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A person stands against a black background

Review: A View from the Bridge – ‘dramatic, gripping and surprisingly...

This latest revival of the Arthur Miller classic copes well with its challenging text (and challenging accent).
A black and white image of a group of four people casually sitting against a garage door

Staging Invisibility

The writer of Week Seven's Hustlers at the BT discusses the concept of the hustler and diversity in theatre
Two men sit on the floor in a blue light looking up with a tent behind them

Review: The Tempest – ‘exploit the comic potential in Shakespeare’s verse’

RJ Productions present an enjoyable rendition of Shakespeare’s last solo-authored play, whose strongest points lie in its subtler elements
Two people stand on a box with two people either side, all of them are singing

Review: Ordinary Days – ‘brings the score to life in quite...

A rom-com premise gives way to a brilliant musical at the BT, with endearing and relatable performances
Two women sit on a bench in dungarees surrounded by vegetables.

Review: Allotment – ‘as if the audience is intruding upon the...

MuckyOven Productions present an intriguing play about gardening, sisterhood and the passing of time.
A person lies on a blanket in a field of flowers looking down towards the camera

Review: (The Wings of the) Seagull – ‘leaves you frozen’

This one-actor show from mealspiel easily wins over its audience, with laugh-out-loud moments interspersed with stomach-churning horror.

Preview: Your Little Play – ‘your life is defined by the...

A piece of new writing about sexual misconduct and power feels particularly timely as it heads to the Pilch in 4th week.
A woman sits with bandages covering her entire face

Review: Bandages – ‘hard-hitting and unromanticised’

With visceral imagery and effective multi-roling, Radical Attic Productions' darkly feminist show explores the inheritance of abuse
A cluster of people wrapped around one another in a greyscale photo. The central woman looks directly at the camera.

Preview: Many Moons – ‘the edges of a crowd’

Small Fry Theatre’s production of the Alice Birch play provides a tense snapshot between the worlds of the intimate and immense
An actress looking to the right in the BT studio. Another person sits to the bottom right, out of focus.

Preview: Skin a Cat – an interview with playwright Isley Lynn

"The final scene I saw – a relentless, breezy epiphany, beautifully handled in all its profanity by Tupper – emphasises this point more than any: it’s about 'creating your own metric for your own happiness'."
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