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Keep Off The Grass
John Evelyn
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Keep Off The Grass
John Evelyn
Review: Endgame – ‘Nothing is funnier than unhappiness’
A literary map of Oxford
Should we judge a book by its cover?
Blood is compulsory: The films of Martin McDonagh
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Oxford's oldest student newspaper
Independent since 1920
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Cartoon
Keep Off The Grass
John Evelyn
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“Injections of humour amidst the Beckettian existential angst”
Emily Lawford is impressed by Leveaux’s revival of Tom Stoppard's meta-theatrical tragicomedy Rosencrantz and Guildenstern Are Dead
“Love and humanity scattered amid the horror”
Emily Lawford enjoys a genuinely frightening production of Macbeth
A word from the stalls
Miriam Nemmaoui speaks to a tipsy audience member at Suzy Cripps’ 'The Optimists'
A disturbing worldview undercut by patchy acting
Olivia Cormack finds that it's not just the costumes in Contractions that need ironing out
“More gentle slap than sucker punch”
Katheryn Thompson finds Made in Dagenham lacking in political grit
“A bold and unapologetic production”
Surya Bowyer is frustrated by a powerful production of 'Suspiria' which comes so close to greatness
Anything but a simple fairy-tale
Ebere Nweze is impressed by this unnerving and sharp new adaptation of Wilde’s short story
A word from the stalls
Miriam Nemmaoui chats to an audience member who is left feeling nostalgic by Anna Karenina
“An enormous array of talent on display”
Jonnie Barrow enjoys a bumpy ride through a musical twist on a classic
“Krapp isn’t quite of this world”
Sian Bayley is finds chills and thrills in this production's take on Beckett's exploration of failure
Review: The Optimists
Suzy Cripps’ The Optimists, a tightly-paced romp of hypocrisy, coincidence and curtains, is a solid comedy of errors in the best of British tradition. Involving...
Both disturbing and utterly engaging: Suddenly Last Summer
With the tagline, “Something unspeakable happened last summer”, you might be forgiven for thinking of Aunt Ada Doom’s (Cold Comfort Farm) cry of “I...
Two lonely people, one heartrending production
Bessie Yuill promises an intense evening of Beckett made accessible to all
Review: The Homecoming
After the play finished, a few good friends walked towards me. “Wait, so what happened?” My friend Alex’s facial muscles were contorted. “What the...
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