper than that?
Norris’ production is a moving theatrical piece that allows Lady Macbeth to be the puppeteer she has so desperately always wanted to be.
Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production
Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval
Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human
Fenella Sentance is thoroughly entertained by the dynamic of Verity Babbs and Chloe Jacob's comedy duo
Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism
Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief