Review: the OBA Easter Projects
Louise Howland dissects Sunday’s OBA student film screening, praising their indie feminist zeal
Review: Eye In The Sky – a warning about the costs of war
Apart from the climax, Rickman’s final film doesn’t have much ‘thrill’ for a thriller, writes Alistair Badenoch
Review: My Big Fat Greek Wedding 2 – like microwave moussaka
Comedies based on stereotypes are ripe for criticism, but Miriam Nemmaoui managed to see beyond this, finding her own family represented in the Portokalos’
The Making of Bench: contribution and collaboration
The cast and crew of Bench reflect on the collaborative process of film-making, women behind and in-front of the camera, and cinema's power over how we perceive mental health disorders
Review: Hush – a cat and mouse fight to the death
Hush negotiates the established conventions of the home-invasion horror concerning female victimhood, writes Louise Howland
Review: Miles Ahead – this is no hagiography
Miles Ahead successfully connects the deeply flawed private man with his public persona, the greatest jazz musician of the twentieth century, writes Altair Brandon-Salmon
Review: Eddie the Eagle – ‘he’s a laughing stock’
Eddie the Eagle is the same bland, fabricated underdog cliché we’ve seen time and again, writes Tom Barringer
